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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

John Berger: Between Permanent Red and the Black Box of the Universe

by Nikos Papastergiadis

Artist, art critic, novelist, and poet John Berger (1926–2017) died on January 2 at the age of 90. documenta 14 remembers his insights and influence…

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Notes

Andreas Ragnar Kassapis

A boy puffed his cheeks to the bursting point.
What do you mean? asked the old man. He sank his face in the hair
of the guy in front until everything was crammed around him.
Years later he would think of…

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Artists

Blood Is Flowing in Carthage: Simone Weil between Force and Colonialism

by Richard Fletcher

The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…

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South Issue #9 [documenta 14 #4]

No One is Illegal

with Martin Rapp, Rex Osa, and Ralf Homann

Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Greek Film Archive (Tainiothiki)

Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…

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Venues

Ivan Peries

As a founding member of the 43 Group, Ivan Peries (1921–88) was part of an avant-garde circle of artists in Sri Lanka, which also included Lionel Wendt, George Keyt, Harry Pieres, and L. T. P. Manjusri…

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Historical Positions

Kassel-Wilhelmshöhe Train Station

To many visitors to documenta, if not most, Kassel-Wilhelmshöhe Train Station, constructed to replace what is now known as the KulturBahnhof closer to the city center, affords the first glimpse and impression…

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Venues

Keimena #19: 48

by Susana de Sousa Dias

A face appears in Susana de Sousa Dias’ 48 — the profile of a young woman, a black-and-white photograph, taken decades ago. Her face is stern, proud, austere. Yet she weeps. She tells a tale of humiliation, frustration, and defeat. She has no name, no age, no flesh…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

Emancipating the Eyes of History

with Georges Didi-Huberman

Some reflections on the image as a way of “seeing time.” On necessary transgression. On the dialectics of desire and memory. On images as uprisings…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

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South Issue #6 [documenta 14 #1]