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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

TV Politics

A documenta 14 film program with Alberto Grifi, Isuma Productions, Sarah Maldoror, Alanis Obomsawin, Nagisa Oshima, Mohamed Soueid
June 22–September 15, Grosses BALi
8:30 pm, unless noted otherwise…

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Notes

Lois Weinberger

Plants are central to Lois Weinberger’s discourse on the relationship between nature and society. His radical poetics of the “ruderal”—literally, the growth of plants on waste ground—counters…

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Artists

Memory, Image: On Rosa Luxemburg’s Prison Letters and Gender Violence

by Sean O’Toole

Among the things I inherited from grandmother when she died were her handwritten recipes and a hardcover edition of Roberts’ Birds of Southern Africa, an illustrated guidebook to the region’s winged…

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South Issue #9 [documenta 14 #4]

#17 Red Star, Crescent Moon / after Sohail Daulatzai

by Naeem Mohaiemen

In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Syntagma Square

Due to its prominent location in front of the Greek Parliament, the central square of Athens has long served as the starting and ending point for many assemblies and demonstrations. Its original name was…

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Venues

Forough Farrokhzad

Gift

I speak out of the deep of night
out of the deep of darkness
and out of the deep of night I speak.

If you come to my house, friend
bring me a lamp and a window I can look through
at the crowd in the happy…

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Historical Positions

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

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Venues

Walking with Nandita

by Moyra Davey

New York City, 157th Street

I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…

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South Issue #8 [documenta 14 #3]

Keimena #35: Louomenoi (Bathers)

by Eva Stefani

The title of Eva Stefani’s Bathers points to a painterly tradition that emerged in the nineteenth century alongside the advent of leisure, the nudist movement, and love for nature. Its most famous examples are the Bathers of Edgar Degas or Paul Cézanne…

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Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

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South Issue #7 [documenta 14 #2]

#4 Educación cívica / Civic Education

by Sergio Zevallos

Mimicking bodybuilding training sessions, Educación cívica / Civic Education attempts to “train” social coexistence between bodies. We are all civilians: Even the soldier maintains a civil identity…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Always Struggle with the Object, Always Rewrite the World

by Kaelen Wilson-Goldie

Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…

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South Issue #6 [documenta 14 #1]