documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When Iver Jåks first saw the light of day on a mountain near the village of Karasjok in Northern Norway in 1932, the Sámi did not have a word for “art.” Life, art, and craft were the same; the word…
When documenta was founded and first organized in the West German city of Kassel in 1955, a proverbial stone’s throw away from the border separating West from East, “capitalism” from “communism,”…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
with Sarah Gensburger, Isabelle Backouche, and Eric Le Bourhis
Auschwitz, Drancy camp near Paris, the Warsaw Ghetto: the history of Jewish persecution during the Second World War is inscribed in acknowledged locations including ghettos and extermination or transit…
Trianon Cinema opened with the premiere of the Greek film Never on Sunday in August 1960. Today, the cinema continues to screen films but has expanded its program to present performances, concerts, and…
When Dmitri Prigov first tried to exhibit his “Appeals to the Citizens” in public spaces in Moscow—pasting them onto electricity poles or pinning them to trees—he was arrested and sent to a psychiatric…
While Olu Oguibe’s project in Athens, The Biafra Time Capsule (2017), deals with an archive of the human tragedy of the Biafra War (1967–70), his work in Kassel refers to a critical humanitarianism…
Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…
“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…
with Luis-Manuel García, Elena Puentes, Panagiotis Vaxevanakis, and Dimitris Papanikolaou
This panel discussion organized in collaboration with the FASMA Festival looks into the political present and history of electronic music, particularly focusing on its diverse roots.
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
