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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Departing for Drawing a Line through Landscape

by Nikhil Chopra

Nikhil Chopra departing for part 2 of Drawing a Line Through Landscape, Athens, May 13, 2017, photo: Angelos Giotopoulous…

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Notes

Anna Daučíková

One could say that Anna/Anča Daučíková is the first Czech/Slovak feminist female artist—except that Daučíková’s work problematizes the terms of this seemingly simple enunciation. Who can claim…

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Artists

This Is Not the Place

by Diana Taylor

2006: Visit to Villa Grimaldi with Pedro Matta 

Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…

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South Issue #9 [documenta 14 #4]

#27 Decolonizing Memory: Vita Futurities in the Americas

by Macarena Gómez-Barris

In this talk, Gómez-Barris asks how we might decolonize memory to activate different potential alternative and anti-capitalist futures. Specifically, the talk addresses how the evacuation of colonial…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Museum of Islamic Art, Benaki Museum

From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…

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Venues

Tina Modotti

The agronomist, freedom fighter, and political revolutionary Pandurang Khankhoje was born in 1886 in British colonial India. Profoundly impacted by the Great Famine of 1896–97, Khankhoje remained acutely…

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Historical Positions

Torwache

Today’s Torwache is the remnant of a palatial building plan cut short by the Napoleonic wars and invasions of the early nineteenth century. Designed by local architect Heinrich Christoph Jussow, best…

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Venues

Lala Rukh
Introduction by Natasha Ginwala

An ink drawing entitled Hieroglyphics I: Koi ashiq kisi mehbooba se 1 (1995) unfolds Lala Rukh’s secret language, a constellation of calligraphic form, Minimalism, and symbolic writing. Borrowing her…

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South Issue #8 [documenta 14 #3]

Keimena #37: Lmuja (The Wave)

by Omar Belkacemi

Omar Belkacemi’s The Wave tells the story of Algerian journalist and writer Redouane, who comes back from Europe to investigate a wave of suicides in his native country during the mass lay-offs of the late 1990s…

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Public TV

Mythopoeic Acts: Mariana Castillo Deball’s Newspaper Works

by Adam Szymczyk

Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…

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South Issue #7 [documenta 14 #2]

The Destruction of Europe

with Franco “Bifo” Berardi

The Society for the End of Necropolitics invites you to a lecture in three parts by contemporary theorist Franco “Bifo” Berardi on the recent rise of nationalism and fascism in Europe and the possibility (or impossibility) of political resistance in the age of financial capitalism…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

 

i would not be

i would not be had i not not i i too but not even at all if. 
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

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South Issue #6 [documenta 14 #1]