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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
by Artur Żmijewski

The makeshift refugee camp in Calais, in the vicinity of the French port and hulking concrete bunkers, was known as the Jungle. According to different estimates, it gave shelter to nine or ten thousand…

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Notes

Irena Haiduk

On January 14, 2015, Irena Haiduk met with her Serbian compatriot Srđa Popović at Harvard University. This former leader of the Otpor! student movement, which helped depose Slobodan Milošević in 2000…

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Artists

We Are Somatic Creatures: Hila Peleg in Conversation with Rosalind Nashashibi, Véréna Paravel and Lucien Castaing-Taylor, and Ben Russell

Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…

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South Issue #9 [documenta 14 #4]

#0 Introduction

by Adam Szymczyk, Paul B. Preciado, and Andreas Angelidakis
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Parko Eleftherias, Athens Municipality Arts Center and Museum of Anti-dictatorial and Democratic Resistance

The Athens Municipality Arts Center at Parko Eleftherias (Freedom Park) and the Museum of Anti-dictatorial and Democratic Resistance belong to a nineteenth-century complex of military quarters. Indeed…

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Venues

Maria Lai

Sardinian artist Maria Lai’s oeuvre is closely interwoven with literature and poetry, both formally and as related to content. Writer Salvatore Cambosu (1895–1962) was an important mentor and friend…

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Historical Positions

Königsplatz

While Olu Oguibe’s project in Athens, The Biafra Time Capsule (2017), deals with an archive of the human tragedy of the Biafra War (1967–70), his work in Kassel refers to a critical humanitarianism…

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Venues

Walking with Nandita

by Moyra Davey

New York City, 157th Street

I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…

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South Issue #8 [documenta 14 #3]

Keimena #22: Ernste Spiele I–IV (Serious Games I–IV)

by Harun Farocki

Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…

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Public TV

When the Dead Silently Speak Out

by Subcomandante Marcos

(Rewind 1)

(A text which reflects on those who are absent and on biographies, narrates Durito’s first encounter with the Cat-Dog, and talks about other things that may or may not be relevant, as the impertinent…

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South Issue #7 [documenta 14 #2]

#9 Between Terror and Revelry. Collective Strategies of Resistance during Dictatorships in Argentina and Brazil

by Ana Longoni

Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

What Foundations Have Been Laid for Them: The Building and Burning of Knowledge

by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín

We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…

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South Issue #6 [documenta 14 #1]