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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Studio 14: Greece: a (non-) European Country
by Yannis Almpanis

During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…

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Notes

Bili Bidjocka

In an era characterized by its identification with materiality, one tends to dissociate the material from its larger cultural and historical nexus and instead focus on it as commodity. The sculptures and…

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Artists

For K.G. Subramanyan, or “Mani da” as we called him

by Naveen Kishore

I

Softly
like warm breath
on a cold mirror 

or a whisper
on bare feet 

wearing only white

he slipped away 

unable to resist
before escaping

a last glance

How many shawls from Kashmir can you give a man…

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South Issue #9 [documenta 14 #4]

#14 Ojo de gusano: Don’t Look Down

by Regina José Galindo

Cayeron en Guatemala
Cayeron en Honduras
Cayeron en Nicaragua
Cayeron en El Salvador
Cayeron en Panamá
Cayeron en Venezuela
Cayeron en Perú
Cayeron en Colombia
Cayeron en Uruguay
Cayeron en Paraguay
Cayeron en…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Archimidous 15

The industrial district of Moschato is characterized by workshops, tavernas, wholesale shops, and low-income housing blocks, while also hosting the Athens School of Fine Arts Pireos Street campus. Blocks…

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Venues

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

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Venues

Keimena #4: La Mort de Louis XIV

by Albert Serra

Albert Serra’s The Death of Louis XIV is an exquisite meditation on death, dignity and voyeurism that unfurls like a baroque tapestry. Visionary Catalan filmmaker and artist Albert Serra is contemporary cinema’s master historicist…

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

#19 Attempt. Come.

by Georgia Sagri

Attempt.
Come.
Undefined.
Be the point of no-reference.
Constant,
and as a state of formation.
Play.
Continue to play with the beat.
Vibrate with me, so chaos can enter.
It is an invitation.
Come.
As water.
As the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]