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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“The thirtysomething and fortysomething generations in the Arab world (to which I belong) are the children of a generation that once believed they could change the world and reverse the order of their societies. They fought to realize their dream and were defeated. We, their offspring, have come into adulthood and consciousness of the world as their dreams and defeats have resulted in sinister schemes of despotism. All they had left to give us to face the world and guard us against the torment of its ruthlessness was their sorrow. Thus has sorrow become our skin: the skin of our cities, the skin of our voices, the skin that warms, and with which we love.”
—Rasha Salti
Notes

Rick Lowe

Rick Lowe first came to Athens from Houston in late June 2015 via a philanthropic conference in Vouliagmeni, a seaside town twenty kilometers from the city center. Determined to get to know the Greek capital…

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Artists

Double Gambit: Katerina Koskina and Adam Szymczyk in Conversation with Domenick Ammirati

The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…

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South Issue #9 [documenta 14 #4]

Social Economies: Deinstitutionalizing Alternatives, Global Capitalism, and Local Knowledge

with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides

As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Stella Municipal Cinema

Located in Kypseli, a northern neighborhood of central Athens, the open-air cinema Stella sits like a blank frame set within a densely urban environment. Named after the strong-willed character played…

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Venues

Friedrichsplatz

Constructed in the late eighteenth century as a way to expand Kassel from the old medieval town toward the flourishing Huguenot settlement nearby, Friedrichsplatz has often been employed as an arena for…

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Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

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South Issue #8 [documenta 14 #3]

Keimena #27: He Who Eats Children, Atlantis, and TRYPPS #7 (Badlands)

by Ben Russell

Ben Russell—the director of Trypps #7 (Badlands), Atlantis, and He Who Eats Children—is an itinerant filmmaker. From Vanuatu to Rhode Island, he reaffirms and interrogates the affinities between cinema and travel that have existed since the medium’s earliest years. No matter where he shoots, at stake is a reckoning with otherness—with other psychic states, other ways of living, other cultures—and with the cinema itself…

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Public TV

Mythopoeic Acts: Mariana Castillo Deball’s Newspaper Works

by Adam Szymczyk

Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…

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South Issue #7 [documenta 14 #2]

Social Economies: Deinstitutionalizing Alternatives, Global Capitalism, and Local Knowledge

with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides

As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

I Had Nowhere to Go

by Jonas Mekas

When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…

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South Issue #6 [documenta 14 #1]