documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Anne Charlotte Robertson, born in 1949, was a Massachusetts-based filmmaker who used her Super-8 camera and acute self-awareness to forge a radically intimate mode of first-person cinema. Although she…
Born in Mali in 1967, Aboubakar Fofana left the African continent at an early age for Paris. Fofana’s founding discipline was calligraphy. Fascinated by the sign and the trace, he drew on Western and…
Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
From the storefront of no. 13 on this pedestrian street, it is a short walk to Victoria Square, a low-key crossroads for people of myriad nationalities, newly settled or passing through Greece. In Spring…
Louis Kolitz was a German genre painter active from the 1860s until his death shortly before the outbreak of the First World War; from 1879 until 1911 he was the director of the art academy, today’s…
After its partial destruction during World War II, the Ottoneum performed a remarkable shift: from a theater—arguably the first theater building in Germany, constructed in the early seventeenth century—to…
In An Opera of the World, Malian filmmaker Manthia Diawara uses opera to reflect upon the migration of people and culture, mainly between Europe and Africa…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…