documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
A hideous crime was carried out in the name of God on the 13th of November in Paris. The presumed killers are French or Belgian citizens who do not identify with their national communities or with common…
When documenta was founded and first organized in the West German city of Kassel in 1955, a proverbial stone’s throw away from the border separating West from East, “capitalism” from “communism,”…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
In response to the violence and volume of complaints and disparaging remarks received during the last week, we have decided to cancel Franco “Bifo” Berardi’s performance. We respect those who might…
First built in the fourth century BC during Lykourgos’s archonship in the ravine between Ardettos Hill and the Ilissos River, the Panathenaic Stadium was reconstructured during the reign of Roman emperor…
In Self-Portrait as a Tahitian, Amrita Sher-Gil performs her corporeality as a field of citation. As one of the most striking self-portraits among several composed throughout the brief span of her life…
BALi-Kinos is located in Kassel’s former central train station. In 1995 it became part of the complex developed as the KulturBahnhof, and since 1997 it has been the home of the documenta film program…
It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…
In Sound Cage: A Portrait of Katalin Ladik by Kornél Szilágyi (also known as Igor Buharov), the many languages of Serbian-Hungarian poetess, actress, and visual artist Katalin Ladik come together…
After Argentina’s economic collapse in 2001, a discourse around body politics became strongly engaged in not only tackling but also actively working through the country’s painful dictatorial past…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
