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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

An Ideal, or We Will All Die

by Abounaddara

A hideous crime was carried out in the name of God on the 13th of November in Paris. The presumed killers are French or Belgian citizens who do not identify with their national communities or with common…

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Notes

Geta Brătescu

Every time I visit Geta Brătescu’s studio, I make the same journey. I board the train in Ploiești, the city where she was born in 1926, and alight in Bucharest, the city where she now lives and where…

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Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

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South Issue #9 [documenta 14 #4]

What is a Circular Economy and How Can We Make It Possible?

with Erik Van Buuren and Otobong Nkanga

The hunt and greed for resources has shaped economic and societal models over the ages. A growing world population is affecting the way resources are being depleted, causing major societal disruption on…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Dionysiou Areopagitou

Along the south slope of the Acropolis lies the pedestrian street Dionysiou Areopagitou, named after Dionysius the Areopagite. Moving from east to west, the street begins alongside the Arch of Hadrian…

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Venues

Louis Gurlitt

The Gurlitt family saga—one thread among many running throughout this venue—begins with Louis Gurlitt, a prolific landscape painter born in Hamburg in 1812, whose mastery of the genre contributed to…

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Historical Positions

Westpavillon (Orangerie)

The Orangerie was built by Karl I, Landgrave of Hesse-Kassel, at the beginning of the eighteenth century. It served him as both a summer house and a winter habitat for potted trees such as citrus and palms…

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Venues

Enfleshment of Memory

by Neni Panourgiá

Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…

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South Issue #8 [documenta 14 #3]

Keimena #13: Kanehsatake: 270 Years of Resistance

by Alanis Obomsawin

Abenaki director Alanis Obomsawin’s film Kanehsatake: 270 Years of Resistance focuses on a small Kanien'kéha:ka (Mohawk) community, unheard of by many Canadians until a protest began on March 10, 1990…

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Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

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South Issue #7 [documenta 14 #2]

Communism will be the collective management of alienation*

with Nadia Bou Ali, Ray Brassier, Dimitra Kotouza, Mattin, and Paul B. Preciado

Previous revolutionary theories thought that it was possible to live in unalienated conditions. However, the question of mediation and how we understand ourselves is being radically challenged today: technology…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Construction of Southern Ruins, or Instructions for Dealing with Debt

by Aristide Antonas

 

In Greek, the word κείμενο (keímeno) has a double meaning. As an adjective, keímeno describes something that has fallen or toppled over, but the ancient adjective is also the Modern Greek noun…

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South Issue #6 [documenta 14 #1]