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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Honeymoon in Chaospolis & (Not very) proper names

by Mustapha Benfodil

To Paris!
To all the victims
of liberticidal barbarity…

Honeymoon in Chaospolis

We met each other in Tunis
We loved each other in Gaza
We missed each other in Beirut
We kissed in Paris
We got married in Algiers
We…

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Notes

Alvin Lucier

On one side of the stage, a performer ignites a small flame, which stands out against the darkness; on the other side, another performer appears and vocalizes a sustained tone that rises and resounds throughout…

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Artists

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…

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South Issue #9 [documenta 14 #4]

Boats of History

with Giorgos Maniatis, Servanne Jollivet, Pavlos Hatzopoulos, Anna Papaeti, and Nelli Kampouri

The session of talks and debates surrounding the political history of the Mediterranean takes place on a boat sailing along the coast of Athens and the Piraeus Port. There is no better place than a boat…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Byzantine and Christian Museum (Gardens)

The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…

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Venues

Peppermint

Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #9: The Forgotten Space

by Allan Sekula and Noël Burch

American artist Allan Sekula made The Forgotten Space after he was invited to create a work of art in a public space. He thought it important to understand television as such a public space and set out to make a film for national television with his co-director, the Paris-based American film theorist Noël Burch…

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

Pile o´ Sápmi

with Máret Ánne Sara and Candice Hopkins

documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]