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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Drawing a Line through Landscape: The Tent

by Nikhil Chopra

When seen from a distance, there is a constant glow within the tent as if it has a warm light switched on. In the day, the drawing is backlit and at night, when the oil lamps burn inside, it lights up…

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Notes

Douglas Gordon

Douglas Gordon’s I had nowhere to go (2016) is a ninety-seven minute film/projected image installation, in which experimental filmmaker Jonas Mekas is heard via voice-over reading passages from his 1991…

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Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

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South Issue #9 [documenta 14 #4]

#6 Memory under Construction: Towards a Public Memory of Torture in Greece

by Kostis Kornetis

After Argentina’s economic collapse in 2001, a discourse around body politics became strongly engaged in not only tackling but also actively working through the country’s painful dictatorial past…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Trianon

Trianon Cinema opened with the premiere of the Greek film Never on Sunday in August 1960. Today, the cinema continues to screen films but has expanded its program to present performances, concerts, and…

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Venues

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #29: Beuys

by Andres Veiel

Beuys, a film by Andres Veiel, is a thrilling portrait of one of the most controversial artists of the twentieth century…

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Public TV

Draupadi: Translator’s Foreword*

by Gayatri Chakravorty Spivak

I translated this Bengali short story into English as much for the sake of its villain, Senanayak, as for its title character, Draupadi (or Dopdi). Because in Senanayak I find the closest approximation…

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South Issue #7 [documenta 14 #2]

Rebuilding the Idea of a Global Left

with Naeem Mohaiemen, Vijay Prashad, Zonayed Saki, and Samia Zennadi

This four-evening seminar started from the desire to unpack some of the forgotten languages, broken dreams, and uncanny hopes that appear in Naeem Mohaiemen’s film for documenta 14 Kassel, Two Meetings…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Haunted City

by Peter Friedl

The arcades begin on the left and, through a foreshortened perspective, run almost to the horizon. Ten round arches can be discerned. Above nine of them are rectangular windows; a tenth, located on the…

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South Issue #6 [documenta 14 #1]