documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
Born in Mali in 1967, Aboubakar Fofana left the African continent at an early age for Paris. Fofana’s founding discipline was calligraphy. Fascinated by the sign and the trace, he drew on Western and…
Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…
by Vangelis Karamanolakis, Tasos Sakellaropoulos, Kostis Karpozilos, and Katerina Labrinou
Collective walk through the city of Athens, in collaboration with ASKI archives, exploring the historical traces of oppression, violence, and the quest for freedom during the military dictatorship of 1967–74.
In a prelude to Athenian industrialization, the silk company of Athanassios Douroutis defined the working-class neighborhood of Metaxourgeio (which means “silk factory”) and gave the central square…
Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…
Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…
Carmelo Bene’s 1971 film Don Giovanni is not an adaptation of a famous Don Juan story. Instead, the film critically investigates the multifaceted legend of the wealthy male sinner who seduces one woman after another. This is a film about Don Juanism…
John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
