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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Agim Çavdarbasha (1944­–1999)

Agim Çavdarbasha’s sculptural work is part of the foundations of modern art in Kosovo. He studied at Yugolslav art academies (in Belgrade 1964­–69 and Ljubljana 1970–71) within liberal circumstances…

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Notes

Marina Gioti

What are the commonalities between two 1980s commercials, one in which a blonde couple are vigorously playing something between racquetball and softball on a beach near Athens to the Dead Κennedys song…

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Artists

Treaty and Protest: John Miller’s Photographs by Cassandra Barnett and Jon Bywater, with an introduction by Marina Fokidis

I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…

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South Issue #9 [documenta 14 #4]

#19 Attempt. Come.

by Georgia Sagri

Attempt.
Come.
Undefined.
Be the point of no-reference.
Constant,
and as a state of formation.
Play.
Continue to play with the beat.
Vibrate with me, so chaos can enter.
It is an invitation.
Come.
As water.
As the…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Syntagma Square

Due to its prominent location in front of the Greek Parliament, the central square of Athens has long served as the starting and ending point for many assemblies and demonstrations. Its original name was…

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Venues

André Pierre

Born in Haiti, André Pierre (1916–2005) lived in Croix-des-Missions at the outer edge of Port-au-Prince and developed his oeuvre as a self-trained artist and respected Vodou priest while also involved…

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Historical Positions

Kulturzentrum Schlachthof

Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…

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Venues

Keimena #24: Ának Araw

by Gym Lumbera

Gym Lumbera’s Ának Araw begins with words on the screen: a procession of basic English nouns accompanied by pictographic representations. These are followed by their live-action representations, subtitled in Tagalog. Words, but no dialogue…

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Public TV

Mask Silence, Silence Masks, or A Condition of Utmost Listening

by Stathis Gourgouris

Silence 1

The sense we have is that in the vast expanses of space between celestial bodies there is a void. Hence, total silence. The Greek word for space is διάστημα, which means literally in-­between…

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South Issue #7 [documenta 14 #2]

A Political History of Dance and Electronic Music: The Invention of Queer Culture

with Luis-Manuel García, Elena Puentes, Panagiotis Vaxevanakis, and Dimitris Papanikolaou

This panel discussion organized in collaboration with the FASMA Festival looks into the political present and history of electronic music, particularly focusing on its diverse roots.

With Luis-Manuel García…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]