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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

In Memoriam: Pauline Oliveros (1932–2016)

by Alvin Lucier

I first met Pauline Oliveros in 1965 in Cleveland, Ohio. Pianist David Tudor had been asked to perform a concert at Case Western Reserve University in Cleveland and invited Pauline and I to join him. I…

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Notes

Ganesh Haloi

During one of my initial visits to his Kolkata home, Ganesh Haloi sat me down with an offering of Bengali sweets and then explained how one reads elemental shapes in our organic world. How the line, circle…

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Artists

Gordon Hookey: Summoning Time. Painting & Politikill Transition in MURRILAND!

with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts

Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Temple of Olympian Zeus

One of the largest temples of the ancient world, the Temple of Olympian Zeus was first planned in 515 BC by Peisistratus the Young. Construction, however, stalled for more than six hundred years and only…

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Venues

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

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Venues

H+G: An Introduction

by Pope.L

For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…

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South Issue #8 [documenta 14 #3]

Keimena #33: Pays Barbare (Barbaric Land)

by Yervant Gianikian and Angela Ricci Lucchi

In Barbaric Land, Angela Ricci Lucchi and Yervant Gianikian ask, ‘What is fascism?’ How is it born, how is it rooted, and what unites its different strains? Composed of archival documentary material, their film descends into the darkest period of Italian history…

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Public TV

Encountering: Gesture as Event, or The Conceptual Body

with Hendrik Folkerts, Amelia Jones, and Arnisa Zeqo

We warmly invite you to the inauguration of The Society of Friends of Ulises Carrión. This Society takes the work and methods of Mexican artist Ulises Carrión (1941–89) as a starting point in order…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]