documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The contemporary painter inhabits a world of computers. The Marxist question of the representation and reappropriation of the technology of production is now a matter of interface and coding. Or, as Daniel…
Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…
with Natasha Ginwala, Kyrillos Sarris, and Cecilia Vicuña
Guests open up current forms and strategies of artistic self-determination beyond, behind, or within institutions. The program brings together fans and scholars alike across space and time, for discussions…
The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…
The Gurlitt family saga—one thread among many running throughout this venue—begins with Louis Gurlitt, a prolific landscape painter born in Hamburg in 1812, whose mastery of the genre contributed to…
The Filmladen Kassel opened in the converted interior of a former storage building in Goethestrasse in the summer of 1981. Its programming offers a counterpoint to mainstream cinema, focusing since its…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
