documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
I first met Pauline Oliveros in 1965 in Cleveland, Ohio. Pianist David Tudor had been asked to perform a concert at Case Western Reserve University in Cleveland and invited Pauline and I to join him. I…
Things tend to get personal, at times: I owe my acquaintance with Ross Birrell to Gustav Metzger, whose exhibition In Memoriam, dedicated to Walter Benjamin, I organized at Kunsthalle Basel in 2006. As…
The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…
Cayeron en Guatemala Cayeron en Honduras Cayeron en Nicaragua Cayeron en El Salvador Cayeron en Panamá Cayeron en Venezuela Cayeron en Perú Cayeron en Colombia Cayeron en Uruguay Cayeron en Paraguay Cayeron en…
In 1903 Isadora Duncan and her family arrived in Athens, where they resolved to remain and establish a place for dance to be experienced in a fluid relationship with everyday living. Designed according…
In Self-Portrait as a Tahitian, Amrita Sher-Gil performs her corporeality as a field of citation. As one of the most striking self-portraits among several composed throughout the brief span of her life…
The exhibition at the Fridericianum marks the first time the collection of Greece’s National Museum of Contemporary Art (EMST) is presented in Germany, through a double displacement that renders EMST’s…
Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…
In Sound Cage: A Portrait of Katalin Ladik by Kornél Szilágyi (also known as Igor Buharov), the many languages of Serbian-Hungarian poetess, actress, and visual artist Katalin Ladik come together…
Reflecting on some of the inventive and resourceful methods developed by Ulises Carrión in later life, Magalí Arriola’s presentation will revisit his practice in order to analyze the reception of his work within the burgeoning Mexican art scene of the late 1990s…
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
