documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Agim Çavdarbasha’s sculptural work is part of the foundations of modern art in Kosovo. He studied at Yugolslav art academies (in Belgrade 1964–69 and Ljubljana 1970–71) within liberal circumstances…
Pavel Brăila’s return to documenta 14, having shown his film Shoes for Europe (2000) at documenta 11, marks the coming-of-age of a complex art practice. Freeing itself from medium specificity, his work…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…
Inaugurated in 1991, Megaron was the outcome of the long efforts of an association of eminent social figures, musicians, and music lovers. The hall was built and has since operated on corporate, private…
“Metapraxis is concerned with breaking through the barrier of meaning of a single medium, whatever that medium may be. Whenever that happens, that is music. That can be in any medium, providing metapraxis…
The Filmladen Kassel opened in the converted interior of a former storage building in Goethestrasse in the summer of 1981. Its programming offers a counterpoint to mainstream cinema, focusing since its…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
with Naeem Mohaiemen, Vijay Prashad, Zonayed Saki, and Samia Zennadi
This four-evening seminar started from the desire to unpack some of the forgotten languages, broken dreams, and uncanny hopes that appear in Naeem Mohaiemen’s film for documenta 14 Kassel, Two Meetings…
In Greek, the word κείμενο (keímeno) has a double meaning. As an adjective, keímeno describes something that has fallen or toppled over, but the ancient adjective is also the Modern Greek noun…
