documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When seen from a distance, there is a constant glow within the tent as if it has a warm light switched on. In the day, the drawing is backlit and at night, when the oil lamps burn inside, it lights up…
Measuring 2.7 by 10.9 meters, The War of the Relics (2013)—K. G. Subramanyan’s final mural before his death in June 2016—is a rare and ambitious feat of the human spirit. Painted by an eighty-eight-year-old…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…
This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…
Four years have passed since the death of the Cuban painter and sculptor Antonio Vidal, but the story of his life is still full of riddles to be deciphered. His intellectual maturity is closely linked…
The Filmladen Kassel opened in the converted interior of a former storage building in Goethestrasse in the summer of 1981. Its programming offers a counterpoint to mainstream cinema, focusing since its…
It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…
Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie…
“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…
Democracy has become a matter of aesthetics. The stage of the public has become a kind of orchestrated video game or operetta with a few recited parts; this operetta is performed daily for a people overwhelmed…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
