documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
When Douglas Gordon was asked what he had been taught during his time as a student of the Environmental Art course—the influential department at Glasgow School of Art established by David Harding in…
In this talk, Gómez-Barris asks how we might decolonize memory to activate different potential alternative and anti-capitalist futures. Specifically, the talk addresses how the evacuation of colonial…
The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center…
Along with the Grimm Brothers and August Spies, Gottlieb Theodor Kellner stands out as a harbinger of progressive politics in mid-nineteenth-century Hessen. Kellner was born in Kassel in 1819 where, in…
Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Carmelo Bene’s 1971 film Don Giovanni is not an adaptation of a famous Don Juan story. Instead, the film critically investigates the multifaceted legend of the wealthy male sinner who seduces one woman after another. This is a film about Don Juanism…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
