documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Like a writer who places epigraphs at the beginning of his text—other voices—to give rise to an idea of the work as a whole, please find enclosed some elements and conditions for the work in production…
It’s been nearly three years since we first embarked on the journey toward South as a State of Mind, the magazine of documenta 14, edited and produced in and out of Athens. The issue you hold, our…
Linnea Dick is the daughter of Pamela Bevan and Beau Dick. She carries the Kawakwaka’wakw name Malidi, meaning “to always find a purpose and path in life.” She is of Kawakwaka’wakw, Nisga’a…
The Athens Municipality Arts Center at Parko Eleftherias (Freedom Park) and the Museum of Anti-dictatorial and Democratic Resistance belong to a nineteenth-century complex of military quarters. Indeed…
Since the closing of the Henschel factory during World War II—once a pivotal site in German industrialization and the development of military technology—the Henschel-Hallen today stand empty, to be…
Albert Serra’s The Death of Louis XIV is an exquisite meditation on death, dignity and voyeurism that unfurls like a baroque tapestry. Visionary Catalan filmmaker and artist Albert Serra is contemporary cinema’s master historicist…
Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…
Édouard Glissant’s seminal treatise Philosophie de la Relation (Philosophy of Relation) was published in 2008,2 at a time when the so-called nouveaux philosophes were taking sides in the debate about…
