documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

Collective Exhibition for a Single Body

Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…

Notes

Andreas Ragnar Kassapis

A boy puffed his cheeks to the bursting point.
What do you mean? asked the old man. He sank his face in the hair
of the guy in front until everything was crammed around him.
Years later he would think of…

Artists

“There is one myth in which women do not disappear ...”

by Kim Hyesoon

To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…

South Issue #9 [documenta 14 #4]

In Between
Image and Movement

with Alexandra Bachzetsis and Lenio Kaklea

Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…

Calendar

Interview with Mounira Al Solh

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Panathenaic Stadium/Hellenic Olympic Committee

First built in the fourth century BC during Lykourgos’s archonship in the ravine between Ardettos Hill and the Ilissos River, the Panathenaic Stadium was reconstructured during the reign of Roman emperor…

Venues

Max Liebermann

Max Liebermann can easily be considered Germany’s leading impressionist painter. For the last decade and a half of his life he was also president of the Prussian Academy of Arts in Berlin, until he was…

Historical Positions

Public Radio

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

Venues

The Middle

by Lisa Robertson

South Issue #8 [documenta 14 #3]

Keimena #8: Ku Qian (Bitter Money)

by Wang Bing

“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…

Public TV

Prayer to Masks

by Léopold Sédar Senghor

South Issue #7 [documenta 14 #2]

Gordon Hookey: Summoning Time. Painting & Politikill Transition in MURRILAND!

with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts

Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

South Issue #6 [documenta 14 #1]