documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
Plants are central to Lois Weinberger’s discourse on the relationship between nature and society. His radical poetics of the “ruderal”—literally, the growth of plants on waste ground—counters…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…
The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…
1891–1938 Born in Ķempji, Latvia in 1891; moves to Riga in 1898. Studies at Vladimir Bekhterev's Institute of Psychoneurological Research in St. Petersburg (1912–13), Šanjavskij Cultural University…
Many threads of Kassel’s history are woven together in this abandoned warehouse. Built in the 1950s on a location belonging to two of the city’s most prominent industrial dynasties, Henschel company…
Lucien Castaing-Taylor and Véréna Paravel’s Leviathan revolutionizes cinema’s documentary tradition. The film turns the cinematic gaze into an immersive experience that offers a hallucinatory, unsettling, and crude depiction of modern industrial fishery…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
