Menu
09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

 More
News

Meanwhile, Aboubakar Fofana contributes a text-ile to The documenta 14 Reader

by Monika Szewczyk

It took artist Aboubakar Fofana one day to set up a fructose-based indigo vat at the Mentis Center for the preservation of traditional textile techniques at 6 Polyfimou Street in Athens. It was December…

 More
Notes

Alexandra Bachzetsis

Alexandra Bachzetsis takes the emerging systems of communication that have come to define contemporary culture—pop music, the mass media, and the internet—as the true sites within which contemporary…

 More
Artists

For K.G. Subramanyan, or “Mani da” as we called him

by Naveen Kishore

I

Softly
like warm breath
on a cold mirror 

or a whisper
on bare feet 

wearing only white

he slipped away 

unable to resist
before escaping

a last glance

How many shawls from Kashmir can you give a man…

 More
South Issue #9 [documenta 14 #4]

The Fabric of Capitalism

with Click Ngwere and Denise Ferreira da Silva

The Apatride Society invites feminist activist and artist Click Ngwere and scholar Denise Ferreira da Silva to reflect and work on the fabric of contemporary capitalism. Together they look into the global…

 More
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

 More
Publications

Municipal Theater of Piraeus

The Municipal Theater of Piraeus is an exemplar of nineteenth-century Greek public architecture. Built from plans by Ioannis Lazarimos, the neoclassical building has been a meeting point for the city’s…

 More
Venues

Sedje Hémon

It is obvious I have to solve this problem. From 1954 until 1958, so for four years, I listened halfheartedly to people who insisted that there is music present in my paintings. Since nobody could actually…

 More
Historical Positions

documenta Halle

Beyond its obvious postmodern invocations, documenta Halle seems like a body reclining on the slope that brings visitors from Friedrichsplatz to the Orangerie and Karlsaue park—an organism of steel and…

 More
Venues

So Many Hungers

by Natasha Ginwala

It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…

 More
South Issue #8 [documenta 14 #3]

Keimena #7: Manazil bela abwab (Houses Without Doors)

by Avo Kaprealian

Houses without Doors is a subjective, intimate chronicle of the survival of a Syrian-Armenian family in Aleppo as the civilian uprising devolved into an armed conflict between 2011 and 2014. Like many in Syria, director Avo Kaprealian felt compelled to document the extraordinary events of the uprising…

 More
Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

 More
South Issue #7 [documenta 14 #2]

Black Athena Reloaded 1: Ideas as Migrants
Debt and Migration in the Postcolony. An Enquiry into Greece’s Crisis

with Ranabir Samaddar and The Apatride Society of the Political Others, Lena Platonos, Savina Yannatou, Stergios Tsirliagos and The Society of Friends of Ulises Carrión

In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…

 More
Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

 More
Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

 More
South Issue #6 [documenta 14 #1]