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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

TV Politics

A documenta 14 film program with Alberto Grifi, Isuma Productions, Sarah Maldoror, Alanis Obomsawin, Nagisa Oshima, Mohamed Soueid
June 22–September 15, Grosses BALi
8:30 pm, unless noted otherwise…

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Notes

Manthia Diawara

In August 2008, Manthia Diawara returned to Bamako, Mali, where he was born in 1953, to film rehearsals for an opera performed by an all-African cast on a stage specially erected on the banks of the Niger…

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Artists

For K.G. Subramanyan, or “Mani da” as we called him

by Naveen Kishore

I

Softly
like warm breath
on a cold mirror 

or a whisper
on bare feet 

wearing only white

he slipped away 

unable to resist
before escaping

a last glance

How many shawls from Kashmir can you give a man…

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South Issue #9 [documenta 14 #4]

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Megaron, The Athens Concert Hall

Inaugurated in 1991, Megaron was the outcome of the long efforts of an association of eminent social figures, musicians, and music lovers. The hall was built and has since operated on corporate, private…

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Venues

Benode Behari Mukherjee

Benode Behari Mukherjee (1904–80) was a leading modernist artist and teacher at Kala Bhavana (Institute of Fine Arts) in Santiniketan, West Bengal. Besides working with drawing, wax sculptures, collage…

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Historical Positions

Stadtmuseum Kassel

Similar to the Landesmuseum a couple of blocks to the south, the Stadtmuseum has had a recent rebirth. Founded in 1979 inside a typical 1870s Gründerzeit building, it reopened in 2016 after a long period…

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Venues

H+G: An Introduction

by Pope.L

For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…

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South Issue #8 [documenta 14 #3]

Keimena #6: Voilà l'enchaînement

by Claire Denis

How two people come apart can be as compelling to watch as what brings them together. In Clarie Denis’ film Voilà l’enchaînement, the fissures in a relationship between a black man (Alex Descas) and a white woman (Norah Krief) are apparent from the first scene. Longing for more closeness, and caressing his shoulder, she asks him to tattoo her name on his body. He gently refuses: “for you it means eternity, for me it means branded.” Does the friction of this early exchange—still light enough to be softened with an embrace, but opening a crack of enmity—set in motion what comes next…

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Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

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South Issue #7 [documenta 14 #2]

Were the anxieties around immigration and globalization any different in antiquity?

with Dr. Naman P. Ahuja and Natasha Ginwala

There are fears that globalization is making different cultural identities homogeneous, yet it often enables a cosmopolitanism that enables different local practices to coexist although some differences…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

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South Issue #6 [documenta 14 #1]