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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Dimitris Pikionis (1887–1968)

When I first visited the Acropolis in 1959 I found myself walking virtually by accident on the adjacent landscape of Philopappou Hill and there I felt, with surprise, the almost literal movement of the…

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Notes

Algirdas Šeškus

Algirdas Šeškus found photography in 1975 when he learned that he would need to bring ten photographs to a job interview for the position of cameraman at the only television channel in Soviet Lithuania…

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Artists

This Is Not the Place

by Diana Taylor

2006: Visit to Villa Grimaldi with Pedro Matta 

Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…

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South Issue #9 [documenta 14 #4]

#3

by Niillas Somby

Niillas Somby is a Sámi political-rights activist, journalist, videographer, and photographer. He was one of the seven hunger strikers during the Alta controversy (1982) and lost an arm during a sabotage…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Byzantine and Christian Museum (Gardens)

The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…

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Venues

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

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Venues

Lala Rukh
Introduction by Natasha Ginwala

An ink drawing entitled Hieroglyphics I: Koi ashiq kisi mehbooba se 1 (1995) unfolds Lala Rukh’s secret language, a constellation of calligraphic form, Minimalism, and symbolic writing. Borrowing her…

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South Issue #8 [documenta 14 #3]

Keimena #38: Ismyrna (Ismyrne)

by Joana Hadjithomas and Khalil Joreige

Ismyrne, co-directed by the Lebanese artists Joana Hadjithomas and Khalil Joreige, tackles issues of identity, belonging, and nationalism…

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Public TV

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…

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South Issue #7 [documenta 14 #2]

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]