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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

André Pierre (1915–2005)

Take Grand Bois (1975), with its overlap of fluid, gesticulating branches of the tree/God; or Imamou (1970s), the stature and mysterious prominence of the rooster looking on/in at the ceremony for Agoue…

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Notes

Sokol Beqiri

As visual reminiscences and artistic responses to the bestialities of war, the works of Sokol Beqiri from the early 2000s also speak to the omnipresence of crime in the city where he was born in 1964…

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Artists

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Museum of Islamic Art, Benaki Museum

From the fall of Constantinople in 1453 until the revolution that created modern Greece in 1821, the Greek peninsula was under the rule of the Ottoman Empire. Housed in a restored neoclassical villa, the…

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Venues

August Spies

August Spies was born near Bad Hersfeld in central Hessen in 1855 and trained at the Polytechnikum in Kassel. Orphaned at age 17, he emigrated to the US, finally settling in Chicago in 1873, where he became…

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Historical Positions

Henschel-Hallen

Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…

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Venues

H+G: An Introduction

by Pope.L

For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…

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South Issue #8 [documenta 14 #3]

Keimena #25: Wutharr, Saltwater Dreams

Wutharr, Saltwater Dreams (2016) was conceived and produced by the Karrabing Film Collective, an extended family whose Indigenous lands stretch across the western coast of Australia’s Northern Territory…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

The Apartments of Jewish Tenants as Witnesses to the Holocaust: The Paris Case

with Sarah Gensburger, Isabelle Backouche, and Eric Le Bourhis

Auschwitz, Drancy camp near Paris, the Warsaw Ghetto: the history of Jewish persecution during the Second World War is inscribed in acknowledged locations including ghettos and extermination or transit…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Two Poems

by Katerina Anghelaki-Rooke
South Issue #6 [documenta 14 #1]