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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

UNESCO declares al-Khalil/Hebron a World Heritage Site

My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…

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Notes

Elisabeth Wild

Nací en Viena (Austria) el 6 de febrero de 1922. En 1938 emigré con mis padres, Franz und Stefanie Pollak, a la Argentina, a Buenos Aires. Aprendí a pintar con un artista de la Academia de Arte de Viena…

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Artists

Lives and Works of Lorenza Böttner

by Paul B. Preciado

Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…

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South Issue #9 [documenta 14 #4]

Blood Memory

with Lala Meredith-Vula and Arnisa Zeqo

In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Ancient Agora of Athens—Odeion of Agrippa

Central to Athenian democracy and justice was the Agora, a place of assembly for its citizens. At the center of the Ancient Agora of Athens was the Odeion of Agrippa, an auditorium with the capacity to…

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Venues

KSYME-CMRC

The Contemporary Music Research Center (KSYME-CMRC) was founded in Athens in 1979 by Iannis Xenakis, Giannis G. Papaioannou, and Stephanos Vassiliadis, with the aim of developing electro-acoustic music…

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Historical Positions

Glass Pavilions on Kurt-Schumacher-Strasse

One of the main traffic corridors in Kassel, Kurt-Schumacher-Strasse also designates a border. Geographically, it traces the line between Mitte at the center and Nordstadt in the north of the city; as…

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Venues

Revolutionary Work: Pandurang Khankhoje and Tina Modotti

by Savitri Sawhney

My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…

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South Issue #8 [documenta 14 #3]

Keimena #32: Le Président (The President)

by Jean-Pierre Bekolo

The President, by Jean-Pierre Bekolo, is a witty, poetic, and humorous take on the ugly reality of power in postcolonial Africa. States ruled by men who cling to power, craving immortality. Men like Uganda’s Yoweri Museveni, Zimbabwe’s Robert Mugabe, Angola’s José Eduardo dos Santos, or Equatorial Guinea’s Teodoro Obiang Nguema Mbasogo. Under their omnipotent rule, even to imagine a state after them is a crime…

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Public TV

The Mask of Language: Poems of Alejandra Pizarnik

by Quinn Latimer

“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…

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South Issue #7 [documenta 14 #2]

The Gesture of Hospitality

with Nathan Pohio, Hendrik Folkerts, and Candice Hopkins

Nathan Pohio comments on rituals of hospitality within Māori culture and the political implications of being a host and being a guest.

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]