documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…
What is the place of art in the world? What, if anything, can we expect of it? Does art have any real goals or impact on reality? Artur Żmijewski, born in Warsaw in 1966, responds to these questions by…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
We are not risking the production of an artwork; we are risking the production of expectation. Five theses about what we're experiencing at the moment, five theses about what to do, and three propagandist…
In close proximity to the Mentis Center for the preservation of traditional textile techniques at Polyfimou 6, Aboubakar Fofana has taken occupancy of a former microbrewery, installing indigo vats as part…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Gym Lumbera’s Ának Araw begins with words on the screen: a procession of basic English nouns accompanied by pictographic representations. These are followed by their live-action representations, subtitled in Tagalog. Words, but no dialogue…
In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…
