documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Dignity isn’t well regarded at the moment. It’s seen as a normative concept, difficult to gauge and even more difficult to reconcile with artistic practices that tend to strive for emancipation from norms. It’s also a political argument that has been made by reactionaries and enemies of artistic freedom. Finally, it is an ideal that goes against the tide of nihilism in this atmosphere of triumphant post-truth…
With majestic buildings as arteries and tree-lined boulevards, Omonoia Square begins life on paper as the heart of Bavarian rule. What happened to the foundation stone laid there in honor of King Otto?…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
What does it mean to be free when the market exceedingly places the demand on individuals to be free, creative, autonomous, and striving? What is the difference between what Foucault, since the end of…
"A spring morning in the early 1950s, an excited group of young graduates crossed Patision avenue down to their favorite cafe on Polytechniou street. The wars were over, the sun was out, Athens was in…
Fritz Winter was born in Altenbögge, Westfalen in 1905. A student of Paul Klee, Wassily Kandinsky, and Josef Albers at the Bauhaus, he was an early convert to the brand of lyrical abstraction—later…
Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…
Directed by the Mauritanian Abderrahmane Sissako and set in the capital of Mali, Bamako examines the links between global economic policies and everyday life. It follows a singer and her unemployed husband. In the yard of the house they share with other families, a court is in session. On trial are the global institutions accused of impoverishing Africa…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
with Karen Finley, Adonis Volanakis, Chrysanne Stathacos, and Sozita Goudouna
“Oracle drawings” is a project initiated and curated by Sozita Goudouna and Paul B. Preciado. It consists of a collaborative staging of a public participatory installation by Karen Finley and Adonis…
