documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During the week of June 19-23, 2017 documenta 14's sound and music program offers various concerts that provide a focus on and contextualization of the work of German composer Jakob Ullmann and American…
In 1711, in an essay for The Spectator, Joseph Addison defined wordplay as a “kind of false wit,” a petulant “jingle of words . . . comprehended under the general name of Punning.” The fraudulence…
Angela Y. Davis, the African-American activist, feminist, academic, and writer, was born in 1944 in the southern city of Birmingham, Alabama. A student of Herbert Marcuse at Brandeis University, she also…
with Hendrik Folkerts, Amelia Jones, and Arnisa Zeqo
We warmly invite you to the inauguration of The Society of Friends of Ulises Carrión. This Society takes the work and methods of Mexican artist Ulises Carrión (1941–89) as a starting point in order…
Athens Polytechnic is among the oldest higher-education institutions of Greece. It is also a central symbolic and historical locus of contemporary Greek resistance. On November 14, 15, and 16, in 1973…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day that “Leninopad,” the widespread demolition of monuments to Vladimir Lenin, kicked off in Ukraine. The first monument to be dismantled in Kyiv was made by Soviet sculptor Sergei Merkurov and was erected in 1946, while Stalin was still in power. The Ukrainian ultra-nationalist party Svoboda (Freedom) claimed responsibility…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
