documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Maria Eichhorn is waiting for me at her studio door. Inside, a spacious, austere, meticulously tidy loft welcomes, with elements of Japanese design softening the cold industrial architecture. We exchange…
To introduce Korean women’s poetry in the space of five minutes would be as difficult as shrinking five thousand years into five minutes. The Korean male literary establishment differentiates and categorizes…
with Nadia Bou Ali, Ray Brassier, Dimitra Kotouza, Mattin, and Paul B. Preciado
Previous revolutionary theories thought that it was possible to live in unalienated conditions. However, the question of mediation and how we understand ourselves is being radically challenged today: technology…
Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…
These fragments of a score for voice and piano are all that survived of the music composed by Mikhail Matyushin for the first futurist opera. The score favors chromatic harmonies in the piano part and…
The Giesshaus (foundry) was built as part of the Henschelei, a factory established in the nineteenth century by the industrialist family Henschel, which specialized in the construction of locomotives…
Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…
Commentary on Frantz Fanon’s oeuvre tends to consider The Wretched of the Earth, published in 1961, as the work that breaks with the Martinican thinker’s post-slavery analysis…
