documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
As the days pass by And you gain in years The past does not keep you captive. —K. G. Subramanyan, from “A Near Vision” (Poems: Rhymes of Recall, Seagull Books, 2014)
“But you know Terre, you have a problem with everything.” This comment came during the rather awkwardly titled “Charming for the Revolution: A Congress for Gender Talents and Wildness,” at Tate…
Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…
Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…
Filopappou Hill takes its name from Gaius Julius Antiochus Epiphanes Philopappos, a consul and administrator under the Roman emperor Hadrian; it is also known as the Hill of the Muses, and it is where…
Throughout the 1930s, Irish-born mid-century literary icon Samuel Beckett was a frequent visitor to Germany, spending time in Berlin, Dresden, Hamburg, and Kassel, home of his first true love interest…
To many visitors to documenta, if not most, Kassel-Wilhelmshöhe Train Station, constructed to replace what is now known as the KulturBahnhof closer to the city center, affords the first glimpse and impression…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…
with Luis-Manuel García, Elena Puentes, Panagiotis Vaxevanakis, and Dimitris Papanikolaou
This panel discussion organized in collaboration with the FASMA Festival looks into the political present and history of electronic music, particularly focusing on its diverse roots.
Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…
