documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
At the beginning of the 1970s, the communist politburo in Albania decided to kick off a new campaign. Its focus was to be Emancipimi I Gruas (the so-called “Emancipation of Women”). The experience…
What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center…
Johann Joachim Winckelmann’s scholarship, in particular his book Geschichte der Kunst des Alterthums (History of Ancient Art, first published in 1764), was foundational for both art history as an academic…
Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
Lucien Castaing-Taylor and Véréna Paravel’s Leviathan revolutionizes cinema’s documentary tradition. The film turns the cinematic gaze into an immersive experience that offers a hallucinatory, unsettling, and crude depiction of modern industrial fishery…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
