documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
“There are two ways of seeing the ways of seeing the world. One is one way and the other is another. And nobody knows: ‘Is there, anywhere, one way of seeing the two?’”
—Stefan Themerson
Sound is weaponized. During World War II, fighter jets flew low to simulate the dropping of bombs, keeping citizens on edge. In Guantanamo Bay, metal music was blasted at intolerable levels in the belief…
The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…
This performance is inspired by all those people who at some point, in some place, in some way reacted to what was putting them down by posing thousands of questions. By all those who, if only for a brief…
Central to Athenian democracy and justice was the Agora, a place of assembly for its citizens. At the center of the Ancient Agora of Athens was the Odeion of Agrippa, an auditorium with the capacity to…
Measuring 1.5 square kilometers in total, the Auepark or Karlsaue, so named after its patron Landgrave Karl of Hesse-Kassel, is the tautly composed, arch-symmetrical Baroque counterpoint to the sprawling…
Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…
with Skevos Papaioannou, Geert Platner, Erika Wittlinger, and other members of the Initiative Group
“The working title of this year’s documenta and the artistic director’s appeal for stories prompted us to form an initiative group which has made preparations for several events and activities under…
