documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When I first visited the Acropolis in 1959 I found myself walking virtually by accident on the adjacent landscape of Philopappou Hill and there I felt, with surprise, the almost literal movement of the…
We are singular beings, but never identical to ourselves, I thought when Hiwa K asked me to play the piano part of Nick Cave’s “Stagger Lee” for his performance The Barkeeper Is Not Dead . . . Yet…
Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…
Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…
Cecilia Vicuña completes the Athenian chapter of her documenta 14 project by way of a ritual offering to the sea gods of ancient Hellenic lore. The sacrifice in question consists of Vicuña presenting…
Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…
Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…
Perfumed Nightmare is directed by the self-taught filmmaker Kidlat Tahimik, who also plays the lead role. It tells the story of a humble, small-town lad who drives a “jeepney,” one of the trucks left behind by the US military that are still the main form of public transportation in the Philippines…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.