documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
On that day, fourteen years ago, I met Rasheed for the first time. The door opened, I heard a soft chuckle, and a bright-eyed man with a wild halo of graying hair pulled me out of the rain. Up some stairs…
I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…
Attempt. Come. Undefined. Be the point of no-reference. Constant, and as a state of formation. Play. Continue to play with the beat. Vibrate with me, so chaos can enter. It is an invitation. Come. As water. As the…
Under the shade of pine and cypress trees in the First Cemetery of Athens, opened in 1837, are buried some of the most prominent Greek politicians, writers, and artists. Its varied collection of mausoleums…
Pavel Filonov was an art theorist, painter, and poet. Discharged from the St. Petersburg Academy of Fine Art in 1910, Filonov travelled across Europe, during which time he formulated his first theoretical…
At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…
Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…
American artist Allan Sekula made The Forgotten Space after he was invited to create a work of art in a public space. He thought it important to understand television as such a public space and set out to make a film for national television with his co-director, the Paris-based American film theorist Noël Burch…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
The first issue of South as a State of Mind in its new, temporary role as the magazine of documenta 14 arrives more than a year and a half before the exhibition is scheduled to open, in Athens in April…
