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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Keeper of the Art That Kept Him: David Schutter in Conversation with Dieter Roelstraete

Dieter Roelstraete: The story of the Gurlitt Estate has been an ongoing curatorial concern of documenta 14’s. For some time now you have sailed on an independent course of artistic research into the…

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Notes

Abounaddara

Since the start of the Syrian uprising in spring 2011, the Abounaddara collective has been engaged in a war of images unfolding on several fronts. First of all, there is a battle against the Syrian regime:…

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Artists

They Will Be Coming for Us Tonight: Letters by James Baldwin and Angela Y. Davis, with an introduction by Laura Preston

Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…

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South Issue #9 [documenta 14 #4]

The Apartments of Jewish Tenants as Witnesses to the Holocaust: The Paris Case

with Sarah Gensburger, Isabelle Backouche, and Eric Le Bourhis

Auschwitz, Drancy camp near Paris, the Warsaw Ghetto: the history of Jewish persecution during the Second World War is inscribed in acknowledged locations including ghettos and extermination or transit…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Avdi Square

In a prelude to Athenian industrialization, the silk company of Athanassios Douroutis defined the working-class neighborhood of Metaxourgeio (which means “silk factory”) and gave the central square…

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Venues

Alexander Kalderach

Very little is known about Alexander Kalderach, who was born in Hamburg in 1880 and died in Bern in 1965. The acme of his painting career was in the 1940s, when his work was included in the Grosse Deutsche…

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Historical Positions

Karlsaue Park

Measuring 1.5 square kilometers in total, the Auepark or Karlsaue, so named after its patron Landgrave Karl of Hesse-Kassel, is the tautly composed, arch-symmetrical Baroque counterpoint to the sprawling…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #36: Golden Eighties and No Home Movie

by Chantal Akerman

Chantal Akerman, the director of No Home Movie and Golden Eighties among other classics of independent cinema, died in October 2015. Her uncompromising career culminated in the singularly radical testament of her final feature film, No Home Movie

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

Blood Memory

with Lala Meredith-Vula and Arnisa Zeqo

In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]