Menu
09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

 More
News

André Pierre (1915–2005)

Take Grand Bois (1975), with its overlap of fluid, gesticulating branches of the tree/God; or Imamou (1970s), the stature and mysterious prominence of the rooster looking on/in at the ceremony for Agoue…

 More
Notes

Olu Oguibe

The mirror is a window.
It offers a glimpse
Of where we are from
But cannot return.
We are all travelers
On this endless road
Condemned to roam
Without repose.

Olu Oguibe’s poem “Conversation,” excerpted…

 More
Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

 More
South Issue #9 [documenta 14 #4]

A Political History of Dance and Electronic Music: The Invention of Queer Culture

with Luis-Manuel García, Elena Puentes, Panagiotis Vaxevanakis, and Dimitris Papanikolaou

This panel discussion organized in collaboration with the FASMA Festival looks into the political present and history of electronic music, particularly focusing on its diverse roots.

With Luis-Manuel García…

 More
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

 More
Publications

Stoa tou Vivliou

Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…

 More
Venues

Giesshaus (University of Kassel)

The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…

 More
Venues

Keimena #21: Bamako

by Abderrahmane Sissako

Directed by the Mauritanian Abderrahmane Sissako and set in the capital of Mali, Bamako examines the links between global economic policies and everyday life. It follows a singer and her unemployed husband. In the yard of the house they share with other families, a court is in session. On trial are the global institutions accused of impoverishing Africa…

 More
Public TV

When the Dead Silently Speak Out

by Subcomandante Marcos

(Rewind 1)

(A text which reflects on those who are absent and on biographies, narrates Durito’s first encounter with the Cat-Dog, and talks about other things that may or may not be relevant, as the impertinent…

 More
South Issue #7 [documenta 14 #2]

#17 Red Star, Crescent Moon / after Sohail Daulatzai

by Naeem Mohaiemen

In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…

 More
Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

 More
Public Education

The Haunted City

by Peter Friedl

The arcades begin on the left and, through a foreshortened perspective, run almost to the horizon. Ten round arches can be discerned. Above nine of them are rectangular windows; a tenth, located on the…

 More
South Issue #6 [documenta 14 #1]