documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Dignity isn’t well regarded at the moment. It’s seen as a normative concept, difficult to gauge and even more difficult to reconcile with artistic practices that tend to strive for emancipation from norms. It’s also a political argument that has been made by reactionaries and enemies of artistic freedom. Finally, it is an ideal that goes against the tide of nihilism in this atmosphere of triumphant post-truth…
Annie Vigier & Franck Apertet, born respectively in 1965 and 1966, have been working out of Paris since 1994 under the name les gens d’Uterpan. They are choreographers who construct a critical dialogue…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Cecilia Vicuña completes the Athenian chapter of her documenta 14 project by way of a ritual offering to the sea gods of ancient Hellenic lore. The sacrifice in question consists of Vicuña presenting…
When Dmitri Prigov first tried to exhibit his “Appeals to the Citizens” in public spaces in Moscow—pasting them onto electricity poles or pinning them to trees—he was arrested and sent to a psychiatric…
The Ballhaus—Leo von Klenze’s first authored building—stands next to the Schloss Wilhelmshöhe, the neoclassical palace of Kassel, inside the Bergpark Wilhelmshöhe. It was built in 1808 by Jérôme…
by Sotirios Bahtsetzis, with images by Christos Karakepelis
What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…
In December 2011, ten German intellectuals met in Berlin to discuss the current political crisis: how democracy had been undermined, weakened, hollowed out, and perverted by the so-called free market and its functions…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
