documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

Hallucinations / Live / Cinema / Festival

June 22–24, 2017
Greek Film Archive (Tainiothiki), Athens…

Notes

Lala Meredith-Vula

In August 1988, four days after appearing in the seminal Freeze exhibition with fellow students at Goldsmiths College of Art, Lala Meredith-Vula left London for the Albanian countryside, where she began…

Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…

South Issue #9 [documenta 14 #4]

In Between
Image and Movement

with Alexandra Bachzetsis and Lenio Kaklea

Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…

Calendar

Interview with Pélagie Gbaguidi

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

EMST—National Museum of Contemporary Art

The EMST–National Museum of Contemporary Art, which has collected Greek and international art from the postwar period to the present since 2000, initially presenting a program in various temporary venues…

Venues

Vadim Sidur

Historical Positions

Public Radio

Ballhaus

The Ballhaus—Leo von Klenze’s first authored building—stands next to the Schloss Wilhelmshöhe, the neoclassical palace of Kassel, inside the Bergpark Wilhelmshöhe. It was built in 1808 by Jérôme…

Venues

Language Is Migrant

by Cecilia Vicuña

South Issue #8 [documenta 14 #3]

Keimena #20: Inventur – Metzstraße 11 and Logbook_Serbistan

by Želimir Žilnik

In the forty years between Inventur - Metzstrasse 11 and Logbook_Serbistan, Želimir Žilnik never ceased to give voice to the disenfranchised. Made in 1975, Inventur belongs to Žilnik's German period, when he fled Yugoslavia following the collapse of the “black wave” generation of Yugoslavian cinema of which the Serbian’ director was a key member…

Public TV

Cemetery for the Ashes of Thought

by Andreas Angelidakis

John Hejduk spent his life developing a set of characters. The stories they inhabited are the elaborate architectural drawings he called Masques, after the sixteenth-century European tradition of masked…

South Issue #7 [documenta 14 #2]

Introduction to the Society of the Indigenous

with Max Jorge Hinderer Cruz, Nelli Kampouri, and Margarita Tsomou

By establishing the notion of ithageneia (the Greek word for "indigenous") as a condition, The Apatride Society tries to go beyond a Eurocentric perspective, while encouraging the observation of the shifting…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Representing Misery: Courbet’s Beggar Woman

by Linda Nochlin

Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…

South Issue #6 [documenta 14 #1]