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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
by Artur Żmijewski

The makeshift refugee camp in Calais, in the vicinity of the French port and hulking concrete bunkers, was known as the Jungle. According to different estimates, it gave shelter to nine or ten thousand…

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Notes

Pélagie Gbaguidi

Somewhere in London, October 2016: The Queen was having friends over for dinner. The selected host of a welcoming house, she stood by the door, greeting each of her guests. The Queen loved rituals. She…

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Artists

Treaty and Protest: John Miller’s Photographs by Cassandra Barnett and Jon Bywater, with an introduction by Marina Fokidis

I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…

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South Issue #9 [documenta 14 #4]

Biafra’s Children: A Survivors’ Gathering

Organized by Olu Oguibe, with Faith Adiele, Phillip U. Effiong, Okey Ndibe, Vivian Ogbonna, Obiageli Okigbo, E.C.Osondu, Emeka Okereke


Fifty years ago, in 1967, a bitter civil war broke out in the newly…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Avdi Square

In a prelude to Athenian industrialization, the silk company of Athanassios Douroutis defined the working-class neighborhood of Metaxourgeio (which means “silk factory”) and gave the central square…

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Venues

Krzysztof Niemczyk

Was Krzysztof Niemczyk (1938–94) an artist? A revolutionary? A saint? A pervert? A strategist?

And if he was a revolutionary, what was the revolution in question? The one which changes the course of…

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Historical Positions

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

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Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

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South Issue #8 [documenta 14 #3]

Keimena #21: Bamako

by Abderrahmane Sissako

Directed by the Mauritanian Abderrahmane Sissako and set in the capital of Mali, Bamako examines the links between global economic policies and everyday life. It follows a singer and her unemployed husband. In the yard of the house they share with other families, a court is in session. On trial are the global institutions accused of impoverishing Africa…

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Public TV

Draupadi: Translator’s Foreword*

by Gayatri Chakravorty Spivak

I translated this Bengali short story into English as much for the sake of its villain, Senanayak, as for its title character, Draupadi (or Dopdi). Because in Senanayak I find the closest approximation…

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South Issue #7 [documenta 14 #2]

The Gesture of Hospitality

with Nathan Pohio, Hendrik Folkerts, and Candice Hopkins

Nathan Pohio comments on rituals of hospitality within Māori culture and the political implications of being a host and being a guest.

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Haunted City

by Peter Friedl

The arcades begin on the left and, through a foreshortened perspective, run almost to the horizon. Ten round arches can be discerned. Above nine of them are rectangular windows; a tenth, located on the…

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South Issue #6 [documenta 14 #1]