documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When seen from a distance, there is a constant glow within the tent as if it has a warm light switched on. In the day, the drawing is backlit and at night, when the oil lamps burn inside, it lights up…
The work of Annie Sprinkle and Beth Stephens reflects two lines of force within radical feminist art. While Stephens (born in 1960 in Montgomery, West Virginia) was intervening in the gallery space and…
Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…
Internationally renowned as a stage and costume designer, Yannis Tsarouchis (1910–1989) also painted prolifically in a style both modernist and sensual. He was celebrated across divisions of sex, class…
A painter, illustrator, and children’s books author, Tom Seidmann-Freud was born into a Jewish, bourgeois family living in late-nineteenth-century Vienna. She was named Martha-Gertrud Freud. Her mother…
Nordstadtpark in Kassel is full of people on any summer evening or weekend, a place of leisure for the truly multinational neighborhood, as well as for students at the University of Kassel and visitors…
Tony Conrad: Completely in the Present by Tyler Hubby is a vibrant documentary about a pioneering artist who defies easy description. Revered as an experimental musician and filmmaker, Tony Conrad was an underground icon from the early 1960s up until his death in 2016…
Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…
Mikhail Bakhtin tells us that the chronotope connects temporal and spatial relationships of language to the ideological and political context that has produced them. Time, Bakhtin says, “thickens, takes…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
