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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Keeper of the Art That Kept Him: David Schutter in Conversation with Dieter Roelstraete

Dieter Roelstraete: The story of the Gurlitt Estate has been an ongoing curatorial concern of documenta 14’s. For some time now you have sailed on an independent course of artistic research into the…

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Notes

Agnes Denes

What happens if polar tension is released?
When the pull of gravity is tampered with?
When the continents drift and form new constellations of land and water?
What might the world look like if you could peel…

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Artists

Blood Memory

with Lala Meredith-Vula and Arnisa Zeqo

In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Karaiskaki Square, Piraeus

The central square at the port of Piraeus takes its name from one of the most famous leaders in the Greek War of Independence, General Georgios Karaiskakis. The square became well-known in 1922 when many…

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Venues

Yannis Tsarouchis

Zeibekiko is a popular solo dance with a free choreographic structure that originated in Greek urban centers in the late nineteenth century. It was created by Zeibekoi communities, a minority group of…

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Historical Positions

Henschel-Hallen

Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #32: Le Président (The President)

by Jean-Pierre Bekolo

The President, by Jean-Pierre Bekolo, is a witty, poetic, and humorous take on the ugly reality of power in postcolonial Africa. States ruled by men who cling to power, craving immortality. Men like Uganda’s Yoweri Museveni, Zimbabwe’s Robert Mugabe, Angola’s José Eduardo dos Santos, or Equatorial Guinea’s Teodoro Obiang Nguema Mbasogo. Under their omnipotent rule, even to imagine a state after them is a crime…

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

Black Athena Reloaded 2: A Trial of the Code Noir

with Colin Dayan, Pélagie Gbaguidi, Tavia Nyong’o, David Scott, and Françoise Vergès

Books are material surfaces of inscription where political fictions have the opportunity to become collective reality. The Code Noir was an economic and legal decree passed by King Louis XIV in 1685 to…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Two Poems

by Katerina Anghelaki-Rooke
South Issue #6 [documenta 14 #1]