documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During the week of June 19-23, 2017 documenta 14's sound and music program offers various concerts that provide a focus on and contextualization of the work of German composer Jakob Ullmann and American…
The practice of cartography is inextricably connected with militarist and colonial histories. These histories dictate that to map land is to own it, that to draw the lines that signify borders, frontiers…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
Trianon Cinema opened with the premiere of the Greek film Never on Sunday in August 1960. Today, the cinema continues to screen films but has expanded its program to present performances, concerts, and…
Along with the Grimm Brothers and August Spies, Gottlieb Theodor Kellner stands out as a harbinger of progressive politics in mid-nineteenth-century Hessen. Kellner was born in Kassel in 1819 where, in…
Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…
Ulrike Ottinger’s Chamisso’sShadow —Chapter 1: Alaska and Aleutian Islands takes as its point of departure the accounts of Adelbert von Chamisso. The nineteenth-century botanist and poet was a voyager on the Romanzow research expedition, which aimed to find a passage between the Pacific and Atlantic oceans…
The sense we have is that in the vast expanses of space between celestial bodies there is a void. Hence, total silence. The Greek word for space is διάστημα, which means literally in-between…
Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…
