documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Abdurrahim Buza is one of the most respected Albanian painters whose career spanned the years before and after WWII. Buza was born in 1905 in Skopje (today Macedonia) in a family originally from Gjakova…
Ben Russell—filmmaker, artist, curator—challenges conventions of documentary representation from within to produce intense, hypnotic, and, at times, hallucinating experiences. His curatorial work follows…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
with Colin Dayan, Pélagie Gbaguidi, Tavia Nyong’o, David Scott, and Françoise Vergès
Books are material surfaces of inscription where political fictions have the opportunity to become collective reality. The Code Noir was an economic and legal decree passed by King Louis XIV in 1685 to…
Above the entrance of the Athens School of Fine Arts on Pireos Street we find the popular Greek slogan Ένας στο Χώμα χιλιάδες στον Αγώνα (One in the soil, thousands on the battlefield)…
One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…
Miklós Erdély’s Version gravitates around Tiszaeszlár, a small East Hungarian village where in 1882 a young maid went missing and was later found dead in the river. The local Jewish community was accused of ritually murdering her. The blood libel trial that followed ignited anti-Semitic propaganda, agitation, and later pogroms in Austria-Hungary that gained worldwide attention…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
The Society for the End of Necropolitics invites you to a lecture in three parts by contemporary theorist Franco “Bifo” Berardi on the recent rise of nationalism and fascism in Europe and the possibility (or impossibility) of political resistance in the age of financial capitalism…
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
