documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When Israeli filmmaker David Perlov died, he left behind dozens of Hefte (notebooks), filled with epigrams, texts for films, biographical notes, images interwoven with texts, and texts with images. Yet…
Sound is Emeka Ogboh’s primary medium of expression, from which he departs to engage other mediums in his efforts to explore the complexities of being in our world. Ogboh (born in 1977, Nigeria) employs…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
Devastating famines were routine in British India, resulting from the way in which the colony was forcibly incorporated into the global economy. For almost two centuries, revenues flowed from the colony…
The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…
Filmmaker David Perlov was born in Rio de Janeiro in 1930 and passed away in Tel Aviv in 2003. In 1957, he made his first short film, Old Aunt China, an animation based on sarcastic drawings and texts…
documenta 14 in Kassel might begin underground. Envisioned as the visitor’s point of entry into the exhibition, the decommissioned tunnel at the KulturBahnhof (formerly Kassel’s main rail station)…
Perfumed Nightmare is directed by the self-taught filmmaker Kidlat Tahimik, who also plays the lead role. It tells the story of a humble, small-town lad who drives a “jeepney,” one of the trucks left behind by the US military that are still the main form of public transportation in the Philippines…
with Dimitris Parsanoglou, Maria Iorio, and Raphaël Cuomo
In contemporary discussions of European borders, the sea stands as a silent and invisible yet violent medium that accentuates the tragic or heroic border crossings of migrants and refugees. Although it…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
