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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Abdurrahim Buza (1905–1986)

Abdurrahim Buza is one of the most respected Albanian painters whose career spanned the years before and after WWII. Buza was born in 1905 in Skopje (today Macedonia) in a family originally from Gjakova…

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Notes

Bouchra Khalili

The filmic art of Bouchra Khalili, born in Casablanca in 1975, grasps the fundamental tools of cinema to prise open the frames of history and thereby offer an encounter with suspended truths of the globalized…

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Artists

Double Gambit: Katerina Koskina and Adam Szymczyk in Conversation with Domenick Ammirati

The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…

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South Issue #9 [documenta 14 #4]

The Fabric of Capitalism

with Click Ngwere and Denise Ferreira da Silva

The Apatride Society invites feminist activist and artist Click Ngwere and scholar Denise Ferreira da Silva to reflect and work on the fabric of contemporary capitalism. Together they look into the global…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Dionysiou Areopagitou

Along the south slope of the Acropolis lies the pedestrian street Dionysiou Areopagitou, named after Dionysius the Areopagite. Moving from east to west, the street begins alongside the Arch of Hadrian…

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Venues

Gloria-Kino

Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #27: He Who Eats Children, Atlantis, and TRYPPS #7 (Badlands)

by Ben Russell

Ben Russell—the director of Trypps #7 (Badlands), Atlantis, and He Who Eats Children—is an itinerant filmmaker. From Vanuatu to Rhode Island, he reaffirms and interrogates the affinities between cinema and travel that have existed since the medium’s earliest years. No matter where he shoots, at stake is a reckoning with otherness—with other psychic states, other ways of living, other cultures—and with the cinema itself…

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Public TV

When the Dead Silently Speak Out

by Subcomandante Marcos

(Rewind 1)

(A text which reflects on those who are absent and on biographies, narrates Durito’s first encounter with the Cat-Dog, and talks about other things that may or may not be relevant, as the impertinent…

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South Issue #7 [documenta 14 #2]

Initiativgruppe Griechenland – Erinnerung als Widerstand (Initiative Group Greece – Remembrance as Resistance)

with Skevos Papaioannou, Geert Platner, Erika Wittlinger, and other members of the Initiative Group

“The working title of this year’s documenta and the artistic director’s appeal for stories prompted us to form an initiative group which has made preparations for several events and activities under…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education