documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Katalin Ladik’s art is founded on movement. Everything is set in motion, in constant flux and transformation; there is no imitation, representation, narrative. Even the direction of movement is not defined…
The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…
Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…
Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…
Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…
In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…
Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…
Attempt. Come. Undefined. Be the point of no-reference. Constant, and as a state of formation. Play. Continue to play with the beat. Vibrate with me, so chaos can enter. It is an invitation. Come. As water. As the…
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
