documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
We arrived in Beirut last Thursday morning, November 12. On that day, two blasts hit the southern suburb of the city, leaving 43 people dead and 239 wounded. On Friday, November 13, a series of coordinated…
In a particular Māori tradition, objects and bodies would be prepared to travel through a folding of space and time. Rather than considering movement as a passage from a point of departure to a point…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
Between 1974 and 1976, following the end of the dictatorship in Greece, the store on Tositsa 5 in Exarcheia was activated as the first artist-run space in Athens, called Center for the Fine Arts and founded…
Nordstadtpark in Kassel is full of people on any summer evening or weekend, a place of leisure for the truly multinational neighborhood, as well as for students at the University of Kassel and visitors…
My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…
Depicted in Richard Brouillette’s Oncle Bernard – A Counter-Lesson in Economics, Bernard Maris, who wrote under the pseudonym of Uncle Bernard in his “Charlie Hebdo” column, had the mission of unmasking the professional fabricators of the economy—those who, every day, wherever we are, fill us with the same rubbish, draped in a phony pseudo-science whose goal is to disguise the mechanisms of that power which enslaves us…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
