documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

We Are Dying—Take Care of the Right to the Image

by Abounaddara

In the spring of 2011, Syrians rose up against a dictatorship inherited from another era. Schoolchildren wrote “The emperor wears no clothes!” on the walls. Young people streamed into the streets and…

Notes

Regina José Galindo

They want to hide things.
So many lies fill our eyes with dust.
—Regina José Galindo

In Regina José Galindo’s Rescue (2017), the action is heard before it is seen. Performed in Athens, Galindo’s…

Artists

Blood Is Flowing in Carthage: Simone Weil between Force and Colonialism

by Richard Fletcher

The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…

South Issue #9 [documenta 14 #4]

Gordon Hookey: Summoning Time. Painting & Politikill Transition in MURRILAND!

with Gordon Hookey, Johannes Fabian, Ali Moraly, Vivian Ziherl, and Hendrik Folkerts

Taking the work of Gordon Hookey in Kassel and Tshibumba Kanda Matulu in Athens as a point of departure, this public conversation between Hookey, Frontier Imaginaries curator Vivian Ziherl, and anthropologist…

Calendar

Interview with Andreas Angelidakis

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Byzantine and Christian Museum (Gardens)

The museum now devoted to showing the Greek national collection of religious art and artifacts from approximately the third to the twentieth centuries AD is housed in what was first known as the Villa…

Venues

Krzysztof Niemczyk

Was Krzysztof Niemczyk (1938–94) an artist? A revolutionary? A saint? A pervert? A strategist?

And if he was a revolutionary, what was the revolution in question? The one which changes the course of…

Historical Positions

Public Radio

Museum für Sepulkralkultur

Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…

Venues

Enfleshment of Memory

by Neni Panourgiá

Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…

South Issue #8 [documenta 14 #3]

Keimena #24: Ának Araw

by Gym Lumbera

Gym Lumbera’s Ának Araw begins with words on the screen: a procession of basic English nouns accompanied by pictographic representations. These are followed by their live-action representations, subtitled in Tagalog. Words, but no dialogue…

Public TV

Mask Silence, Silence Masks, or A Condition of Utmost Listening

by Stathis Gourgouris

Silence 1

The sense we have is that in the vast expanses of space between celestial bodies there is a void. Hence, total silence. The Greek word for space is διάστημα, which means literally in-between…

South Issue #7 [documenta 14 #2]

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Restif de la Bretonne’s State Brothel: Sperm, Sovereignty, and Debt in the Eighteenth-Century Utopian Construction of Europe

by Paul B. Preciado

In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…

South Issue #6 [documenta 14 #1]