documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Something is rotten in the state of the media. Rotten to the point that today a man accused of war crimes can summon mainstream media to announce that reality has debunked their narrative, delighting in…
Maria Eichhorn is waiting for me at her studio door. Inside, a spacious, austere, meticulously tidy loft welcomes, with elements of Japanese design softening the cold industrial architecture. We exchange…
After Argentina’s economic collapse in 2001, a discourse around body politics became strongly engaged in not only tackling but also actively working through the country’s painful dictatorial past…
Cecilia Vicuña completes the Athenian chapter of her documenta 14 project by way of a ritual offering to the sea gods of ancient Hellenic lore. The sacrifice in question consists of Vicuña presenting…
Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…
Abenaki director Alanis Obomsawin’s film Kanehsatake: 270 Years of Resistance focuses on a small Kanien'kéha:ka (Mohawk) community, unheard of by many Canadians until a protest began on March 10, 1990…
Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…
The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
