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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

David Perlov: Retrospective

A documenta 14 film program and exhibition
June 7–September 17, Grosses BALi, daily

When Israeli filmmaker David Perlov died, he left behind dozens of Hefte (Notebooks), filled with epigrams, texts for…

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Notes

Panos Charalambous

“Where do voices go when we no longer hear them?” For more than a century they would go on gramophone records, 45 rpm singles, and 12-inch vinyl LPs, but also on some very special, handmade 78 rpm…

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Artists

Wars and Capital

with Eric Alliez and Maurizio Lazzarato

This three-day seminar reexamines the fundamental relationships that wars and civil wars (among classes, races, sexes) have entertained with capital (and especially financial capital) throughout the history…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Polytechniou 8

"A spring morning in the early 1950s, an excited group of young graduates crossed Patision avenue down to their favorite cafe on Polytechniou street. The wars were over, the sun was out, Athens was in…

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Venues

Leder Meid Apartment

Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…

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Venues

Keimena #6: Voilà l'enchaînement

by Claire Denis

How two people come apart can be as compelling to watch as what brings them together. In Clarie Denis’ film Voilà l’enchaînement, the fissures in a relationship between a black man (Alex Descas) and a white woman (Norah Krief) are apparent from the first scene. Longing for more closeness, and caressing his shoulder, she asks him to tattoo her name on his body. He gently refuses: “for you it means eternity, for me it means branded.” Does the friction of this early exchange—still light enough to be softened with an embrace, but opening a crack of enmity—set in motion what comes next…

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Public TV

Outlawed Social Life

by Candice Hopkins

U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…

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South Issue #7 [documenta 14 #2]

Opening, Introduction, and Discussions

6–8 pm
Presentation of the Cooperativist Society

The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]