documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When Israeli filmmaker David Perlov died, he left behind dozens of Hefte (notebooks), filled with epigrams, texts for films, biographical notes, images interwoven with texts, and texts with images. Yet…
When Douglas Gordon was asked what he had been taught during his time as a student of the Environmental Art course—the influential department at Glasgow School of Art established by David Harding in…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Although torture under the Greek military junta (1967–74) has been subject to scrutiny, with important trials in Strasbourg (1968–69) and Greece (the so-called “Torturers’ Trials,” 1975), the…
This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…
Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…
Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie…
U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…
Democracy has become a matter of aesthetics. The stage of the public has become a kind of orchestrated video game or operetta with a few recited parts; this operetta is performed daily for a people overwhelmed…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
