documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
My photographic work Occupation—currently on view at EMST—National Museum of Contemporary Art as part of documenta 14—traces the destruction of Palestinian livelihood in the city of al-Khalil/Hebron…
The day the EU agreed to a third Greek bailout, July 12, 2015, was the same day that Aristide Antonas chose to photograph Die Welt’s headquarters methodically lowering scaffolds to wash their high-rise…
BO (recently extinct) Andaman Islands, India Speaker: Boa Sr, the last speaker of Bo (1925–2010) Recorded by: Anvita Abbi, 2005–10 Source: Harmeet Shah Singh, CNN
In the 1990s, a civil movement organized at grassroots level by students and villagers to try to reconcile the thousands of feuding families around Kosova. These blood feuds were based on an old law that…
In 1903 Isadora Duncan and her family arrived in Athens, where they resolved to remain and establish a place for dance to be experienced in a fluid relationship with everyday living. Designed according…
In a life cut short before the age of 30, Andrzej Wróblewski (1927–57) produced an impressive body of work consisting of paintings, drawings, and prints, and spanning both abstraction and figuration…
Measuring 1.5 square kilometers in total, the Auepark or Karlsaue, so named after its patron Landgrave Karl of Hesse-Kassel, is the tautly composed, arch-symmetrical Baroque counterpoint to the sprawling…
The title of Eva Stefani’s Bathers points to a painterly tradition that emerged in the nineteenth century alongside the advent of leisure, the nudist movement, and love for nature. Its most famous examples are the Bathers of Edgar Degas or Paul Cézanne…
U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…
An invitation to partake of the pleasures and perils of water. In collaborating with local artists, activists, musicians, sex workers, refugees, and other humans and non-humans.
Within the complex allegorical structure of Gustave Courbet’s L’Atelier du peintre (Painter’s Studio, 1854–55), the Irish beggar woman constitutes not merely a dark note of negativity calling into…
