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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

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News

Meanwhile, Aboubakar Fofana contributes a text-ile to The documenta 14 Reader

by Monika Szewczyk

It took artist Aboubakar Fofana one day to set up a fructose-based indigo vat at the Mentis Center for the preservation of traditional textile techniques at 6 Polyfimou Street in Athens. It was December…

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Notes

Arin Rungjang

When Arin Rungjang speaks about history, he uses a vocabulary associated with rumor and hearsay: history is neither fact nor uncontested. For Rungjang, who was born in Bangkok in 1975, the contention is…

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Artists

Ahlam Shibli’s Occupation
Introduction by Ulrich Loock

Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…

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South Issue #9 [documenta 14 #4]

Introduction to the Society of the Indigenous

with Max Jorge Hinderer Cruz, Nelli Kampouri, and Margarita Tsomou

By establishing the notion of ithageneia (the Greek word for "indigenous") as a condition, The Apatride Society tries to go beyond a Eurocentric perspective, while encouraging the observation of the shifting…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Athens Conservatoire (Odeion)

The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center…

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Venues

Henschel-Hallen

Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…

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Venues

Revolutionary Work: Pandurang Khankhoje and Tina Modotti

by Savitri Sawhney

My father, the agronomist and political revolutionary Pandurang Khankhoje, was born in 1886 in British colonial India, the son of a Marathi vakil, a petition writer in the courts of law, and the grandson…

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South Issue #8 [documenta 14 #3]

Keimena #19: 48

by Susana de Sousa Dias

A face appears in Susana de Sousa Dias’ 48 — the profile of a young woman, a black-and-white photograph, taken decades ago. Her face is stern, proud, austere. Yet she weeps. She tells a tale of humiliation, frustration, and defeat. She has no name, no age, no flesh…

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Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

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South Issue #7 [documenta 14 #2]

#29 Trans*: Bodies and Power in the Age of Transgenderism

by Jack Halberstam

Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

“Elections Change Nothing”: On the Misery of the Democracy of Equivalence

by Angela Dimitrakaki

It has been suggested that we live in “momentous times”1—times, that is, of profound significance for the living history of humanity. I borrow this definition from a homonymous curatorial project…

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South Issue #6 [documenta 14 #1]