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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Anne Charlotte Robertson (1949–2012)

Anne Charlotte Robertson, born in 1949, was a Massachusetts-based filmmaker who used her Super-8 camera and acute self-awareness to forge a radically intimate mode of first-person cinema. Although she…

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Notes

Alvin Lucier

On one side of the stage, a performer ignites a small flame, which stands out against the darkness; on the other side, another performer appears and vocalizes a sustained tone that rises and resounds throughout…

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Artists

We Are Somatic Creatures: Hila Peleg in Conversation with Rosalind Nashashibi, Véréna Paravel and Lucien Castaing-Taylor, and Ben Russell

Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…

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South Issue #9 [documenta 14 #4]

#2

by Antonio Negri

Antonio Negri is professor of Theory of the State at the University of Padua. Negri actively collaborated in the debates and struggles of workers of the Italian radical left during the 1960s and 1970s…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Rizari Park

Near the Athens War Museum, a green oasis of exclusively Mediterranean flora is situated between two busy avenues. The plants were bequeathed in 1844 by Georgios Rizaris, a former member of the Society…

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Venues

Leder Meid Apartment

Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…

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Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

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South Issue #8 [documenta 14 #3]

Keimena #31: ​Passing Drama

by Angela Melitopoulos

Passing Drama by Angela Melitopoulos revolves around the great population displacement that followed the breakdown of the Ottoman Empire. The title plays with the double meaning of the word “Drama.” Implying tragedy and turmoil, Drama is also the name of the town where Melitopoulos’s grandparents settled after the Lausanne convention in 1923…

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Public TV

Outlawed Social Life

by Candice Hopkins

U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…

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South Issue #7 [documenta 14 #2]

Black Athena Reloaded 1: Ideas as Migrants
Our Common Ghosts

with Christian Nyampeta and Isaïe Nzeyimana

In 1987 Martin Bernal published Black Athena: The Afroasiatic Roots of Classical Civilization putting forward a controversial thesis that tried to delink Greek history from the western narratives that…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]