documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The former plantation of Álava in the Matanzas province of Cuba evokes sound before one hears it. In January 2017, we went there to record local musicians and were told to meet them near the bell tower…
The debut feature film Bloody Beans (2013) of Narimane Mari, shot on the occasion of the fiftieth anniversary of Algerian independence, is based on a loose, improvisational script about a group of children…
The Society for the End of Necropolitics invites you to a lecture in three parts by contemporary theorist Franco “Bifo” Berardi on the recent rise of nationalism and fascism in Europe and the possibility (or impossibility) of political resistance in the age of financial capitalism…
The central square at the port of Piraeus takes its name from one of the most famous leaders in the Greek War of Independence, General Georgios Karaiskakis. The square became well-known in 1922 when many…
In 1975, Christopher D’Arcangelo (1955–1979) undertook a series of unauthorized actions in New York’s major museums. The anarchist statement that accompanied them as well as all of D’Arcangelo’s…
Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…
Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…
In the forty years between Inventur - Metzstrasse 11 and Logbook_Serbistan, Želimir Žilnik never ceased to give voice to the disenfranchised. Made in 1975, Inventur belongs to Žilnik's German period, when he fled Yugoslavia following the collapse of the “black wave” generation of Yugoslavian cinema of which the Serbian’ director was a key member…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
by Panos Charalambous with Vassilis Charalambidis, Angelos Krallis, Panayotis Panopoulos
VOICE–O–GRAPH is a vinyl work of discovery, preservation, reuse and manipulation. A happening that manifests itself with objects of immediate urgency. Coming from either forgotten, censored, or disintegrated…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
