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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Maria Lai (1919–2013)

While living with her aunt and uncle near Cardedu in the Sardinian countryside due to poor health, as a child Maria Lai traced bold sketches on the walls of their kitchen with charcoal from the fireplace…

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Notes

Bili Bidjocka

In an era characterized by its identification with materiality, one tends to dissociate the material from its larger cultural and historical nexus and instead focus on it as commodity. The sculptures and…

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Artists

The Destruction of Europe

with Franco “Bifo” Berardi

The Society for the End of Necropolitics invites you to a lecture in three parts by contemporary theorist Franco “Bifo” Berardi on the recent rise of nationalism and fascism in Europe and the possibility (or impossibility) of political resistance in the age of financial capitalism…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Syntagma Square

Due to its prominent location in front of the Greek Parliament, the central square of Athens has long served as the starting and ending point for many assemblies and demonstrations. Its original name was…

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Venues

Maya Deren

Kiev-born experimental filmmaker, poet-writer, self-trained dancer, and photographer Maya Deren (initially Eleanora Derenkowsky) arrived in the United States in the wake of anti-Semitic pogroms in the…

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Historical Positions

Fridericianum

The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…

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Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

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South Issue #8 [documenta 14 #3]

Keimena #8: Ku Qian (Bitter Money)

by Wang Bing

“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…

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Public TV

Wars and Capital

with Eric Alliez and Maurizio Lazzarato

This three-day seminar reexamines the fundamental relationships that wars and civil wars (among classes, races, sexes) have entertained with capital (and especially financial capital) throughout the history…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Édouard Glissant’s Worldmentality: An Introduction to One World in Relation

by Manthia Diawara

Édouard Glissant’s seminal treatise Philosophie de la Relation (Philosophy of Relation) was published in 2008,2 at a time when the so-called nouveaux philosophes were taking sides in the debate about…

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South Issue #6 [documenta 14 #1]