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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

In Memoriam: Lala Rukh (1948–2017)

by Natasha Ginwala

During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…

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Notes

Emeka Ogboh

Sound is Emeka Ogboh’s primary medium of expression, from which he departs to engage other mediums in his efforts to explore the complexities of being in our world. Ogboh (born in 1977, Nigeria) employs…

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Artists

Memory, Image: On Rosa Luxemburg’s Prison Letters and Gender Violence

by Sean O’Toole

Among the things I inherited from grandmother when she died were her handwritten recipes and a hardcover edition of Roberts’ Birds of Southern Africa, an illustrated guidebook to the region’s winged…

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South Issue #9 [documenta 14 #4]

Word-of-Mouth: On the Early Reception of Ulises Carrión

with Magalí Arriola

Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Tositsa 5

Between 1974 and 1976, following the end of the dictatorship in Greece, the store on Tositsa 5 in Exarcheia was activated as the first artist-run space in Athens, called Center for the Fine Arts and founded…

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Venues

Tomislav Gotovac

Performance on December 26, 1980, 10:30–11:30 am, Ilica 1a, in front of the Church of the Wounded Jesus
Fifth action-object

In a performance presented at the Week of Performance: Public Body (1997, concept…

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Historical Positions

Fridericianum

The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…

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Venues

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…

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South Issue #8 [documenta 14 #3]

Keimena #40: An Opera of the World

by Manthia Diawara

In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…

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Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

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South Issue #7 [documenta 14 #2]

Manifiesto de Sedición Feminista

by María Galindo

We are not risking the production of an artwork; we are risking the production of expectation. Five theses about what we're experiencing at the moment, five theses about what to do, and three propagandist…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Édouard Glissant’s Worldmentality: An Introduction to One World in Relation

by Manthia Diawara

Édouard Glissant’s seminal treatise Philosophie de la Relation (Philosophy of Relation) was published in 2008,2 at a time when the so-called nouveaux philosophes were taking sides in the debate about…

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South Issue #6 [documenta 14 #1]