documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The former plantation of Álava in the Matanzas province of Cuba evokes sound before one hears it. In January 2017, we went there to record local musicians and were told to meet them near the bell tower…
When I stepped into Ariuntugs Tserenpil’s studio, I thought that I had entered a little workshop or laboratory. There were a number of wooden tables and stacked pallets full of tool kits, wires, and…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…
From the storefront of no. 13 on this pedestrian street, it is a short walk to Victoria Square, a low-key crossroads for people of myriad nationalities, newly settled or passing through Greece. In Spring…
At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Cemetery of Splendour is Thai director Apichatpong Weerasethakul’s seventh feature film. In a provincial city in Thailand’s northeast, soldiers deployed on a construction project come down with a strange sleeping sickness and receive treatment in a makeshift clinic. A friendship develops between two of their volunteer carers, who discover that the soldiers’ digging has disturbed an ancient royal cemetery said to lie beneath the clinic, and that this has caused their mysterious illness…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
The Apatride Society invites feminist activist and artist Click Ngwere and scholar Denise Ferreira da Silva to reflect and work on the fabric of contemporary capitalism. Together they look into the global…
