documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Susan Hiller’s practice takes us to the edges of the known world, to locations where our usual ways of mapping become hesitant. We are presented with the possibility that our accepted means of orientation…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Attempt. Come. Undefined. Be the point of no-reference. Constant, and as a state of formation. Play. Continue to play with the beat. Vibrate with me, so chaos can enter. It is an invitation. Come. As water. As the…
Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…
It is obvious I have to solve this problem. From 1954 until 1958, so for four years, I listened halfheartedly to people who insisted that there is music present in my paintings. Since nobody could actually…
The Ballhaus—Leo von Klenze’s first authored building—stands next to the Schloss Wilhelmshöhe, the neoclassical palace of Kassel, inside the Bergpark Wilhelmshöhe. It was built in 1808 by Jérôme…
For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…
It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…
