Menu
09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

 More
News

In Memoriam: Ben Patterson (1934–2016)

by Bonaventure Soh Bejeng Ndikung

This script is not a eulogy. Actually you can't write a eulogy about someone you loved dearly, but didn't really know. This script is for, on, of, about, and with Ben Patterson and the vacuum he leaves…

 More
Notes

Narimane Mari

The debut feature film Bloody Beans (2013) of Narimane Mari, shot on the occasion of the fiftieth anniversary of Algerian independence, is based on a loose, improvisational script about a group of children…

 More
Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

 More
South Issue #9 [documenta 14 #4]

#15 Chronotopes / Dystopic Geometries / Terrifying Geographies

by Νeni Panourgia

Mikhail Bakhtin tells us that the chronotope connects temporal and spatial relationships of language to the ideological and political context that has produced them. Time, Bakhtin says, “thickens, takes…

 More
Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

 More
Publications

Ancient Agora of Athens—Odeion of Agrippa

Central to Athenian democracy and justice was the Agora, a place of assembly for its citizens. At the center of the Ancient Agora of Athens was the Odeion of Agrippa, an auditorium with the capacity to…

 More
Venues

Anna “Asja” Lācis

1891–1938
Born in Ķempji, Latvia in 1891; moves to Riga in 1898. Studies at Vladimir Bekhterev's Institute of Psychoneurological Research in St. Petersburg (1912–13), Šanjavskij Cultural University…

 More
Historical Positions

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

 More
Venues

Enfleshment of Memory

by Neni Panourgiá

Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…

 More
South Issue #8 [documenta 14 #3]

Keimena #2: Sleepless Nights Stories

by Jonas Mekas

Sleepless Nights Stories originated from my reading of the One Thousand and One Nights. While my stories, unlike the Arabian tales, are all from the real life, they too, at some points wander into somewhere else, beyond the everyday routine reality…

 More
Public TV

Taci, anzi parla

by Barbara Casavecchia

Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…

 More
South Issue #7 [documenta 14 #2]

A Political History of Dance and Electronic Music: The Invention of Queer Culture

with Luis-Manuel García, Elena Puentes, Panagiotis Vaxevanakis, and Dimitris Papanikolaou

This panel discussion organized in collaboration with the FASMA Festival looks into the political present and history of electronic music, particularly focusing on its diverse roots.

With Luis-Manuel García…

 More
Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

 More
Public Education

I Had Nowhere to Go

by Jonas Mekas

When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…

 More
South Issue #6 [documenta 14 #1]