documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Annie Pootoogook was from the Arctic near the North Pole. Her community is called Kinngait in Inuktitut—the language of Inuit people—and Cape Dorset in English. Annie passed away a few days ago. Police…
Somewhere in London, October 2016: The Queen was having friends over for dinner. The selected host of a welcoming house, she stood by the door, greeting each of her guests. The Queen loved rituals. She…
I visited photographer John Miller’s studio in 2015, on the recommendation of friends and colleagues who reside in New Zealand. I had just met with art writer Jon Bywater in Auckland, who confirmed the…
This performance is inspired by all those people who at some point, in some place, in some way reacted to what was putting them down by posing thousands of questions. By all those who, if only for a brief…
From the storefront of no. 13 on this pedestrian street, it is a short walk to Victoria Square, a low-key crossroads for people of myriad nationalities, newly settled or passing through Greece. In Spring…
Yves Laloy’s paintings defy categorization. André Breton was the first to call his work surrealist, a label that Laloy felt overly limiting. Yet, Laloy embraced another relationship also put forward…
The brutalist Neue Hauptpost, renamed the Neue Neue Galerie by documenta 14, was inaugurated in 1975 as Kassel’s main post office and mail distribution center. In the wake of the partial privatization…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
CAMP’s From Gulf to Gulf to Gulf describes a journey on the high seas. A group of sailors from the Kutch district in western India—along with fellow seafarers from southern Iran and the Pakistani provinces of Sindh and Balochistan—transport goods and livestock in wooden vessels across the Persian and Aden gulfs…
I am called BODY WRITING. Unidentified Verbose Object. ISBN: 978-1-14210-562-7. 197 pages, deletions included. 15 x 21 cm. Standard offset paper. Cover: a photograph by Mark Velasquez depicting a naked…
In this meeting the artist Ross Birrell makes a special presentation of his upcoming publication “The Parasite” (2017). Done within the research framework of documenta 14, “The Parasite” is a text…
To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…