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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

In Memoriam: Lala Rukh (1948–2017)

by Natasha Ginwala

During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…

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Notes

Khvay Samnang

The practice of cartography is inextricably connected with militarist and colonial histories. These histories dictate that to map land is to own it, that to draw the lines that signify borders, frontiers…

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Artists

Signals from Another World: Proletarian Theater as a Site for Education
Texts by Asja Lācis and Walter Benjamin, with an introduction by Andris Brinkmanis

What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…

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South Issue #9 [documenta 14 #4]

Opening, Introduction, and Discussions

6–8 pm
Presentation of the Cooperativist Society

The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Ancient Agora of Athens—Odeion of Agrippa

Central to Athenian democracy and justice was the Agora, a place of assembly for its citizens. At the center of the Ancient Agora of Athens was the Odeion of Agrippa, an auditorium with the capacity to…

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Venues

Valery Pavlovich Lamakh

“Inside every human being there is a light, a sun, and through it, we are able to behold an external light, the external sun,” wrote Lamakh in one of his Books of Schemes. These books construct a cosmological…

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Historical Positions

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

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Venues

Lala Rukh
Introduction by Natasha Ginwala

An ink drawing entitled Hieroglyphics I: Koi ashiq kisi mehbooba se 1 (1995) unfolds Lala Rukh’s secret language, a constellation of calligraphic form, Minimalism, and symbolic writing. Borrowing her…

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South Issue #8 [documenta 14 #3]

Keimena #39: UHF42, episodes 1–2

by Mike Crane

UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…

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Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

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South Issue #7 [documenta 14 #2]

#15 Chronotopes / Dystopic Geometries / Terrifying Geographies

by Νeni Panourgia

Mikhail Bakhtin tells us that the chronotope connects temporal and spatial relationships of language to the ideological and political context that has produced them. Time, Bakhtin says, “thickens, takes…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]