documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Hooran balances precariously on a jagged rock in Barmer, Rajasthan. Her hands are curled up like claws, and her gaze is fearsome. Mir Hasan clutches the body of his bedridden grandfather, Haji Saraj ud…
The Goran people of Kosovo live in Lubinje, a remote village at the foot of the Sharr Mountains. They have a tradition of dressing and making up the bride on her wedding day, covering the whole body in…
Democracy has become a matter of aesthetics. The stage of the public has become a kind of orchestrated video game or operetta with a few recited parts; this operetta is performed daily for a people overwhelmed…
Originally designed in 1866 to host finds from nineteenth-century archaeological excavations, the museum’s collections—the most extensive in Greece—date from the sixth millennium BC to late antiquity…
On view is a small selection from over 800 watercolors, “Landschaftstheoretische Aquarelle,” made by the Swiss Renaissance man Lucius Burckhardt during his decades-long tenure as professor of sociology…
One of the few historical structures in the center of Kassel to have survived the devastation of World War II relatively unscathed, the Palais Bellevue was built in the early years of the eighteenth century…
Ulrike Ottinger’s Chamisso’sShadow —Chapter 1: Alaska and Aleutian Islands takes as its point of departure the accounts of Adelbert von Chamisso. The nineteenth-century botanist and poet was a voyager on the Romanzow research expedition, which aimed to find a passage between the Pacific and Atlantic oceans…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
