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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Elegy for Annie Pootoogook (1969–2016)

by Candice Hopkins

Annie Pootoogook was from the Arctic near the North Pole. Her community is called Kinngait in Inuktitut—the language of Inuit people—and Cape Dorset in English. Annie passed away a few days ago. Police…

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Notes

Máret Ánne Sara

On February 1, 2016, the town of Tana in Sápmi/Northern Norway awoke to the sight of 200 reindeer heads piled into a pyramid in front of the Indre Finnmark District Court. This was the day that young…

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Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

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South Issue #9 [documenta 14 #4]

Opening, Introduction, and Discussions

6–8 pm
Presentation of the Cooperativist Society

The Cooperativist Society invites you to its first event. We present the Society’s general approach and position and initiate a new project: the Artists’…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Athens Conservatoire (Odeion)

The Athens Conservatoire, commonly referred to as Odeion, is part of an unrealized urban plan that won the architect Ioannis Despotopoulos first prize in a competition held for the Athens Cultural Center…

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Venues

Arnold Bode

Arnold Bode is best known today as the founder of documenta and the driving force behind its first four editions (1955–64). Born in Kassel in 1900, Bode initially trained as an artist, while he was also…

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Historical Positions

Neue Neue Galerie (Neue Hauptpost)

The brutalist Neue Hauptpost, renamed the Neue Neue Galerie by documenta 14, was inaugurated in 1975 as Kassel’s main post office and mail distribution center. In the wake of the partial privatization…

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Venues

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

I.

Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…

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South Issue #8 [documenta 14 #3]

Keimena #35: Louomenoi (Bathers)

by Eva Stefani

The title of Eva Stefani’s Bathers points to a painterly tradition that emerged in the nineteenth century alongside the advent of leisure, the nudist movement, and love for nature. Its most famous examples are the Bathers of Edgar Degas or Paul Cézanne…

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Public TV

Keeping Score: Notation, Embodiment, and Liveness

by Hendrik Folkerts

To approach a definition: the score is a notational device that connects the material of a ­discipline—ranging from music, dance, and performance to architecture, linguistics, mathematics, physics—and…

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South Issue #7 [documenta 14 #2]

#0 Introduction

by Adam Szymczyk, Paul B. Preciado, and Andreas Angelidakis
Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

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South Issue #6 [documenta 14 #1]