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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Listening to Matanzas

by Neil Leonard and Maria Magdalena Campos-Pons

The former plantation of Álava in the Matanzas province of Cuba evokes sound before one hears it. In January 2017, we went there to record local musicians and were told to meet them near the bell tower…

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Notes

Wang Bing

Now recognized as one of the most prominent filmmakers working in China, Wang Bing first came to the attention of the global film community with Tie Xi Qu: West of the Tracks, a nine-hour-long documentary…

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Artists

A Guatemalan Idyll
Story by Jane Bowles
Paintings by Vivian Suter

When the traveler arrived at the pension the wind was blowing hard. Before going in to have the hot soup he had been thinking about, he left his luggage inside the door and walked a few blocks in order…

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South Issue #9 [documenta 14 #4]

No One is Illegal

with Martin Rapp, Rex Osa, and Ralf Homann

Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Panathenaic Stadium/Hellenic Olympic Committee

First built in the fourth century BC during Lykourgos’s archonship in the ravine between Ardettos Hill and the Ilissos River, the Panathenaic Stadium was reconstructured during the reign of Roman emperor…

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Venues

Anna “Asja” Lācis

1891–1938
Born in Ķempji, Latvia in 1891; moves to Riga in 1898. Studies at Vladimir Bekhterev's Institute of Psychoneurological Research in St. Petersburg (1912–13), Šanjavskij Cultural University…

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Historical Positions

BALi-Kinos

BALi-Kinos is located in Kassel’s former central train station. In 1995 it became part of the complex developed as the KulturBahnhof, and since 1997 it has been the home of the documenta film program…

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Venues

Writing the Ecocide-Genocide Knot: Indigenous Knowledge and Critical Theory in the Endgame

by Gene Ray

Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…

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South Issue #8 [documenta 14 #3]

Keimena #19: 48

by Susana de Sousa Dias

A face appears in Susana de Sousa Dias’ 48 — the profile of a young woman, a black-and-white photograph, taken decades ago. Her face is stern, proud, austere. Yet she weeps. She tells a tale of humiliation, frustration, and defeat. She has no name, no age, no flesh…

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Public TV

Mythopoeic Acts: Mariana Castillo Deball’s Newspaper Works

by Adam Szymczyk

Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…

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South Issue #7 [documenta 14 #2]

#18 Soundscapes of Detention: Music and Torture under the Junta (1967–74)

by Anna Papaeti

Although torture under the Greek military junta (1967–74) has been subject to scrutiny, with important trials in Strasbourg (1968–69) and Greece (the so-called “Torturers’ Trials,” 1975), the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]