documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
While living with her aunt and uncle near Cardedu in the Sardinian countryside due to poor health, as a child Maria Lai traced bold sketches on the walls of their kitchen with charcoal from the fireplace…
Nomin Bold belongs to the new generation of Mongol Zurag (literally, Mongol Picture) artists, who were trained after the socialist restrictions on tradition were lifted in Mongolia, just as the country…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
Due to its prominent location in front of the Greek Parliament, the central square of Athens has long served as the starting and ending point for many assemblies and demonstrations. Its original name was…
A figurehead of the European liberal movement since the 1920s and a notable art enthusiast, Theodor Heuss was the first president of the Federal Republic of Germany. After the end of a world war that…
Measuring 1.5 square kilometers in total, the Auepark or Karlsaue, so named after its patron Landgrave Karl of Hesse-Kassel, is the tautly composed, arch-symmetrical Baroque counterpoint to the sprawling…
Ben Russell—the director of Trypps #7(Badlands), Atlantis, and He Who Eats Children—is an itinerant filmmaker. From Vanuatu to Rhode Island, he reaffirms and interrogates the affinities between cinema and travel that have existed since the medium’s earliest years. No matter where he shoots, at stake is a reckoning with otherness—with other psychic states, other ways of living, other cultures—and with the cinema itself…
Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…
Devastating famines were routine in British India, resulting from the way in which the colony was forcibly incorporated into the global economy. For almost two centuries, revenues flowed from the colony…
In Greek, the word κείμενο (keímeno) has a double meaning. As an adjective, keímeno describes something that has fallen or toppled over, but the ancient adjective is also the Modern Greek noun…
