documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Take Grand Bois (1975), with its overlap of fluid, gesticulating branches of the tree/God; or Imamou (1970s), the stature and mysterious prominence of the rooster looking on/in at the ceremony for Agoue…
Alexandra Bachzetsis takes the emerging systems of communication that have come to define contemporary culture—pop music, the mass media, and the internet—as the true sites within which contemporary…
I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…
From the storefront of no. 13 on this pedestrian street, it is a short walk to Victoria Square, a low-key crossroads for people of myriad nationalities, newly settled or passing through Greece. In Spring…
To many visitors to documenta, if not most, Kassel-Wilhelmshöhe Train Station, constructed to replace what is now known as the KulturBahnhof closer to the city center, affords the first glimpse and impression…
by Nabil Ahmed, with images by Gauri Gill and Rajesh Chaitya Vangad
Peter Sloterdijk famously wrote that modernity began on the northern fronts of World War I, when imperial Germany first deployed poisonous chemicals, which they dug into their trenches, against French…
In the forty years between Inventur - Metzstrasse 11 and Logbook_Serbistan, Želimir Žilnik never ceased to give voice to the disenfranchised. Made in 1975, Inventur belongs to Žilnik's German period, when he fled Yugoslavia following the collapse of the “black wave” generation of Yugoslavian cinema of which the Serbian’ director was a key member…
What does it mean to be free when the market exceedingly places the demand on individuals to be free, creative, autonomous, and striving? What is the difference between what Foucault, since the end of…
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
