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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Collective Exhibition for a Single Body

Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…

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Notes

El Hadji Sy

Recall to the early 1990s and a meeting with El Hadji Sy in his studio in Dakar: I remember having difficulty photographing his paintings in isolation. Sy engineers my vision so that every shot contains…

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Artists

Resisting Extinction: Standing Rock, Eco-Genocide, and Survival

by Gene Ray

Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…

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South Issue #9 [documenta 14 #4]

Black Athena Reloaded 1: Ideas as Migrants
Our Common Ghosts

with Christian Nyampeta and Isaïe Nzeyimana

In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Stoa tou Vivliou

Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…

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Venues

Anna “Asja” Lācis

1891–1938
Born in Ķempji, Latvia in 1891; moves to Riga in 1898. Studies at Vladimir Bekhterev's Institute of Psychoneurological Research in St. Petersburg (1912–13), Šanjavskij Cultural University…

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Historical Positions

Kulturzentrum Schlachthof

Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…

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Venues

Keimena #7: Manazil bela abwab (Houses Without Doors)

by Avo Kaprealian

Houses without Doors is a subjective, intimate chronicle of the survival of a Syrian-Armenian family in Aleppo as the civilian uprising devolved into an armed conflict between 2011 and 2014. Like many in Syria, director Avo Kaprealian felt compelled to document the extraordinary events of the uprising…

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Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

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South Issue #7 [documenta 14 #2]

#31 Voices of Trans and Queer Politics in the Mediterranean

with Rüzgâr Buşki, Gizem Oruç, Şevval Kılıç, Margarita Tsomou, Maria Mitsopoulou aka Maria F. Dolores, Anna Apostolelli, and Tina Voreadi

With:

Rüzgâr Buşki, multimedia artist and producer, member of Kanka Productions
Gizem Oruç, musician, producer, and multimedia artist, member of Kanka Productions
Şevval Kılıç, sex worker, queer…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]