documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
According to what Ahlam Shibli told me, the two photographic “reportages”—I use the term here for want of space to debate it—that will be presented at documenta 14 have precedents in her work…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
by Angela Brouskou – Theatro Domatiou and MiniMaximum ImproVision
Epitafios II is a collaboration between professional actors, musicians, students, performers, and the audience. A blanket of human bodies and objects covers the floor of the former headquarters of the…
On August 17, 1944, Nazi troops executed seventy-five members of the Greek Resistance at the old factory of the British Oriental Carpet company in the neighborhood of Kokkinia (known also as Nikaia). Hundreds…
An avant-garde composer, Ivan Wyshnegradsky’s research into microtonal music was inspired by Mikhail Matyushin. In the 1940s, already living in France, Wyschnegradsky started using colors to describe…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
Devastating famines were routine in British India, resulting from the way in which the colony was forcibly incorporated into the global economy. For almost two centuries, revenues flowed from the colony…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…
