documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…
In 1994, Marilou Schultz, an acclaimed Navajo weaver and educator, was commissioned by the Intel corporation in Rio Rancho, New Mexico to weave a replica of a printed circuit board. Schultz began weaving…
What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…
Devastating famines were routine in British India, resulting from the way in which the colony was forcibly incorporated into the global economy. For almost two centuries, revenues flowed from the colony…
From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…
These fragments of a score for voice and piano are all that survived of the music composed by Mikhail Matyushin for the first futurist opera. The score favors chromatic harmonies in the piano part and…
The brutalist Neue Hauptpost, renamed the Neue Neue Galerie by documenta 14, was inaugurated in 1975 as Kassel’s main post office and mail distribution center. In the wake of the partial privatization…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…
with Natasha Ginwala, Kyrillos Sarris, and Cecilia Vicuña
Guests open up current forms and strategies of artistic self-determination beyond, behind, or within institutions. The program brings together fans and scholars alike across space and time, for discussions…
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
