documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
“My name is Danai Anesiadou. My name is Danai Anesiadou.” Exclaimed over and over again, these assertions have begun nearly every one of the artist’s performances to date. (Describing those performances…
Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…
with Sarah Gensburger, Isabelle Backouche, and Eric Le Bourhis
Auschwitz, Drancy camp near Paris, the Warsaw Ghetto: the history of Jewish persecution during the Second World War is inscribed in acknowledged locations including ghettos and extermination or transit…
One of the largest temples of the ancient world, the Temple of Olympian Zeus was first planned in 515 BC by Peisistratus the Young. Construction, however, stalled for more than six hundred years and only…
In Self-Portrait as a Tahitian, Amrita Sher-Gil performs her corporeality as a field of citation. As one of the most striking self-portraits among several composed throughout the brief span of her life…
Idyllically sited in Kassel’s Auepark, the Kunsthochschule is housed inside a marvel of late modernist architecture designed by Paul Friedrich Posenenske in the 1960s. For some time, the art school has…
It’s easily the oldest house I’ve ever lived in—known in Kassel, until I moved into it in August 2015, as the Brothers Grimm Museum. The address is Schöne Aussicht 2, hence the building’s “official”…
Directed by the Mauritanian Abderrahmane Sissako and set in the capital of Mali, Bamako examines the links between global economic policies and everyday life. It follows a singer and her unemployed husband. In the yard of the house they share with other families, a court is in session. On trial are the global institutions accused of impoverishing Africa…
The first documenta 14 edition of South as a State of Mind featured a roundtable discussion titled “The Indelible Presence of the Gurlitt Estate,” in which Adam Szymczyk spoke with a number of artists…
In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
