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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Something is Rotten

by Abounaddara

Something is rotten in the state of the media. Rotten to the point that today a man accused of war crimes can summon mainstream media to announce that reality has debunked their narrative, delighting in…

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Notes

Geta Brătescu

Every time I visit Geta Brătescu’s studio, I make the same journey. I board the train in Ploiești, the city where she was born in 1926, and alight in Bucharest, the city where she now lives and where…

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Artists

A Reading That Loves
The Distance between V and W
Objects in Diaspora

by Yael Davids

I begin with—
Our tiny house in the kibbutz. A narrow wooden door with a small window above it, separating the kitchen from the toilet. 

On the day when this small window was broken, my father lifted…

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South Issue #9 [documenta 14 #4]

#17 Red Star, Crescent Moon / after Sohail Daulatzai

by Naeem Mohaiemen

In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Archimidous 15

The industrial district of Moschato is characterized by workshops, tavernas, wholesale shops, and low-income housing blocks, while also hosting the Athens School of Fine Arts Pireos Street campus. Blocks…

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Venues

Jani Christou

“Metapraxis is concerned with breaking through the barrier of meaning of a single medium, whatever that medium may be. Whenever that happens, that is music. That can be in any medium, providing metapraxis…

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Historical Positions

Gottschalk-Halle (University of Kassel)

Many threads of Kassel’s history are woven together in this abandoned warehouse. Built in the 1950s on a location belonging to two of the city’s most prominent industrial dynasties, Henschel company…

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Venues

H+G: An Introduction

by Pope.L

For the past five winters, I have taught a course at the University of Chicago that consists of readings, screenings, discussion, and analysis of the work of the Brothers Grimm and their collecting and…

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South Issue #8 [documenta 14 #3]

Keimena #9: The Forgotten Space

by Allan Sekula and Noël Burch

American artist Allan Sekula made The Forgotten Space after he was invited to create a work of art in a public space. He thought it important to understand television as such a public space and set out to make a film for national television with his co-director, the Paris-based American film theorist Noël Burch…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

Social Economies: Deinstitutionalizing Alternatives, Global Capitalism, and Local Knowledge

with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides

As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

What Foundations Have Been Laid for Them: The Building and Burning of Knowledge

by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín

We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…

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South Issue #6 [documenta 14 #1]