documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Dancer, musician, historian: although they come from different practices, Israel Galván, Niño de Elche, and Pedro G. Romero could all be described as heirs of flamenco tradition. That is, if we understand…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts
Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…
Internationally renowned as a stage and costume designer, Yannis Tsarouchis (1910–1989) also painted prolifically in a style both modernist and sensual. He was celebrated across divisions of sex, class…
At the center of the public exhibition in Kassel is the press and information center, located on the ground and first floor of the former leather store Leder Meid. The wallpaper works by Beatriz González…
by Sotirios Bahtsetzis, with images by Christos Karakepelis
What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…
Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
Édouard Glissant’s seminal treatise Philosophie de la Relation (Philosophy of Relation) was published in 2008,2 at a time when the so-called nouveaux philosophes were taking sides in the debate about…
