documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When Iver Jåks first saw the light of day on a mountain near the village of Karasjok in Northern Norway in 1932, the Sámi did not have a word for “art.” Life, art, and craft were the same; the word…
In the fifty-five years that I’ve known Jonas Mekas, I have never seen him without a camera, ready to use. First it was a 16 mm Bolex, then a series of video and digital recording devices. Today, most…
Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…
documenta 14 opened in Athens on April 6. That was also the day of remembrance for Halit Yozgat, who was killed at his family’s Internet café on Holländische Straße in the Nordstadt district of Kassel…
Trianon Cinema opened with the premiere of the Greek film Never on Sunday in August 1960. Today, the cinema continues to screen films but has expanded its program to present performances, concerts, and…
As legend has it, the Tibetan-born reincarnate ruler Bogd Khan (1870–1924) commissioned the famous artist Baldugiin Sharav to paint scenes representative of life in the Mongolian countryside during the…
While Olu Oguibe’s project in Athens, The Biafra Time Capsule (2017), deals with an archive of the human tragedy of the Biafra War (1967–70), his work in Kassel refers to a critical humanitarianism…
Passing Drama by Angela Melitopoulos revolves around the great population displacement that followed the breakdown of the Ottoman Empire. The title plays with the double meaning of the word “Drama.” Implying tragedy and turmoil, Drama is also the name of the town where Melitopoulos’s grandparents settled after the Lausanne convention in 1923…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
