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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Studio 14

Studio 14 is a research and a workplace driven by a multiplicity of different subjects; capable of giving rise to certain configurations; a process involving the fields of art, education, and politics; and oriented towards the forms of knowledge that circulate and are produced in those fields…

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Notes

El Hadji Sy

Recall to the early 1990s and a meeting with El Hadji Sy in his studio in Dakar: I remember having difficulty photographing his paintings in isolation. Sy engineers my vision so that every shot contains…

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Artists

We Are Somatic Creatures: Hila Peleg in Conversation with Rosalind Nashashibi, Véréna Paravel and Lucien Castaing-Taylor, and Ben Russell

Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…

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South Issue #9 [documenta 14 #4]

Matter Form Facture

with Geeta Kapur and Natasha Ginwala

The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

First Cemetery of Athens

Under the shade of pine and cypress trees in the First Cemetery of Athens, opened in 1837, are buried some of the most prominent Greek politicians, writers, and artists. Its varied collection of mausoleums…

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Venues

Chittaprosad

The Bengal Famine 1943–44 wrecked over three million lives across undivided India during the Second World War while its colonized subjects supported the Western war effort leading to a diversion of food…

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Historical Positions

Torwache

Today’s Torwache is the remnant of a palatial building plan cut short by the Napoleonic wars and invasions of the early nineteenth century. Designed by local architect Heinrich Christoph Jussow, best…

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Venues

Enfleshment of Memory

by Neni Panourgiá

Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…

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South Issue #8 [documenta 14 #3]

Keimena #32: Le Président (The President)

by Jean-Pierre Bekolo

The President, by Jean-Pierre Bekolo, is a witty, poetic, and humorous take on the ugly reality of power in postcolonial Africa. States ruled by men who cling to power, craving immortality. Men like Uganda’s Yoweri Museveni, Zimbabwe’s Robert Mugabe, Angola’s José Eduardo dos Santos, or Equatorial Guinea’s Teodoro Obiang Nguema Mbasogo. Under their omnipotent rule, even to imagine a state after them is a crime…

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Public TV

Mask Silence, Silence Masks, or A Condition of Utmost Listening

by Stathis Gourgouris

Silence 1

The sense we have is that in the vast expanses of space between celestial bodies there is a void. Hence, total silence. The Greek word for space is διάστημα, which means literally in-­between…

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South Issue #7 [documenta 14 #2]

#8 This is not the Place. Four Visits to Villa Grimaldi: A Chilean Center for Torture and Detention

by Diana Taylor

Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

What Foundations Have Been Laid for Them: The Building and Burning of Knowledge

by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín

We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…

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South Issue #6 [documenta 14 #1]