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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Christopher D’Arcangelo (1955–1979)

In 1974, at the age of nineteen, Christopher D’Arcangelo embarked on a series of paintings using rudimentary stenciled letters painted on a monochrome ground. Inspiration for the series came, at least…

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Notes

Dan Peterman

Dan Peterman has been working at the intersection of classical sculptural questions pertaining to form, mass, and volume, and pressing socioeconomic and ecological concerns since the beginning of the 1980s…

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Artists

Double Gambit: Katerina Koskina and Adam Szymczyk in Conversation with Domenick Ammirati

The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…

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South Issue #9 [documenta 14 #4]

Initiativgruppe Griechenland – Erinnerung als Widerstand (Initiative Group Greece – Remembrance as Resistance)

with Skevos Papaioannou, Geert Platner, Erika Wittlinger, and other members of the Initiative Group

“The working title of this year’s documenta and the artistic director’s appeal for stories prompted us to form an initiative group which has made preparations for several events and activities under…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Panathenaic Stadium/Hellenic Olympic Committee

First built in the fourth century BC during Lykourgos’s archonship in the ravine between Ardettos Hill and the Ilissos River, the Panathenaic Stadium was reconstructured during the reign of Roman emperor…

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Venues

Valery Pavlovich Lamakh

“Inside every human being there is a light, a sun, and through it, we are able to behold an external light, the external sun,” wrote Lamakh in one of his Books of Schemes. These books construct a cosmological…

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Historical Positions

BALi-Kinos

BALi-Kinos is located in Kassel’s former central train station. In 1995 it became part of the complex developed as the KulturBahnhof, and since 1997 it has been the home of the documenta film program…

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Venues

Keimena #37: Lmuja (The Wave)

by Omar Belkacemi

Omar Belkacemi’s The Wave tells the story of Algerian journalist and writer Redouane, who comes back from Europe to investigate a wave of suicides in his native country during the mass lay-offs of the late 1990s…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

No One is Illegal

with Martin Rapp, Rex Osa, and Ralf Homann

Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]