documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
When I first visited the Acropolis in 1959 I found myself walking virtually by accident on the adjacent landscape of Philopappou Hill and there I felt, with surprise, the almost literal movement of the…
Hooran balances precariously on a jagged rock in Barmer, Rajasthan. Her hands are curled up like claws, and her gaze is fearsome. Mir Hasan clutches the body of his bedridden grandfather, Haji Saraj ud…
Pedro Matta is a survivor who gives guided visits to people who want to know about what happened in Villa Grimaldi, Santiago de Chile. Given my work on…
Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…
Above the entrance of the Athens School of Fine Arts on Pireos Street we find the popular Greek slogan Ένας στο Χώμα χιλιάδες στον Αγώνα (One in the soil, thousands on the battlefield)…
Having opened its doors to the public in September 2015, Grimmwelt is the latest addition to Kassel’s museum landscape: perched atop the so-called Weinberg, this museum devoted to the life, work, and…
Climate chaos, globalized toxicity, mass extinction. A global social process has altered the earth’s biophysical systems, destabilizing the climate and shifting the course of evolution. Ironically, knowledge…
Passing Drama by Angela Melitopoulos revolves around the great population displacement that followed the breakdown of the Ottoman Empire. The title plays with the double meaning of the word “Drama.” Implying tragedy and turmoil, Drama is also the name of the town where Melitopoulos’s grandparents settled after the Lausanne convention in 1923…
Taci, anzi parla: “Shut up. Or rather, speak,” as Italian art critic turned activist Carla Lonzi called her “Diary of a Feminist” in 1978.2 Her title indicated an imperative mood full of doubts…
In Black Star, Crescent Moon (2012), scholar Sohail Daulatzai charts post-1950s Black internationalism as an intersecting history of black Muslims, black radicals, and the Muslim third world. In response…
