documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…
Athens Polytechnic is among the oldest higher-education institutions of Greece. It is also a central symbolic and historical locus of contemporary Greek resistance. On November 14, 15, and 16, in 1973…
Four years have passed since the death of the Cuban painter and sculptor Antonio Vidal, but the story of his life is still full of riddles to be deciphered. His intellectual maturity is closely linked…
Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…
Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
Attempt. Come. Undefined. Be the point of no-reference. Constant, and as a state of formation. Play. Continue to play with the beat. Vibrate with me, so chaos can enter. It is an invitation. Come. As water. As the…