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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Collective Exhibition for a Single Body

Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…

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Notes

Vivian Suter

My first encounter with Vivian Suter was surreptitious: her name showed up on a documenta 14 travel email, and since I knew none of the participants and was curious about who some others might be, I put…

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Artists

“There is one myth in which women do not disappear ...”

by Kim Hyesoon

To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…

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South Issue #9 [documenta 14 #4]

#8 This is not the Place. Four Visits to Villa Grimaldi: A Chilean Center for Torture and Detention

by Diana Taylor

Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Athens Conservatoire (Odeion)

The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center…

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Venues

Oscar Masotta

In 1967, exactly half a century ago, intellectual and artist Oscar Masotta (born in 1930 in Buenos Aires, died in 1979 in Barcelona) edited the book Happenings. The publication assembles several articles…

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Historical Positions

Fridericianum

The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…

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Venues

So Many Hungers

by Natasha Ginwala

It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…

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South Issue #8 [documenta 14 #3]

Keimena #38: Ismyrna (Ismyrne)

by Joana Hadjithomas and Khalil Joreige

Ismyrne, co-directed by the Lebanese artists Joana Hadjithomas and Khalil Joreige, tackles issues of identity, belonging, and nationalism…

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Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

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South Issue #7 [documenta 14 #2]

Manifiesto de Sedición Feminista

by María Galindo

We are not risking the production of an artwork; we are risking the production of expectation. Five theses about what we're experiencing at the moment, five theses about what to do, and three propagandist…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

 

i would not be

i would not be had i not not i i too but not even at all if. 
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

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South Issue #6 [documenta 14 #1]