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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

The Transit of Hermes

by Ross Birrell

The Athens-Kassel Ride—a mobile, participatory, human-equine ensemble performed over 100 days—is a 3000 km equestrian long ride across Europe linking the two cities of documenta 14…

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Notes

Danai Anesiadou

“My name is Danai Anesiadou. My name is Danai Anesiadou.” Exclaimed over and over again, these assertions have begun nearly every one of the artist’s performances to date. (Describing those performances…

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Artists

Resisting Extinction: Standing Rock, Eco-Genocide, and Survival

by Gene Ray

Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…

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South Issue #9 [documenta 14 #4]

Pile o´ Sápmi

with Máret Ánne Sara and Candice Hopkins

documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Parko Eleftherias, Athens Municipality Arts Center and Museum of Anti-dictatorial and Democratic Resistance

The Athens Municipality Arts Center at Parko Eleftherias (Freedom Park) and the Museum of Anti-dictatorial and Democratic Resistance belong to a nineteenth-century complex of military quarters. Indeed…

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Venues

Lorenza Böttner

Lorenza, originally named Ernst Lorenz Böttner, was born in 1959 into a family of German origin in Punta Arenas, Chile. At the age of eight, s/he received an electric shock after climbing a pylon, as…

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Historical Positions

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

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Venues

H+G: An Introduction

by Pope.L

For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…

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South Issue #8 [documenta 14 #3]

Keimena #22: Ernste Spiele I–IV (Serious Games I–IV)

by Harun Farocki

Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…

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Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

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South Issue #7 [documenta 14 #2]

#29 Trans*: Bodies and Power in the Age of Transgenderism

by Jack Halberstam

Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

A United Front Against the Debt

by Thomas Sankara

The case of AKP, an eighty-year-old Polish immigrant in England described by neuropsychologist Chris Moulin et al. in a 2005 paper in the journal Neuropsychologia, is one of many prominent examples of…

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South Issue #6 [documenta 14 #1]