documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
I was watching your new film on my laptop just now, about Chantal Akerman (about your son) [00:25], when something you said in your opening voice-over caught me: “I call this type of filming…
Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…
In response to the violence and volume of complaints and disparaging remarks received during the last week, we have decided to cancel Franco “Bifo” Berardi’s performance. We respect those who might…
The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…
Idyllically sited in Kassel’s Auepark, the Kunsthochschule is housed inside a marvel of late modernist architecture designed by Paul Friedrich Posenenske in the 1960s. For some time, the art school has…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
Édouard Glissant’s seminal treatise Philosophie de la Relation (Philosophy of Relation) was published in 2008,2 at a time when the so-called nouveaux philosophes were taking sides in the debate about…
