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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Iver Jåks (1932–2007)

When Iver Jåks first saw the light of day on a mountain near the village of Karasjok in Northern Norway in 1932, the Sámi did not have a word for “art.” Life, art, and craft were the same; the word…

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Notes

Antonio Vega Macotela

I can see in his face that he is totally beat. He walked around in his studio all night long to collect his own sweat, which he wants to store in bottles for his Studies of Exhaustion. From what I can…

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Artists

Blood Is Flowing in Carthage: Simone Weil between Force and Colonialism

by Richard Fletcher

The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…

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South Issue #9 [documenta 14 #4]

If You Won’t Let Us Dream, We Won’t Let You Sleep

with Andrew Feinstein, Johan Grimonprez, and Marina Fokidis

A discussion on Democracy and War
with Andrew Feinstein, author, and Johan Grimonprez, artist
moderated by Marina Fokidis, Head of documenta 14 Artistic Office, Athens

What is the relationship between politics…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Elpidos 13, Victoria Square

From the storefront of no. 13 on this pedestrian street, it is a short walk to Victoria Square, a low-key crossroads for people of myriad nationalities, newly settled or passing through Greece. In Spring…

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Venues

Kulturzentrum Schlachthof

Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…

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Venues

So Many Hungers

by Natasha Ginwala

It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…

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South Issue #8 [documenta 14 #3]

Keimena #29: Beuys

by Andres Veiel

Beuys, a film by Andres Veiel, is a thrilling portrait of one of the most controversial artists of the twentieth century…

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

Matter Form Facture

with Geeta Kapur and Natasha Ginwala

The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

The first issue of South as a State of Mind in its new, temporary role as the magazine of documenta 14 arrives more than a year and a half before the exhibition is scheduled to open, in Athens in April…

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South Issue #6 [documenta 14 #1]