Menu
09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

 More
News

Anne Charlotte Robertson (1949–2012)

Anne Charlotte Robertson, born in 1949, was a Massachusetts-based filmmaker who used her Super-8 camera and acute self-awareness to forge a radically intimate mode of first-person cinema. Although she…

 More
Notes

Marilou Schultz

In 1994, Marilou Schultz, an acclaimed Navajo weaver and educator, was commissioned by the Intel corporation in Rio Rancho, New Mexico to weave a replica of a printed circuit board. Schultz began weaving…

 More
Artists

Signals from Another World: Proletarian Theater as a Site for Education
Texts by Asja Lācis and Walter Benjamin, with an introduction by Andris Brinkmanis

What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…

 More
South Issue #9 [documenta 14 #4]

Indigenous Knowledge 1: On Violent Waters. A Discussion on Borders and Migration

with Dimitris Parsanoglou, Maria Iorio, and Raphaël Cuomo

In contemporary discussions of European borders, the sea stands as a silent and invisible yet violent medium that accentuates the tragic or heroic border crossings of migrants and refugees. Although it…

 More
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

 More
Publications

Gennadius Library

In 1922, diplomat and bibliophile Joannes Gennadius offered his 26,000-volume library to the American School of Classical Studies at Athens, on the conditions that the holdings be housed as a separate…

 More
Venues

Giovanni di ser Giovanni Guidi

Of the many guises donned by the devil in his ultimately fruitless attempts to lead Saint Anthony the Abbot into temptation, the mound of gold is perhaps the most abstract, iconographically speaking—but…

 More
Historical Positions

Peppermint

Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…

 More
Venues

So Many Hungers

by Natasha Ginwala

It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…

 More
South Issue #8 [documenta 14 #3]

Keimena #8: Ku Qian (Bitter Money)

by Wang Bing

“Time is money (bastard)” sang the Swans in 1986. The same refrain—deprived of its punk rage—drives the subjects of Wang Bing’s Bitter Money. The film follows country people moving to the city to be employed as textile workers on daily or seasonal contracts…

 More
Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

 More
South Issue #7 [documenta 14 #2]

Initiativgruppe Griechenland – Erinnerung als Widerstand (Initiative Group Greece – Remembrance as Resistance)

with Skevos Papaioannou, Geert Platner, Erika Wittlinger, and other members of the Initiative Group

“The working title of this year’s documenta and the artistic director’s appeal for stories prompted us to form an initiative group which has made preparations for several events and activities under…

 More
Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

 More
Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

 More
South Issue #6 [documenta 14 #1]