documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When I first visited the Acropolis in 1959 I found myself walking virtually by accident on the adjacent landscape of Philopappou Hill and there I felt, with surprise, the almost literal movement of the…
We are all at once both a composition and a composer. We have the ability not only to compose the future of our own lives but to help compose the future of everyone around us and the communities in which…
What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…
Along the south slope of the Acropolis lies the pedestrian street Dionysiou Areopagitou, named after Dionysius the Areopagite. Moving from east to west, the street begins alongside the Arch of Hadrian…
Having opened its doors to the public in September 2015, Grimmwelt is the latest addition to Kassel’s museum landscape: perched atop the so-called Weinberg, this museum devoted to the life, work, and…
Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…
American artist Allan Sekula made The Forgotten Space after he was invited to create a work of art in a public space. He thought it important to understand television as such a public space and set out to make a film for national television with his co-director, the Paris-based American film theorist Noël Burch…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
with Andrew Feinstein, Johan Grimonprez, and Marina Fokidis
A discussion on Democracy and War with Andrew Feinstein, author, and Johan Grimonprez, artist moderated by Marina Fokidis, Head of documenta 14 Artistic Office, Athens
