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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Listening Space

Listening Space is a program of events that attempts to explore and understand sound outside established hierarchies of music production and performance. In the project’s diverse concerts, lectures…

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Notes

Elisabeth Wild

Nací en Viena (Austria) el 6 de febrero de 1922. En 1938 emigré con mis padres, Franz und Stefanie Pollak, a la Argentina, a Buenos Aires. Aprendí a pintar con un artista de la Academia de Arte de Viena…

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Artists

Ahlam Shibli’s Occupation
Introduction by Ulrich Loock

Every single photograph of the work is permeated by the violence that the Israeli state exercises against the people of al-Khalil/Hebron, and all of the Palestinian people, in the occupied West Bank—through…

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South Issue #9 [documenta 14 #4]

Shame on Us: A Reading and Discussion

with Franco “Bifo” Berardi

In response to the violence and volume of complaints and disparaging remarks received during the last week, we have decided to cancel Franco “Bifo” Berardi’s performance. We respect those who might…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Municipal Theater of Piraeus

The Municipal Theater of Piraeus is an exemplar of nineteenth-century Greek public architecture. Built from plans by Ioannis Lazarimos, the neoclassical building has been a meeting point for the city’s…

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Venues

Zainul Abedin

The Bengal Famine 1943–44 wrecked over three million lives across undivided India during the Second World War while its colonized subjects supported the Western war effort leading to a diversion of food…

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Historical Positions

Königsplatz

While Olu Oguibe’s project in Athens, The Biafra Time Capsule (2017), deals with an archive of the human tragedy of the Biafra War (1967–70), his work in Kassel refers to a critical humanitarianism…

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Venues

Keimena #11: Loubia Hamra (Bloody Beans)

by Narimane Mari

Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…

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Public TV

To Be Beside of Oneself: Fanon and the Phenomenology of Our Own Violence

by Elsa Dorlin

Pathogenic Subjectivity

Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…

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South Issue #7 [documenta 14 #2]

From Postporn to Ecosex: An Art, Love, and Activism Journey

by Annie Sprinkle and Beth Stephens

Ex-porn star and artist Annie Sprinkle and professor, sculptor, and video artist Beth Stephens fell in love at the beginning of the century. Their relationship triggered an artistic collaboration that…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Always Struggle with the Object, Always Rewrite the World

by Kaelen Wilson-Goldie

Early in the winter of 2015, the Archaeological Museum at the American University of Beirut quietly reopened its permanent display of Islamic art and architecture. Less a wing than a modest corner of a…

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South Issue #6 [documenta 14 #1]