documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
ANTIDORON. The EMST Collection at Museum Fridericianum, part of documenta 14, marks the first extensive presentation of the collection of the EMST–National Museum of Contemporary Art, Athens…
Zef Shoshi (born 1939 in Tirana) is one of best-known portraitists of Albanian socialist realism. He studied painting at the “Ilya Repin” Institute of Art in St. Petersburg, bringing home a strong…
with Hendrik Folkerts, Amelia Jones, and Arnisa Zeqo
We warmly invite you to the inauguration of The Society of Friends of Ulises Carrión. This Society takes the work and methods of Mexican artist Ulises Carrión (1941–89) as a starting point in order…
Along the south slope of the Acropolis lies the pedestrian street Dionysiou Areopagitou, named after Dionysius the Areopagite. Moving from east to west, the street begins alongside the Arch of Hadrian…
The Filmladen Kassel opened in the converted interior of a former storage building in Goethestrasse in the summer of 1981. Its programming offers a counterpoint to mainstream cinema, focusing since its…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
Cemetery of Splendour is Thai director Apichatpong Weerasethakul’s seventh feature film. In a provincial city in Thailand’s northeast, soldiers deployed on a construction project come down with a strange sleeping sickness and receive treatment in a makeshift clinic. A friendship develops between two of their volunteer carers, who discover that the soldiers’ digging has disturbed an ancient royal cemetery said to lie beneath the clinic, and that this has caused their mysterious illness…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
Mikhail Bakhtin tells us that the chronotope connects temporal and spatial relationships of language to the ideological and political context that has produced them. Time, Bakhtin says, “thickens, takes…
Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…
