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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Christopher D’Arcangelo (1955–1979)

In 1974, at the age of nineteen, Christopher D’Arcangelo embarked on a series of paintings using rudimentary stenciled letters painted on a monochrome ground. Inspiration for the series came, at least…

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Notes

Christos Papoulias

In Greece, between heaven and earth, we are often prompted by the rocky surface of the earth’s crust, which to architect Christos Papoulias’s eyes appears, with its sinuous cracks, as an endless city—partly…

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Artists

We Are Somatic Creatures: Hila Peleg in Conversation with Rosalind Nashashibi, Véréna Paravel and Lucien Castaing-Taylor, and Ben Russell

Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…

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South Issue #9 [documenta 14 #4]

Never-Closing

with Sergio Zevallos and members of the Open Form Societies

July 15, 2017, 4 pm
Parko Eleftherias, Athens Municipality Arts Center, Athens…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Museum of Islamic Art, Benaki Museum

From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…

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Venues

Ludwig Emil Grimm

Much lesser known than his folktale-gathering, dictionary-drafting brothers Jacob and Wilhelm, Ludwig Emil Grimm deserves greater recognition for his work as a draughtsman, engraver, and painter. A founding…

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Historical Positions

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

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Venues

Enfleshment of Memory

by Neni Panourgiá

Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…

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South Issue #8 [documenta 14 #3]

Keimena #5: Verzió

by Miklós Erdély

Miklós Erdély’s Version gravitates around Tiszaeszlár, a small East Hungarian village where in 1882 a young maid went missing and was later found dead in the river. The local Jewish community was accused of ritually murdering her. The blood libel trial that followed ignited anti-Semitic propaganda, agitation, and later pogroms in Austria-Hungary that gained worldwide attention…

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Public TV

#17 Red Star, Crescent Moon / after Sohail Daulatzai

by Naeem Mohaiemen

In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Construction of Southern Ruins, or Instructions for Dealing with Debt

by Aristide Antonas

 

In Greek, the word κείμενο (keímeno) has a double meaning. As an adjective, keímeno describes something that has fallen or toppled over, but the ancient adjective is also the Modern Greek noun…

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South Issue #6 [documenta 14 #1]