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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Something is Rotten

by Abounaddara

Something is rotten in the state of the media. Rotten to the point that today a man accused of war crimes can summon mainstream media to announce that reality has debunked their narrative, delighting in…

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Notes

Roee Rosen

Roee Rosen—painter, novelist, and filmmaker—is an astute critical voice in Israel. While his work deals primarily with the representation of desire and structural violence, Rosen, born in 1963, has…

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Artists

Ahlam Shibli’s Occupation
Introduction by Ulrich Loock

Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…

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South Issue #9 [documenta 14 #4]

#4 Educación cívica / Civic Education

by Sergio Zevallos

Mimicking bodybuilding training sessions, Educación cívica / Civic Education attempts to “train” social coexistence between bodies. We are all civilians: Even the soldier maintains a civil identity…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Stoa tou Vivliou

Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…

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Venues

Władysław Strzemiński

“The movement of the eye, the trace of the sliding glances, the muscles that contract and distend link the shapes seen in nature and form a uniform rhythm … The rhythm is mostly the rhythm of autonomous…

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Historical Positions

Gloria-Kino

Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #17: Chamissos Schatten, Kapitel 1: Alaska und aleutische Inseln (Chamisso’s Shadow, Chapter 1: Alaska and Aleutian Islands)

by Ulrike Ottinger

Ulrike Ottinger’s Chamissos Shadow Chapter 1: Alaska and Aleutian Islands takes as its point of departure the accounts of Adelbert von Chamisso. The nineteenth-century botanist and poet was a voyager on the Romanzow research expedition, which aimed to find a passage between the Pacific and Atlantic oceans…

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Public TV

Mythopoeic Acts: Mariana Castillo Deball’s Newspaper Works

by Adam Szymczyk

Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…

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South Issue #7 [documenta 14 #2]

#1

by Linnea Dick

Linnea Dick is the daughter of Pamela Bevan and Beau Dick. She carries the Kawakwaka’wakw name Malidi, meaning “to always find a purpose and path in life.” She is of Kawakwaka’wakw, Nisga’a…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

I Had Nowhere to Go

by Jonas Mekas

When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…

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South Issue #6 [documenta 14 #1]