There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

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Name Dopdi Mejhen, age 27, husband Dulna Majhi (deceased), domicile Cherakhan, Bankrahjarh, information whether dead or alive and/or assistance in arrest, one hundred rupees …
    An exchange between…

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…