documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The Syrian who wanted the revolution is not in opposition. S/he does not belong to the system of opposition, the product of a power struggle in Assad’s Syria. S/he did not go out onto the streets to…
Roee Rosen—painter, novelist, and filmmaker—is an astute critical voice in Israel. While his work deals primarily with the representation of desire and structural violence, Rosen, born in 1963, has…
The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…
Originally designed in 1866 to host finds from nineteenth-century archaeological excavations, the museum’s collections—the most extensive in Greece—date from the sixth millennium BC to late antiquity…
Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…
I am trying to think “language or hunger,” but I inevitably supplant hunger with eating, not eating, and shitting, all of which differ from hunger. Hunger is abstract, and…
Cemetery of Splendour is Thai director Apichatpong Weerasethakul’s seventh feature film. In a provincial city in Thailand’s northeast, soldiers deployed on a construction project come down with a strange sleeping sickness and receive treatment in a makeshift clinic. A friendship develops between two of their volunteer carers, who discover that the soldiers’ digging has disturbed an ancient royal cemetery said to lie beneath the clinic, and that this has caused their mysterious illness…
Twenty years ago, the No One is Illegal campaign was established as a decentralized network of anti-racist, migrant, and refugee-solidarity groups within documenta X’s Hybrid Workspace. Since then, it…
The arcades begin on the left and, through a foreshortened perspective, run almost to the horizon. Ten round arches can be discerned. Above nine of them are rectangular windows; a tenth, located on the…
