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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Maria Lai (1919–2013)

While living with her aunt and uncle near Cardedu in the Sardinian countryside due to poor health, as a child Maria Lai traced bold sketches on the walls of their kitchen with charcoal from the fireplace…

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Notes

Mata Aho Collective

He wāhine, he whenua,
ka ngaro te tangata

(Without women and without land, humanity is lost)

Mata Aho Collective: Aho is the Māori word for “weft,” while mata has multiple meanings. It can describe…

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Artists

Treaty and Protest: John Miller’s Photographs by Cassandra Barnett and Jon Bywater, with an introduction by Marina Fokidis

I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…

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South Issue #9 [documenta 14 #4]

Indigenous Knowledge 2: Fleeing and Occupying

with Olga Lafazani, Bahar Askavzadeh, and Brigitta Kuster

The Apatride Society of the Political Others moves on to engage with a different aspect of the ithageneia condition: that of migrant mobility and movement. Migrant mobility is as much a question of movement…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Greek Film Archive (Tainiothiki)

Founded in 1950 through the enthusiasm of the Athens Association of Film Critics, it wasn’t until the 1960s that key members of the association, artists and writers, formalized their activities to establish…

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Venues

Giesshaus (University of Kassel)

The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…

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Venues

H+G

by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

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South Issue #8 [documenta 14 #3]

Keimena #1: From Gulf to Gulf to Gulf

by CAMP

CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

A Century of Camps: Refugee Knowledge and Forms of Sovereignty Beyond the Nation-State

With: Isshaq Al-Barbary, Mohammed Allahham, Niklas Goldbach, Sandi Hilal, Elias Khoury, Alessandro Petti, Lorenzo Pezzani, Rasha Salti, Jad Tabet, and Eyal Weizman

Curated by Rasha Salti and Paul B. Preciado…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Like a Riot: The Politics of Forgetfulness, Relearning the South, and the Island of Dr. Moreau

by Françoise Vergès

The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…

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South Issue #6 [documenta 14 #1]