documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
In the spring of 2011, Syrians rose up against a dictatorship inherited from another era. Schoolchildren wrote “The emperor wears no clothes!” on the walls. Young people streamed into the streets and…
What is an artist’s artist? In the person and painterly practice of David Schutter, this elusive phrase connotes a singularly deep awareness of art-historical precedents that is best exemplified both…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
This house, which belonged to the modernist artist Nikos Hadjikyriakos-Ghika, is a typical example of interwar Athenian architecture. The mansion was a meeting point for the Athenian intelligentsia of…
Very little is known about Alexander Kalderach, who was born in Hamburg in 1880 and died in Bern in 1965. The acme of his painting career was in the 1940s, when his work was included in the Grosse Deutsche…
After its partial destruction during World War II, the Ottoneum performed a remarkable shift: from a theater—arguably the first theater building in Germany, constructed in the early seventeenth century—to…
by Sotirios Bahtsetzis, with images by Christos Karakepelis
What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…
Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…
I translated this Bengali short story into English as much for the sake of its villain, Senanayak, as for its title character, Draupadi (or Dopdi). Because in Senanayak I find the closest approximation…
In this talk, Gómez-Barris asks how we might decolonize memory to activate different potential alternative and anti-capitalist futures. Specifically, the talk addresses how the evacuation of colonial…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…
