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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

A Confession of Love

by Artur Żmijewski

On 25 October 2015, Polish parliamentary elections were won decisively by the Law and Justice (PiS) party. A few months earlier, in May of last year, the party’s candidate Andrzej Duda won the presidential…

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Notes

Naeem Mohaiemen

In Naeem Mohaiemen’s practice as an artist and writer, protagonists are figured as a means of mobilizing inquiries into the fabric of what Samuel Moyn termed “global history,” building a meta-archive…

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Artists

Ahlam Shibli’s Occupation
Introduction by Ulrich Loock

Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…

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South Issue #9 [documenta 14 #4]

#21 Outlawed Social Life

by Candice Hopkins

U'mista, in the Kwak'wala language, means the return of something or someone thought to be lost or taken. In Alert Bay and Cape Mudge, First Nations communities along the northwest coast of Canada repatriated…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Museum of Islamic Art, Benaki Museum

From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…

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Venues

André du Colombier

“Since beginning to know his work a bit better, I’ve come to think that this tall, curiously blond boy perceived us by way of clues—clues capable of entering savant equations, according to linguistic…

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Historical Positions

Naturkundemuseum im Ottoneum

After its partial destruction during World War II, the Ottoneum performed a remarkable shift: from a theater—arguably the first theater building in Germany, constructed in the early seventeenth century—to…

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Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

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South Issue #8 [documenta 14 #3]

Keimena #3: Oncle Bernard—L’anti-leçon d’économie

by Richard Brouillette

Depicted in Richard Brouillette’s Oncle Bernard – A Counter-Lesson in Economics, Bernard Maris, who wrote under the pseudonym of Uncle Bernard in his “Charlie Hebdo” column, had the mission of unmasking the professional fabricators of the economy—those who, every day, wherever we are, fill us with the same rubbish, draped in a phony pseudo-science whose goal is to disguise the mechanisms of that power which enslaves us…

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Public TV

Fair Trade Heads: A Conversation on Repatriation and Indigenous Peoples with Maria Thereza Alves, Candice Hopkins, and Jolene Rickard

The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…

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South Issue #7 [documenta 14 #2]

#19 Attempt. Come.

by Georgia Sagri

Attempt.
Come.
Undefined.
Be the point of no-reference.
Constant,
and as a state of formation.
Play.
Continue to play with the beat.
Vibrate with me, so chaos can enter.
It is an invitation.
Come.
As water.
As the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

What Foundations Have Been Laid for Them: The Building and Burning of Knowledge

by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín

We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…

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South Issue #6 [documenta 14 #1]