documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The Bengali painter Zainul Abedin, who began his career as an art teacher in undivided India, was jolted out of his privileged existence by the Bengal Famine of 1943–44. At the birth of Pakistan in 1947…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
In 1922, diplomat and bibliophile Joannes Gennadius offered his 26,000-volume library to the American School of Classical Studies at Athens, on the conditions that the holdings be housed as a separate…
Pavel Filonov was an art theorist, painter, and poet. Discharged from the St. Petersburg Academy of Fine Art in 1910, Filonov travelled across Europe, during which time he formulated his first theoretical…
At the center of the public exhibition in Kassel is the press and information center, located on the ground and first floor of the former leather store Leder Meid. The wallpaper works by Beatriz González…
It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…
Joaquim Pinto and Nuno Leonel’s film Rabo de Peixe portrays “an island within an island.” Rabo de Peixe is a fishing village, located on the island of São Miguel, which hosts the largest community of traditional fisheries in the Portuguese archipelago of the Azores. The re-edit of their 2003 film combines ethnographic observation and sociological investigation with a diaristic style and a nostalgic tone to portray the male members of two generations of fishermen from Rabo de Peixe and their daily lives, ambitions, and struggles…
The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…
