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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

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News

In Memoriam: Lala Rukh (1948–2017)

by Natasha Ginwala

During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…

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Notes

Abel Rodríguez

Abel Rodríguez’s drawings come from a confluence of several stories. The first is Mogaje Guihu’s. Born Nonuya, circa 1944, in the headwaters of the Cahuinarí River in the Colombian Amazon, he was…

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Artists

Nusja Jonë

by Yll Çitaku and Nita Deda

The Goran people of Kosovo live in Lubinje, a remote village at the foot of the Sharr Mountains. They have a tradition of dressing and making up the bride on her wedding day, covering the whole body in…

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South Issue #9 [documenta 14 #4]

#16 Lingua Tertii Imperii

by Daniel García Andújar

Democracy has become a matter of aesthetics. The stage of the public has become a kind of orchestrated video game or operetta with a few recited parts; this operetta is performed daily for a people overwhelmed…

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Calendar
New York
Athens
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Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Athens Conservatoire (Odeion)

The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center…

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Venues

Zainul Abedin

The Bengal Famine 1943–44 wrecked over three million lives across undivided India during the Second World War while its colonized subjects supported the Western war effort leading to a diversion of food…

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Historical Positions

Neue Galerie

Housing the Museumlandschaft Hessen-Kassel’s collection of nineteenth, twentieth, and twenty-first century art, the Neue Galerie has been an important venue in a number of previous editions of documenta…

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Venues

Keimena #11: Loubia Hamra (Bloody Beans)

by Narimane Mari

Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

Black Athena Reloaded 1: Ideas as Migrants
Debt and Migration in the Postcolony. An Enquiry into Greece’s Crisis

with Ranabir Samaddar and The Apatride Society of the Political Others, Lena Platonos, Savina Yannatou, Stergios Tsirliagos and The Society of Friends of Ulises Carrión

In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Construction of Southern Ruins, or Instructions for Dealing with Debt

by Aristide Antonas

 

In Greek, the word κείμενο (keímeno) has a double meaning. As an adjective, keímeno describes something that has fallen or toppled over, but the ancient adjective is also the Modern Greek noun…

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South Issue #6 [documenta 14 #1]