documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
In 1974, at the age of nineteen, Christopher D’Arcangelo embarked on a series of paintings using rudimentary stenciled letters painted on a monochrome ground. Inspiration for the series came, at least…
Zef Shoshi (born 1939 in Tirana) is one of best-known portraitists of Albanian socialist realism. He studied painting at the “Ilya Repin” Institute of Art in St. Petersburg, bringing home a strong…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Near the Athens War Museum, a green oasis of exclusively Mediterranean flora is situated between two busy avenues. The plants were bequeathed in 1844 by Georgios Rizaris, a former member of the Society…
It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…
The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…
The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…
with Andrew Feinstein, Johan Grimonprez, and Marina Fokidis
A discussion on Democracy and War with Andrew Feinstein, author, and Johan Grimonprez, artist moderated by Marina Fokidis, Head of documenta 14 Artistic Office, Athens
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
