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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Hallucinations / Live / Cinema / Festival

June 22–24, 2017
Greek Film Archive (Tainiothiki), Athens…

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Notes

Maria Hassabi

Under the Oxford English Dictionary’s first definition for “shape” (n.) is a third variant, which to me, at least, was unexpected: “The contour or outlines of the trunk of the body.” If I had…

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Artists

Ahlam Shibli’s Occupation
Introduction by Ulrich Loock

Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…

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South Issue #9 [documenta 14 #4]

#8 This is not the Place. Four Visits to Villa Grimaldi: A Chilean Center for Torture and Detention

by Diana Taylor

Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Polytechniou 8

"A spring morning in the early 1950s, an excited group of young graduates crossed Patision avenue down to their favorite cafe on Polytechniou street. The wars were over, the sun was out, Athens was in…

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Venues

Grimmwelt Kassel and Weinberg-Terrassen

Having opened its doors to the public in September 2015, Grimmwelt is the latest addition to Kassel’s museum landscape: perched atop the so-called Weinberg, this museum devoted to the life, work, and…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #33: Pays Barbare (Barbaric Land)

by Yervant Gianikian and Angela Ricci Lucchi

In Barbaric Land, Angela Ricci Lucchi and Yervant Gianikian ask, ‘What is fascism?’ How is it born, how is it rooted, and what unites its different strains? Composed of archival documentary material, their film descends into the darkest period of Italian history…

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Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

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South Issue #7 [documenta 14 #2]

Encountering: Gesture as Event, or The Conceptual Body

with Hendrik Folkerts, Amelia Jones, and Arnisa Zeqo

We warmly invite you to the inauguration of The Society of Friends of Ulises Carrión. This Society takes the work and methods of Mexican artist Ulises Carrión (1941–89) as a starting point in order…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

What Foundations Have Been Laid for Them: The Building and Burning of Knowledge

by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín

We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…

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South Issue #6 [documenta 14 #1]