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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“The thirtysomething and fortysomething generations in the Arab world (to which I belong) are the children of a generation that once believed they could change the world and reverse the order of their societies. They fought to realize their dream and were defeated. We, their offspring, have come into adulthood and consciousness of the world as their dreams and defeats have resulted in sinister schemes of despotism. All they had left to give us to face the world and guard us against the torment of its ruthlessness was their sorrow. Thus has sorrow become our skin: the skin of our cities, the skin of our voices, the skin that warms, and with which we love.”
—Rasha Salti
Notes

Yael Davids

You handed me a face shield with a steel blue head strap. “Have a glass mask,” you said. We laughed softly, aware of the obvious, not funny, allusion. I asked you if you knew that monosyllabic rhymes…

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Artists

Ahlam Shibli’s Occupation
Introduction by Ulrich Loock

Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…

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South Issue #9 [documenta 14 #4]

The Destruction of Europe

with Franco “Bifo” Berardi

The Society for the End of Necropolitics invites you to a lecture in three parts by contemporary theorist Franco “Bifo” Berardi on the recent rise of nationalism and fascism in Europe and the possibility (or impossibility) of political resistance in the age of financial capitalism…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Isadora & Raymond Duncan Dance Research Center

In 1903 Isadora Duncan and her family arrived in Athens, where they resolved to remain and establish a place for dance to be experienced in a fluid relationship with everyday living. Designed according…

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Venues

Glass Pavilions on Kurt-Schumacher-Strasse

One of the main traffic corridors in Kassel, Kurt-Schumacher-Strasse also designates a border. Geographically, it traces the line between Mitte at the center and Nordstadt in the north of the city; as…

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Venues

Negative Moment: Political Geology in the Twenty-First Century

by Nabil Ahmed, with images by Gauri Gill and Rajesh Chaitya Vangad

Peter Sloterdijk famously wrote that modernity began on the northern fronts of World War I, when imperial Germany first deployed poisonous chemicals, which they dug into their trenches, against French…

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South Issue #8 [documenta 14 #3]

Keimena #36: Golden Eighties and No Home Movie

by Chantal Akerman

Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie

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Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

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South Issue #7 [documenta 14 #2]

Never-Closing

with Sergio Zevallos and members of the Open Form Societies

July 15, 2017, 4 pm
Parko Eleftherias, Athens Municipality Arts Center, Athens…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]