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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

In Memoriam: Lala Rukh (1948–2017)

by Natasha Ginwala

During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…

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Notes

Marilou Schultz

In 1994, Marilou Schultz, an acclaimed Navajo weaver and educator, was commissioned by the Intel corporation in Rio Rancho, New Mexico to weave a replica of a printed circuit board. Schultz began weaving…

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Artists

Blood Is Flowing in Carthage: Simone Weil between Force and Colonialism

by Richard Fletcher

The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…

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South Issue #9 [documenta 14 #4]

#24 They Glow in the Dark

by Panayotis Evangelidis

They Glow in the Dark, Panayotis Evangelidis, Greece, 2013, 69 min.
Film screening and discussion with director Panayotis Evangelidis…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Trianon

Trianon Cinema opened with the premiere of the Greek film Never on Sunday in August 1960. Today, the cinema continues to screen films but has expanded its program to present performances, concerts, and…

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Venues

Forough Farrokhzad

Gift

I speak out of the deep of night
out of the deep of darkness
and out of the deep of night I speak.

If you come to my house, friend
bring me a lamp and a window I can look through
at the crowd in the happy…

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Historical Positions

Peppermint

Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #35: Louomenoi (Bathers)

by Eva Stefani

The title of Eva Stefani’s Bathers points to a painterly tradition that emerged in the nineteenth century alongside the advent of leisure, the nudist movement, and love for nature. Its most famous examples are the Bathers of Edgar Degas or Paul Cézanne…

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Public TV

#8 This is not the Place. Four Visits to Villa Grimaldi: A Chilean Center for Torture and Detention

by Diana Taylor

Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]