documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
I often wonder what people mean when they say Kassel has changed over these past two years, during what has been called the “refugee crisis.” Has the city become more diverse? Are social and cultural…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
The EMST–National Museum of Contemporary Art, which has collected Greek and international art from the postwar period to the present since 2000, initially presenting a program in various temporary venues…
“Since beginning to know his work a bit better, I’ve come to think that this tall, curiously blond boy perceived us by way of clues—clues capable of entering savant equations, according to linguistic…
BALi-Kinos is located in Kassel’s former central train station. In 1995 it became part of the complex developed as the KulturBahnhof, and since 1997 it has been the home of the documenta film program…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
with Colin Dayan, Pélagie Gbaguidi, Tavia Nyong’o, David Scott, and Françoise Vergès
Books are material surfaces of inscription where political fictions have the opportunity to become collective reality. The Code Noir was an economic and legal decree passed by King Louis XIV in 1685 to…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
