documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
An earth dome of Gernot Minke’s making, dating back to the architect’s time at the University of Kassel in the early nineties and still standing outside the art academy today, conjures retro-futurist…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts
Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…
Central to Athenian democracy and justice was the Agora, a place of assembly for its citizens. At the center of the Ancient Agora of Athens was the Odeion of Agrippa, an auditorium with the capacity to…
The Scratch Orchestra was founded in July 1969, growing out of a series of music composition classes held at Morley College London that were attended by avant-garde musicians as well as artists interested…
One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…
The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…
Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day that “Leninopad,” the widespread demolition of monuments to Vladimir Lenin, kicked off in Ukraine. The first monument to be dismantled in Kyiv was made by Soviet sculptor Sergei Merkurov and was erected in 1946, while Stalin was still in power. The Ukrainian ultra-nationalist party Svoboda (Freedom) claimed responsibility…
Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…
with Luis-Manuel García, Elena Puentes, Panagiotis Vaxevanakis, and Dimitris Papanikolaou
This panel discussion organized in collaboration with the FASMA Festival looks into the political present and history of electronic music, particularly focusing on its diverse roots.
In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…
