documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The Syrian who wanted the revolution is not in opposition. S/he does not belong to the system of opposition, the product of a power struggle in Assad’s Syria. S/he did not go out onto the streets to…
Drum, a table. Chairs, a string section. Resonating bodies: the forms that hold us, sounds that form us, forms we play in the artist’s music room [drum]. What artist? Nevin Aladağ. What room? The one…
I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…
There are fears that globalization is making different cultural identities homogeneous, yet it often enables a cosmopolitanism that enables different local practices to coexist although some differences…
Trianon Cinema opened with the premiere of the Greek film Never on Sunday in August 1960. Today, the cinema continues to screen films but has expanded its program to present performances, concerts, and…
An avant-garde composer, Ivan Wyshnegradsky’s research into microtonal music was inspired by Mikhail Matyushin. In the 1940s, already living in France, Wyschnegradsky started using colors to describe…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
with Ranabir Samaddar and The Apatride Society of the Political Others, Lena Platonos, Savina Yannatou, Stergios Tsirliagos and The Society of Friends of Ulises Carrión
In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
