documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
This script is not a eulogy. Actually you can't write a eulogy about someone you loved dearly, but didn't really know. This script is for, on, of, about, and with Ben Patterson and the vacuum he leaves…
The politics of spaces are determined by their forms—their architecture and infrastructures, or lack thereof—as well as by the ideas, purposes, and intentions that these forms serve. Museums, government…
There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…
documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…
Located in Kypseli, a northern neighborhood of central Athens, the open-air cinema Stella sits like a blank frame set within a densely urban environment. Named after the strong-willed character played…
The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…
Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…
Albert Serra’s The Death of Louis XIV is an exquisite meditation on death, dignity and voyeurism that unfurls like a baroque tapestry. Visionary Catalan filmmaker and artist Albert Serra is contemporary cinema’s master historicist…
Stathis Gourgouris is professor at the Institute for Comparative Literature and Society at Columbia University, New York. He is the author of Synaesthetics of the Polity (forthcoming, 2018); The Perils…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
