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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Collective Exhibition for a Single Body

Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…

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Notes

Romuald Karmakar

Filmmaker Romuald Karmakar draws on the traditions of those who shaped the New German Cinema of the 1960s and 1970s. His films exist within an expanded spectrum of subgenres spanning experimental documentary…

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Artists

Memory, Image: On Rosa Luxemburg’s Prison Letters and Gender Violence

by Sean O’Toole

Among the things I inherited from grandmother when she died were her handwritten recipes and a hardcover edition of Roberts’ Birds of Southern Africa, an illustrated guidebook to the region’s winged…

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South Issue #9 [documenta 14 #4]

Never-Closing

with Sergio Zevallos and members of the Open Form Societies

July 15, 2017, 4 pm
Parko Eleftherias, Athens Municipality Arts Center, Athens…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Elpidos

Elpidos Street is the site of a performance by Regina José Galindo, in which the artist wears a dress kept by the family of a woman murdered in her native Guatemala. While the Victoria Square area is…

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Venues

KSYME-CMRC

The Contemporary Music Research Center (KSYME-CMRC) was founded in Athens in 1979 by Iannis Xenakis, Giannis G. Papaioannou, and Stephanos Vassiliadis, with the aim of developing electro-acoustic music…

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Historical Positions

Hessisches Landesmuseum

The Hessisches Landesmuseum, designed by the German historicist architect Theodor Fischer, was inaugurated in 1913; as such, it was among the last major historical museums opened before the onset of World…

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Venues

Walking with Nandita

by Moyra Davey

New York City, 157th Street

I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…

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South Issue #8 [documenta 14 #3]

Keimena #22: Ernste Spiele I–IV (Serious Games I–IV)

by Harun Farocki

Images of war pervade our screens, streaming in real time, impossible to ignore. Harun Farocki’s Serious Games reminds us that this spectacle is only one aspect of the mediatization of combat: the image does not simply picture war, but is also an instrument of warfare…

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Public TV

Keeping Score: Notation, Embodiment, and Liveness

by Hendrik Folkerts

To approach a definition: the score is a notational device that connects the material of a ­discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…

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South Issue #7 [documenta 14 #2]

#16 Lingua Tertii Imperii

by Daniel García Andújar

Democracy has become a matter of aesthetics. The stage of the public has become a kind of orchestrated video game or operetta with a few recited parts; this operetta is performed daily for a people overwhelmed…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]