documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When Iver Jåks first saw the light of day on a mountain near the village of Karasjok in Northern Norway in 1932, the Sámi did not have a word for “art.” Life, art, and craft were the same; the word…
In Naeem Mohaiemen’s practice as an artist and writer, protagonists are figured as a means of mobilizing inquiries into the fabric of what Samuel Moyn termed “global history,” building a meta-archive…
Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…
Founded in Delphi by Theodoros Terzopoulos in 1985, the Attis Theatre is dedicated to performing the work of ancient Greek tragedy. The theater collaborates with international festivals and theaters to…
Accessed from a different entrance as the Press and Information Center in the same building, the third floor of Leder Meid, in the former apartment of the factory owners, presents a number of paintings…
Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…
