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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Keeper of the Art That Kept Him: David Schutter in Conversation with Dieter Roelstraete

Dieter Roelstraete: The story of the Gurlitt Estate has been an ongoing curatorial concern of documenta 14’s. For some time now you have sailed on an independent course of artistic research into the…

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Notes

Roger Bernat

First, imagine a theater with no actors. Now get rid of the stage. Then take out the walls and the chairs. What remains? The audience—a public confronted, as in a mirror, with itself, no longer able…

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Artists

A Guatemalan Idyll
Story by Jane Bowles
Paintings by Vivian Suter

When the traveler arrived at the pension the wind was blowing hard. Before going in to have the hot soup he had been thinking about, he left his luggage inside the door and walked a few blocks in order…

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South Issue #9 [documenta 14 #4]

Never-Closing

with Sergio Zevallos and members of the Open Form Societies

July 15, 2017, 4 pm
Parko Eleftherias, Athens Municipality Arts Center, Athens…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Byzantine and Christian Museum (Gardens)

The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…

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Venues

Yannis Tsarouchis

Zeibekiko is a popular solo dance with a free choreographic structure that originated in Greek urban centers in the late nineteenth century. It was created by Zeibekoi communities, a minority group of…

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Historical Positions

Former Underground Train Station (KulturBahnhof)

documenta 14 in Kassel might begin underground. Envisioned as the visitor’s point of entry into the exhibition, the decommissioned tunnel at the KulturBahnhof (formerly Kassel’s main rail station)…

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Venues

Writing the Ecocide-Genocide Knot: Indigenous Knowledge and Critical Theory in the Endgame

by Gene Ray

Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…

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South Issue #8 [documenta 14 #3]

Keimena #40: An Opera of the World

by Manthia Diawara

In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…

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Public TV

The Mask of Language: Poems of Alejandra Pizarnik

by Quinn Latimer

“Will there be time to make myself a mask when I emerge from the shadows?” is a question Alejandra Pizarnik asks herself in “The Green Table,” a poem of fragments, queries, and laments in which…

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South Issue #7 [documenta 14 #2]

600 Notes
Dedicated to Sedje Hémon (1923–2011)

with Marianna Maruyama and Andrius Arutiunian

Between 1958 and 1965, the Dutch artist and composer Sedje Hémon kept a chronologically ordered (but not dated) record of 600 numbered notes tracing the development of her method of integrating visual…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Construction of Southern Ruins, or Instructions for Dealing with Debt

by Aristide Antonas

 

In Greek, the word κείμενο (keímeno) has a double meaning. As an adjective, keímeno describes something that has fallen or toppled over, but the ancient adjective is also the Modern Greek noun…

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South Issue #6 [documenta 14 #1]