documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My first encounter with Vivian Suter was surreptitious: her name showed up on a documenta 14 travel email, and since I knew none of the participants and was curious about who some others might be, I put…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
Mikhail Bakhtin tells us that the chronotope connects temporal and spatial relationships of language to the ideological and political context that has produced them. Time, Bakhtin says, “thickens, takes…
On August 17, 1944, Nazi troops executed seventy-five members of the Greek Resistance at the old factory of the British Oriental Carpet company in the neighborhood of Kokkinia (known also as Nikaia). Hundreds…
The Filmladen Kassel opened in the converted interior of a former storage building in Goethestrasse in the summer of 1981. Its programming offers a counterpoint to mainstream cinema, focusing since its…
Miklós Erdély’s Version gravitates around Tiszaeszlár, a small East Hungarian village where in 1882 a young maid went missing and was later found dead in the river. The local Jewish community was accused of ritually murdering her. The blood libel trial that followed ignited anti-Semitic propaganda, agitation, and later pogroms in Austria-Hungary that gained worldwide attention…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
