documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
As the days pass by And you gain in years The past does not keep you captive. —K. G. Subramanyan, from “A Near Vision” (Poems: Rhymes of Recall, Seagull Books, 2014)
Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…
This museum, founded in 1885, is filled with inscriptions dating from the eighth century BCE to the late Roman period—there are economic accounts, treaties, decrees, sacred laws, funerary stelae, and…
Before there were folktales, there were forests. Before Jacob and Wilhelm Grimm’s publication of their famed volumes of Kinder- und Hausmärchen (Children’s and Household Tales) starting in 1812, the…
To many visitors to documenta, if not most, Kassel-Wilhelmshöhe Train Station, constructed to replace what is now known as the KulturBahnhof closer to the city center, affords the first glimpse and impression…
Houses without Doors is a subjective, intimate chronicle of the survival of a Syrian-Armenian family in Aleppo as the civilian uprising devolved into an armed conflict between 2011 and 2014. Like many in Syria, director Avo Kaprealian felt compelled to document the extraordinary events of the uprising…
The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…
with Nadia Bou Ali, Ray Brassier, Dimitra Kotouza, Mattin, and Paul B. Preciado
Previous revolutionary theories thought that it was possible to live in unalienated conditions. However, the question of mediation and how we understand ourselves is being radically challenged today: technology…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
