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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“The thirtysomething and fortysomething generations in the Arab world (to which I belong) are the children of a generation that once believed they could change the world and reverse the order of their societies. They fought to realize their dream and were defeated. We, their offspring, have come into adulthood and consciousness of the world as their dreams and defeats have resulted in sinister schemes of despotism. All they had left to give us to face the world and guard us against the torment of its ruthlessness was their sorrow. Thus has sorrow become our skin: the skin of our cities, the skin of our voices, the skin that warms, and with which we love.”
—Rasha Salti
Notes

Agnes Denes

What happens if polar tension is released?
When the pull of gravity is tampered with?
When the continents drift and form new constellations of land and water?
What might the world look like if you could peel…

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Artists

Lives and Works of Lorenza Böttner

by Paul B. Preciado

Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…

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South Issue #9 [documenta 14 #4]

#9 Between Terror and Revelry. Collective Strategies of Resistance during Dictatorships in Argentina and Brazil

by Ana Longoni

Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

EMST—National Museum of Contemporary Art

The EMST–National Museum of Contemporary Art, which has collected Greek and international art from the postwar period to the present since 2000, initially presenting a program in various temporary venues…

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Venues

Giesshaus (University of Kassel)

The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…

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Venues

Keimena #40: An Opera of the World

by Manthia Diawara

In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…

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Public TV

The Mask of Language: Poems of Alejandra Pizarnik

by Quinn Latimer

“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…

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South Issue #7 [documenta 14 #2]

The Parliament of Bodies: The Strategy of Joy

with Ross Birrell, Nita Deda, Hendrik Folkerts, Dimitris Ginosatis, Natasha Ginwala, Guillermo Gómez-Peña and Balitronica Gómez, Jack Halberstam, Trajal Harrell, Candice Hopkins, iQhiya, Élisabeth Lebovici, Catherine Malabou, Joar Nango, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Ibrahim Quraishi, Roee Rosen, Dim Sampaio, and Adam Szymczyk

A paradox lies at the heart of contemporary democratic societies concerning the center of the politics of representations of their parliaments: They have gradually turned into ensembles joined by fear…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

 

i would not be

i would not be had i not not i i too but not even at all if. 
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

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South Issue #6 [documenta 14 #1]