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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

André Pierre (1915–2005)

Take Grand Bois (1975), with its overlap of fluid, gesticulating branches of the tree/God; or Imamou (1970s), the stature and mysterious prominence of the rooster looking on/in at the ceremony for Agoue…

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Notes

iQhiya

There is something called the “hidden curriculum,” a term developed by educational theorists in the 1920s. If it were not so hidden, I could explain exactly what it is, but it always seems to conceal…

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Artists

Voyage of the Sable Venus

by Robin Coste Lewis

Prologue:

What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…

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South Issue #9 [documenta 14 #4]

#0 Introduction

by Adam Szymczyk, Paul B. Preciado, and Andreas Angelidakis
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Elpidos

Elpidos Street is the site of a performance by Regina José Galindo, in which the artist wears a dress kept by the family of a woman murdered in her native Guatemala. While the Victoria Square area is…

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Venues

Friedrichsplatz

Constructed in the late eighteenth century as a way to expand Kassel from the old medieval town toward the flourishing Huguenot settlement nearby, Friedrichsplatz has often been employed as an arena for…

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Venues

H+G

by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

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South Issue #8 [documenta 14 #3]

Keimena #27: He Who Eats Children, Atlantis, and TRYPPS #7 (Badlands)

by Ben Russell

Ben Russell—the director of Trypps #7 (Badlands), Atlantis, and He Who Eats Children—is an itinerant filmmaker. From Vanuatu to Rhode Island, he reaffirms and interrogates the affinities between cinema and travel that have existed since the medium’s earliest years. No matter where he shoots, at stake is a reckoning with otherness—with other psychic states, other ways of living, other cultures—and with the cinema itself…

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Public TV

#19 Attempt. Come.

by Georgia Sagri

Attempt.
Come.
Undefined.
Be the point of no-reference.
Constant,
and as a state of formation.
Play.
Continue to play with the beat.
Vibrate with me, so chaos can enter.
It is an invitation.
Come.
As water.
As the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Marx and Stilinović

by Sven Stilinović

Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover

 

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South Issue #6 [documenta 14 #1]