documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When Israeli filmmaker David Perlov died, he left behind dozens of Hefte (notebooks), filled with epigrams, texts for films, biographical notes, images interwoven with texts, and texts with images. Yet…
Andreas Angelidakis tries to make sense of where we are and how we got here. His work emerges from the experience of being in place: in Greece, in climate change, in architecture, in psychoanalysis, in…
Ex-porn star and artist Annie Sprinkle and professor, sculptor, and video artist Beth Stephens fell in love at the beginning of the century. Their relationship triggered an artistic collaboration that…
This museum is housed in a former private home designed by Ernst Ziller for German archaeologist Heinrich Schliemann. Its interior—once the height of opulence—reflects the influence of archaeological…
As a founding member of the 43 Group, Ivan Peries (1921–88) was part of an avant-garde circle of artists in Sri Lanka, which also included Lionel Wendt, George Keyt, Harry Pieres, and L. T. P. Manjusri…
After its partial destruction during World War II, the Ottoneum performed a remarkable shift: from a theater—arguably the first theater building in Germany, constructed in the early seventeenth century—to…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…
John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
