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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

The Syrian who wanted the Revolution

by Abounaddara

The Syrian who wanted the revolution is not in opposition. S/he does not belong to the system of opposition, the product of a power struggle in Assad’s Syria. S/he did not go out onto the streets to…

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Notes

Khvay Samnang

The practice of cartography is inextricably connected with militarist and colonial histories. These histories dictate that to map land is to own it, that to draw the lines that signify borders, frontiers…

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Artists

A Guatemalan Idyll
Story by Jane Bowles
Paintings by Vivian Suter

When the traveler arrived at the pension the wind was blowing hard. Before going in to have the hot soup he had been thinking about, he left his luggage inside the door and walked a few blocks in order…

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South Issue #9 [documenta 14 #4]

What is it to read?

with Ross Birrell

In this meeting the artist Ross Birrell makes a special presentation of his upcoming publication “The Parasite” (2017). Done within the research framework of documenta 14, “The Parasite” is a text…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Archaeological Museum of Piraeus

This significant museum features a complete depiction of an ancient Athens naval dockyard. Some of the pieces are extremely rare, in particular the famous bronze statues and a theatrical “tragedy mask”—all…

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Venues

Dmitri Prigov

When Dmitri Prigov first tried to exhibit his “Appeals to the Citizens” in public spaces in Moscow—pasting them onto electricity poles or pinning them to trees—he was arrested and sent to a psychiatric…

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Historical Positions

Museum für Sepulkralkultur

Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…

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Venues

A Mighty Forest

by Dieter Roelstraete

It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…

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South Issue #8 [documenta 14 #3]

Keimena #3: Oncle Bernard—L’anti-leçon d’économie

by Richard Brouillette

Depicted in Richard Brouillette’s Oncle Bernard – A Counter-Lesson in Economics, Bernard Maris, who wrote under the pseudonym of Uncle Bernard in his “Charlie Hebdo” column, had the mission of unmasking the professional fabricators of the economy—those who, every day, wherever we are, fill us with the same rubbish, draped in a phony pseudo-science whose goal is to disguise the mechanisms of that power which enslaves us…

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Public TV

Mask Silence, Silence Masks, or A Condition of Utmost Listening

by Stathis Gourgouris

Silence 1

The sense we have is that in the vast expanses of space between celestial bodies there is a void. Hence, total silence. The Greek word for space is διάστημα, which means literally in-­between…

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South Issue #7 [documenta 14 #2]

Gordon Hookey: Summoning Time. Painting & Politikill Transition in MURRILAND!

with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts

Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Invisible Collection

by Stefan Zweig

Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…

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South Issue #6 [documenta 14 #1]