documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The Athens-Kassel Ride—a mobile, participatory, human-equine ensemble performed over 100 days—is a 3000 km equestrian long ride across Europe linking the two cities of documenta 14…
Anna Halprin’s dance deck was built in collaboration with Lawrence, her husband, the landscape architect, urban designer, and ecologist, between 1953 and 1954, in the redwood area of Kentfield, California…
When the traveler arrived at the pension the wind was blowing hard. Before going in to have the hot soup he had been thinking about, he left his luggage inside the door and walked a few blocks in order…
Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…
In close proximity to the Mentis Center for the preservation of traditional textile techniques at Polyfimou 6, Aboubakar Fofana has taken occupancy of a former microbrewery, installing indigo vats as part…
Dimitris Pikionis studied architecture in Munich and fine arts in Paris, and then returned to Greece, where he taught at the National Technical University of Athens. His oeuvre includes buildings and urban…
Opened in 1978, this cultural center in the historical administration building of the former stockyards in Mombachstrasse has long been a place where people of disparate social backgrounds come together…
For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…
How two people come apart can be as compelling to watch as what brings them together. In Clarie Denis’ film Voilà l’enchaînement, the fissures in a relationship between a black man (Alex Descas) and a white woman (Norah Krief) are apparent from the first scene. Longing for more closeness, and caressing his shoulder, she asks him to tattoo her name on his body. He gently refuses: “for you it means eternity, for me it means branded.” Does the friction of this early exchange—still light enough to be softened with an embrace, but opening a crack of enmity—set in motion what comes next…
Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…
To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…
