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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Departing for Drawing a Line through Landscape

by Nikhil Chopra

Nikhil Chopra departing for part 2 of Drawing a Line Through Landscape, Athens, May 13, 2017, photo: Angelos Giotopoulous…

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Notes

Beatriz González

Beatriz González began her artistic practice in the early sixties in Bogotá, where she studied architecture and painting, as well as art history with the critic Marta Traba. In her pictorial investigations…

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Artists

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…

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South Issue #9 [documenta 14 #4]

#0 Introduction

by Adam Szymczyk, Paul B. Preciado, and Andreas Angelidakis
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Archimidous 15

The industrial district of Moschato is characterized by workshops, tavernas, wholesale shops, and low-income housing blocks, while also hosting the Athens School of Fine Arts Pireos Street campus. Blocks…

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Venues

Benode Behari Mukherjee

Benode Behari Mukherjee (1904–80) was a leading modernist artist and teacher at Kala Bhavana (Institute of Fine Arts) in Santiniketan, West Bengal. Besides working with drawing, wax sculptures, collage…

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Historical Positions

Former Underground Train Station (KulturBahnhof)

documenta 14 in Kassel might begin underground. Envisioned as the visitor’s point of entry into the exhibition, the decommissioned tunnel at the KulturBahnhof (formerly Kassel’s main rail station)…

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Venues

Keimena #19: 48

by Susana de Sousa Dias

A face appears in Susana de Sousa Dias’ 48 — the profile of a young woman, a black-and-white photograph, taken decades ago. Her face is stern, proud, austere. Yet she weeps. She tells a tale of humiliation, frustration, and defeat. She has no name, no age, no flesh…

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Public TV

Keeping Score: Notation, Embodiment, and Liveness

by Hendrik Folkerts

To approach a definition: the score is a notational device that connects the material of a ­discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…

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South Issue #7 [documenta 14 #2]

#22 I Owe You Everything

by Clémentine Deliss and Chief Robert Joseph

I Owe You Everything is a project that chooses and follows a series of contemporary thinkers, poets, and activists who are invited to construct a public “act of giving,” a critical and poetic ritual…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

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South Issue #6 [documenta 14 #1]