documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…
In 2012 Guillermo Galindo began working on Border Cantos, a collaborative project with Richard Misrach that has taken him along the lengths of the border that divides Mexico and the United States, the…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
with Hendrik Folkerts, Amelia Jones, and Arnisa Zeqo
We warmly invite you to the inauguration of The Society of Friends of Ulises Carrión. This Society takes the work and methods of Mexican artist Ulises Carrión (1941–89) as a starting point in order…
Founded in Delphi by Theodoros Terzopoulos in 1985, the Attis Theatre is dedicated to performing the work of ancient Greek tragedy. The theater collaborates with international festivals and theaters to…
The Bengal Famine 1943–44 wrecked over three million lives across undivided India during the Second World War while its colonized subjects supported the Western war effort leading to a diversion of food…
The Hessisches Landesmuseum, designed by the German historicist architect Theodor Fischer, was inaugurated in 1913; as such, it was among the last major historical museums opened before the onset of World…
The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
