documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Something is rotten in the state of the media. Rotten to the point that today a man accused of war crimes can summon mainstream media to announce that reality has debunked their narrative, delighting in…
There is something called the “hidden curriculum,” a term developed by educational theorists in the 1920s. If it were not so hidden, I could explain exactly what it is, but it always seems to conceal…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
with Andrew Feinstein, Johan Grimonprez, and Marina Fokidis
A discussion on Democracy and War with Andrew Feinstein, author, and Johan Grimonprez, artist moderated by Marina Fokidis, Head of documenta 14 Artistic Office, Athens
In a prelude to Athenian industrialization, the silk company of Athanassios Douroutis defined the working-class neighborhood of Metaxourgeio (which means “silk factory”) and gave the central square…
As a founding member of the 43 Group, Ivan Peries (1921–88) was part of an avant-garde circle of artists in Sri Lanka, which also included Lionel Wendt, George Keyt, Harry Pieres, and L. T. P. Manjusri…
Nordstadtpark in Kassel is full of people on any summer evening or weekend, a place of leisure for the truly multinational neighborhood, as well as for students at the University of Kassel and visitors…
Ulrike Ottinger’s Chamisso’sShadow —Chapter 1: Alaska and Aleutian Islands takes as its point of departure the accounts of Adelbert von Chamisso. The nineteenth-century botanist and poet was a voyager on the Romanzow research expedition, which aimed to find a passage between the Pacific and Atlantic oceans…
U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
