documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Drum, a table. Chairs, a string section. Resonating bodies: the forms that hold us, sounds that form us, forms we play in the artist’s music room [drum]. What artist? Nevin Aladağ. What room? The one…
When the traveler arrived at the pension the wind was blowing hard. Before going in to have the hot soup he had been thinking about, he left his luggage inside the door and walked a few blocks in order…
Migrants are perceived, at best, as victims. But leaving home, enduring perils, taking a chance on the unknown requires courage. Their story is heroic as well. Talk and dance by Mandela Girls.
Romantso translates to “novel.” It was also the title of the popular Greek magazine that featured novel-length stories in each of its issues. It first launched in 1934; when, in 1956, its price dropped…
Cornelia Gurlitt was the daughter of the well-known Dresden art historian Cornelius Gurlitt Sr. and the sister of Hildebrand Gurlitt. A talented graphic artist and draughtswoman well-versed in the angular…
It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
Perfumed Nightmare is directed by the self-taught filmmaker Kidlat Tahimik, who also plays the lead role. It tells the story of a humble, small-town lad who drives a “jeepney,” one of the trucks left behind by the US military that are still the main form of public transportation in the Philippines…
U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…
Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…
The first issue of South as a State of Mind in its new, temporary role as the magazine of documenta 14 arrives more than a year and a half before the exhibition is scheduled to open, in Athens in April…
