documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When seen from a distance, there is a constant glow within the tent as if it has a warm light switched on. In the day, the drawing is backlit and at night, when the oil lamps burn inside, it lights up…
In 1994, Marilou Schultz, an acclaimed Navajo weaver and educator, was commissioned by the Intel corporation in Rio Rancho, New Mexico to weave a replica of a printed circuit board. Schultz began weaving…
I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…
The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…
This museum is housed in a former private home designed by Ernst Ziller for German archaeologist Heinrich Schliemann. Its interior—once the height of opulence—reflects the influence of archaeological…
One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…
This performance is inspired by all those people who at some point, in some place, in some way reacted to what was putting them down by posing thousands of questions. By all those who, if only for a brief…
