documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
ANTIDORON. The EMST Collection at Museum Fridericianum, part of documenta 14, marks the first extensive presentation of the collection of the EMST–National Museum of Contemporary Art, Athens…
Arben Basha (born 1947 in Tirana) is mostly known for his career in and contribution to the industry of Albanian socialist realist cinema. He served for many years as a painter of film sets at Kinostudio…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
with Hendrik Folkerts, Amelia Jones, and Arnisa Zeqo
We warmly invite you to the inauguration of The Society of Friends of Ulises Carrión. This Society takes the work and methods of Mexican artist Ulises Carrión (1941–89) as a starting point in order…
This museum is housed in a former private home designed by Ernst Ziller for German archaeologist Heinrich Schliemann. Its interior—once the height of opulence—reflects the influence of archaeological…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
What does it mean to be free when the market exceedingly places the demand on individuals to be free, creative, autonomous, and striving? What is the difference between what Foucault, since the end of…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
