documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The former plantation of Álava in the Matanzas province of Cuba evokes sound before one hears it. In January 2017, we went there to record local musicians and were told to meet them near the bell tower…
In August 2008, Manthia Diawara returned to Bamako, Mali, where he was born in 1953, to film rehearsals for an opera performed by an all-African cast on a stage specially erected on the banks of the Niger…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
Migrants are perceived, at best, as victims. But leaving home, enduring perils, taking a chance on the unknown requires courage. Their story is heroic as well. Talk and dance by Mandela Girls.
The Benaki Museum was founded in 1930 by the collector Antonis Benakis. Born into an important family of the Greek diaspora, Benakis’s father, Emmanouil Benakis, was a Greek merchant and politician who…
It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
Joaquim Pinto and Nuno Leonel’s film Rabo de Peixe portrays “an island within an island.” Rabo de Peixe is a fishing village, located on the island of São Miguel, which hosts the largest community of traditional fisheries in the Portuguese archipelago of the Azores. The re-edit of their 2003 film combines ethnographic observation and sociological investigation with a diaristic style and a nostalgic tone to portray the male members of two generations of fishermen from Rabo de Peixe and their daily lives, ambitions, and struggles…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…
