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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

TV Politics

A documenta 14 film program with Alberto Grifi, Isuma Productions, Sarah Maldoror, Alanis Obomsawin, Nagisa Oshima, Mohamed Soueid
June 22–September 15, Grosses BALi
8:30 pm, unless noted otherwise…

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Notes

Sammy Baloji

CONGOLESE MASS

For Sammy Baloji, born in 1978 in the Democratic Republic of Congo, now lives and works in Brussels

bodies torn from their dreams
bodies perfectly subjugated
bodies bled white
bodies deprived…

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Artists

Blood Is Flowing in Carthage: Simone Weil between Force and Colonialism

by Richard Fletcher

The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…

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South Issue #9 [documenta 14 #4]

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Monument Madra Blokou Kokkinias

On August 17, 1944, Nazi troops executed seventy-five members of the Greek Resistance at the old factory of the British Oriental Carpet company in the neighborhood of Kokkinia (known also as Nikaia). Hundreds…

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Venues

Ivan Wyschnegradsky

An avant-garde composer, Ivan Wyshnegradsky’s research into microtonal music was inspired by Mikhail Matyushin. In the 1940s, already living in France, Wyschnegradsky started using colors to describe…

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Historical Positions

Neue Neue Galerie (Neue Hauptpost)

The brutalist Neue Hauptpost, renamed the Neue Neue Galerie by documenta 14, was inaugurated in 1975 as Kassel’s main post office and mail distribution center. In the wake of the partial privatization…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #23: Mababangong bangungot (Perfumed Nightmare)

by Kidlat Tahimik

Perfumed Nightmare is directed by the self-taught filmmaker Kidlat Tahimik, who also plays the lead role. It tells the story of a humble, small-town lad who drives a “jeepney,” one of the trucks left behind by the US military that are still the main form of public transportation in the Philippines…

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Public TV

Draupadi

by Mahasweta Devi

1
Name Dopdi Mejhen, age 27, husband Dulna Majhi (deceased), domicile Cherakhan, Bankrahjarh, information whether dead or alive and/or assistance in arrest, one hundred rupees …
    An exchange between…

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South Issue #7 [documenta 14 #2]

Black Athena Reloaded 1: Ideas as Migrants
Debt and Migration in the Postcolony. An Enquiry into Greece’s Crisis

with Ranabir Samaddar and The Apatride Society of the Political Others, Lena Platonos, Savina Yannatou, Stergios Tsirliagos and The Society of Friends of Ulises Carrión

In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

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South Issue #6 [documenta 14 #1]