documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Akinbode Akinbiyi is, by way of photography and poetry, a chronicler of the quotidian. He is interested in “everydaylifeness” rather than everydayness; two states differentiated by Akinbiyi’s profound…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
with Natasha Ginwala, Kyrillos Sarris, and Cecilia Vicuña
Guests open up current forms and strategies of artistic self-determination beyond, behind, or within institutions. The program brings together fans and scholars alike across space and time, for discussions…
In 1922, diplomat and bibliophile Joannes Gennadius offered his 26,000-volume library to the American School of Classical Studies at Athens, on the conditions that the holdings be housed as a separate…
Erna Rosenstein (1913–2004) spent her youth in Krakow and Vienna. In the mid-1930s, she became involved with the avant-garde Krakow Group. She survived the Holocaust and, following the war, joined the…
documenta 14 in Kassel might begin underground. Envisioned as the visitor’s point of entry into the exhibition, the decommissioned tunnel at the KulturBahnhof (formerly Kassel’s main rail station)…
Cemetery of Splendour is Thai director Apichatpong Weerasethakul’s seventh feature film. In a provincial city in Thailand’s northeast, soldiers deployed on a construction project come down with a strange sleeping sickness and receive treatment in a makeshift clinic. A friendship develops between two of their volunteer carers, who discover that the soldiers’ digging has disturbed an ancient royal cemetery said to lie beneath the clinic, and that this has caused their mysterious illness…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
To reiterate the facts about the now well known but as yet unseen Gurlitt estate: it consists of artworks and art objects amassed by the German art historian and dealer Hildebrand Gurlitt (1895–1956)…