documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
“Throughout this depiction of the Crusaders, of the Crusades, from which the cross is so curiously absent, except on the ornaments of the indignant patriarch on the left, it is as though there is an…
Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…
The hunt and greed for resources has shaped economic and societal models over the ages. A growing world population is affecting the way resources are being depleted, causing major societal disruption on…
Located in Kypseli, a northern neighborhood of central Athens, the open-air cinema Stella sits like a blank frame set within a densely urban environment. Named after the strong-willed character played…
Constructed in the late eighteenth century as a way to expand Kassel from the old medieval town toward the flourishing Huguenot settlement nearby, Friedrichsplatz has often been employed as an arena for…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
In December 2011, ten German intellectuals met in Berlin to discuss the current political crisis: how democracy had been undermined, weakened, hollowed out, and perverted by the so-called free market and its functions…
with Dimitris Parsanoglou, Maria Iorio, and Raphaël Cuomo
In contemporary discussions of European borders, the sea stands as a silent and invisible yet violent medium that accentuates the tragic or heroic border crossings of migrants and refugees. Although it…
by Pierre Bal-Blanc, Marina Fokidis, Quinn Latimer, Yorgos Makris, Marta Minujín
We are accustomed to equating literature and architecture—a stanza, the basic unit of poetry, is, after all, a “room” in Italian. But in the case of the edifices built to hold books, this relationship…
