documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
It took artist Aboubakar Fofana one day to set up a fructose-based indigo vat at the Mentis Center for the preservation of traditional textile techniques at 6 Polyfimou Street in Athens. It was December…
Beatriz González began her artistic practice in the early sixties in Bogotá, where she studied architecture and painting, as well as art history with the critic Marta Traba. In her pictorial investigations…
with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts
Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…
In a prelude to Athenian industrialization, the silk company of Athanassios Douroutis defined the working-class neighborhood of Metaxourgeio (which means “silk factory”) and gave the central square…
The Ballhaus—Leo von Klenze’s first authored building—stands next to the Schloss Wilhelmshöhe, the neoclassical palace of Kassel, inside the Bergpark Wilhelmshöhe. It was built in 1808 by Jérôme…
Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…
Albert Serra’s The Death of Louis XIV is an exquisite meditation on death, dignity and voyeurism that unfurls like a baroque tapestry. Visionary Catalan filmmaker and artist Albert Serra is contemporary cinema’s master historicist…
The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…
The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…
