documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When I first visited the Acropolis in 1959 I found myself walking virtually by accident on the adjacent landscape of Philopappou Hill and there I felt, with surprise, the almost literal movement of the…
Susan Hiller’s practice takes us to the edges of the known world, to locations where our usual ways of mapping become hesitant. We are presented with the possibility that our accepted means of orientation…
with Andrew Feinstein, Johan Grimonprez, and Marina Fokidis
A discussion on Democracy and War with Andrew Feinstein, author, and Johan Grimonprez, artist moderated by Marina Fokidis, Head of documenta 14 Artistic Office, Athens
The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center…
Narrowcast House is an open radio studio and listening space initiated by artist Anton Kats for documenta 14’s aneducation. Located in a disused storefront in Kassel’s Nordstadt, Narrowcast House is…
The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…
Joaquim Pinto and Nuno Leonel’s film Rabo de Peixe portrays “an island within an island.” Rabo de Peixe is a fishing village, located on the island of São Miguel, which hosts the largest community of traditional fisheries in the Portuguese archipelago of the Azores. The re-edit of their 2003 film combines ethnographic observation and sociological investigation with a diaristic style and a nostalgic tone to portray the male members of two generations of fishermen from Rabo de Peixe and their daily lives, ambitions, and struggles…
John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…
with Dimitris Parsanoglou, Maria Iorio, and Raphaël Cuomo
In contemporary discussions of European borders, the sea stands as a silent and invisible yet violent medium that accentuates the tragic or heroic border crossings of migrants and refugees. Although it…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
