documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
We arrived in Beirut last Thursday morning, November 12. On that day, two blasts hit the southern suburb of the city, leaving 43 people dead and 239 wounded. On Friday, November 13, a series of coordinated…
In August 2008, Manthia Diawara returned to Bamako, Mali, where he was born in 1953, to film rehearsals for an opera performed by an all-African cast on a stage specially erected on the banks of the Niger…
The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…
The Apatride Society invites feminist activist and artist Click Ngwere and scholar Denise Ferreira da Silva to reflect and work on the fabric of contemporary capitalism. Together they look into the global…
Along the south slope of the Acropolis lies the pedestrian street Dionysiou Areopagitou, named after Dionysius the Areopagite. Moving from east to west, the street begins alongside the Arch of Hadrian…
Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…
Tony Conrad: Completely in the Present by Tyler Hubby is a vibrant documentary about a pioneering artist who defies easy description. Revered as an experimental musician and filmmaker, Tony Conrad was an underground icon from the early 1960s up until his death in 2016…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
Antonio Negri is professor of Theory of the State at the University of Padua. Negri actively collaborated in the debates and struggles of workers of the Italian radical left during the 1960s and 1970s…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
