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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Andreas Ragnar Kassapis

A boy puffed his cheeks to the bursting point.
What do you mean? asked the old man. He sank his face in the hair
of the guy in front until everything was crammed around him.
Years later he would think of…

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Artists

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…

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South Issue #9 [documenta 14 #4]

Initiativgruppe Griechenland – Erinnerung als Widerstand (Initiative Group Greece – Remembrance as Resistance)

with Skevos Papaioannou, Geert Platner, Erika Wittlinger, and other members of the Initiative Group

“The working title of this year’s documenta and the artistic director’s appeal for stories prompted us to form an initiative group which has made preparations for several events and activities under…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Filopappou Hill, Pikionis Paths and Pavilion

Filopappou Hill takes its name from Gaius Julius Antiochus Epiphanes Philopappos, a consul and administrator under the Roman emperor Hadrian; it is also known as the Hill of the Muses, and it is where…

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Venues

Palais Bellevue

One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…

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Venues

Keimena #6: Voilà l'enchaînement

by Claire Denis

How two people come apart can be as compelling to watch as what brings them together. In Clarie Denis’ film Voilà l’enchaînement, the fissures in a relationship between a black man (Alex Descas) and a white woman (Norah Krief) are apparent from the first scene. Longing for more closeness, and caressing his shoulder, she asks him to tattoo her name on his body. He gently refuses: “for you it means eternity, for me it means branded.” Does the friction of this early exchange—still light enough to be softened with an embrace, but opening a crack of enmity—set in motion what comes next…

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Public TV

A Century of Camps: Refugee Knowledge and Forms of Sovereignty Beyond the Nation-State

With: Isshaq Al-Barbary, Mohammed Allahham, Niklas Goldbach, Sandi Hilal, Elias Khoury, Alessandro Petti, Lorenzo Pezzani, Rasha Salti, Jad Tabet, and Eyal Weizman

Curated by Rasha Salti and Paul B. Preciado…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Indelible Presence of the Gurlitt Estate:
Adam Szymczyk in conversation with Alexander Alberro, Maria Eichhorn, and Hans Haacke

To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…

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South Issue #6 [documenta 14 #1]