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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Departing for Drawing a Line through Landscape

by Nikhil Chopra

Nikhil Chopra departing for part 2 of Drawing a Line Through Landscape, Athens, May 13, 2017, photo: Angelos Giotopoulous…

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Notes

Douglas Gordon

Douglas Gordon’s I had nowhere to go (2016) is a ninety-seven minute film/projected image installation, in which experimental filmmaker Jonas Mekas is heard via voice-over reading passages from his 1991…

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Artists

Treaty and Protest: John Miller’s Photographs by Cassandra Barnett and Jon Bywater, with an introduction by Marina Fokidis

I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…

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South Issue #9 [documenta 14 #4]

#24 They Glow in the Dark

by Panayotis Evangelidis

They Glow in the Dark, Panayotis Evangelidis, Greece, 2013, 69 min.
Film screening and discussion with director Panayotis Evangelidis…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Isadora & Raymond Duncan Dance Research Center

In 1903 Isadora Duncan and her family arrived in Athens, where they resolved to remain and establish a place for dance to be experienced in a fluid relationship with everyday living. Designed according…

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Venues

David Perlov

Filmmaker David Perlov was born in Rio de Janeiro in 1930 and passed away in Tel Aviv in 2003. In 1957, he made his first short film, Old Aunt China, an animation based on sarcastic drawings and texts…

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Historical Positions

BALi-Kinos

BALi-Kinos is located in Kassel’s former central train station. In 1995 it became part of the complex developed as the KulturBahnhof, and since 1997 it has been the home of the documenta film program…

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Venues

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…

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South Issue #8 [documenta 14 #3]

Keimena #31: ​Passing Drama

by Angela Melitopoulos

Passing Drama by Angela Melitopoulos revolves around the great population displacement that followed the breakdown of the Ottoman Empire. The title plays with the double meaning of the word “Drama.” Implying tragedy and turmoil, Drama is also the name of the town where Melitopoulos’s grandparents settled after the Lausanne convention in 1923…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

Oracle Drawings

with Karen Finley, Adonis Volanakis, Chrysanne Stathacos, and Sozita Goudouna

“Oracle drawings” is a project initiated and curated by Sozita Goudouna and Paul B. Preciado. It consists of a collaborative staging of a public participatory installation by Karen Finley and Adonis…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Indelible Presence of the Gurlitt Estate:
Adam Szymczyk in conversation with Alexander Alberro, Maria Eichhorn, and Hans Haacke

To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…

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South Issue #6 [documenta 14 #1]