documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

Dimitris Pikionis (1887–1968)

When I first visited the Acropolis in 1959 I found myself walking virtually by accident on the adjacent landscape of Philopappou Hill and there I felt, with surprise, the almost literal movement of the…

Notes

Nathan Pohio

In a particular Māori tradition, objects and bodies would be prepared to travel through a folding of space and time. Rather than considering movement as a passage from a point of departure to a point…

Artists

A Guatemalan Idyll
Story by Jane Bowles
Paintings by Vivian Suter

When the traveler arrived at the pension the wind was blowing hard. Before going in to have the hot soup he had been thinking about, he left his luggage inside the door and walked a few blocks in order…

South Issue #9 [documenta 14 #4]

#29 Trans*: Bodies and Power in the Age of Transgenderism

by Jack Halberstam

Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…

Calendar

Interview with Pélagie Gbaguidi

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Stoa tou Vivliou

Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…

Venues

Abdurrahim Buza

Historical Positions

Public Radio

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

Venues

How to Write Painting: A Conversation about History Painting, Language, and Colonialism with Gordon Hookey, Hendrik Folkerts, and Vivian Ziherl

The entwined edifice of history, the archive, and the written word have long been the subject of critique within Western theory. However, what might yet be learned from turning our attention to traditions…

South Issue #8 [documenta 14 #3]

Keimena #18: Nespatřené (The Unseen)

by Miroslav Janek

“Sometimes I think I should give up, but life is for living,” says a blind boy in Miroslav Janek’s The Unseen. This award-winning documentary takes place in a school for blind children in Prague. For too long the disabled were hidden from the public eye, they were unseen. Janek’s film rectifies this by allowing the children to tell their own stories…

Public TV

Outlawed Social Life

by Candice Hopkins

U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…

South Issue #7 [documenta 14 #2]

Word-of-Mouth: On the Early Reception of Ulises Carrión

with Magalí Arriola

Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Always Struggle with the Object, Always Rewrite the World

by Kaelen Wilson-Goldie

Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…

South Issue #6 [documenta 14 #1]