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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News
“The thirtysomething and fortysomething generations in the Arab world (to which I belong) are the children of a generation that once believed they could change the world and reverse the order of their societies. They fought to realize their dream and were defeated. We, their offspring, have come into adulthood and consciousness of the world as their dreams and defeats have resulted in sinister schemes of despotism. All they had left to give us to face the world and guard us against the torment of its ruthlessness was their sorrow. Thus has sorrow become our skin: the skin of our cities, the skin of our voices, the skin that warms, and with which we love.”
—Rasha Salti
Notes

Maria Hassabi

Under the Oxford English Dictionary’s first definition for “shape” (n.) is a third variant, which to me, at least, was unexpected: “The contour or outlines of the trunk of the body.” If I had…

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Artists

Lives and Works of Lorenza Böttner

by Paul B. Preciado

Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…

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South Issue #9 [documenta 14 #4]

#9 Between Terror and Revelry. Collective Strategies of Resistance during Dictatorships in Argentina and Brazil

by Ana Longoni

Both the Brazilian (1964–85) and the Argentine (1976–83) dictatorships were part of the Operación Condor, an illegal repression plan coordinated by different governments of Latin America, conceived…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Ancient Agora of Athens—Odeion of Agrippa

Central to Athenian democracy and justice was the Agora, a place of assembly for its citizens. At the center of the Ancient Agora of Athens was the Odeion of Agrippa, an auditorium with the capacity to…

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Venues

W. Richter

Along with the Grimm Brothers and August Spies, Gottlieb Theodor Kellner stands out as a harbinger of progressive politics in mid-nineteenth-century Hessen. Kellner was born in Kassel in 1819 where, in…

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Historical Positions

Ballhaus

The Ballhaus—Leo von Klenze’s first authored building—stands next to the Schloss Wilhelmshöhe, the neoclassical palace of Kassel, inside the Bergpark Wilhelmshöhe. It was built in 1808 by Jérôme…

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Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

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South Issue #8 [documenta 14 #3]

Keimena #39: UHF42, episodes 1–2

by Mike Crane

UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…

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Public TV

Occupy Collections!*
Clémentine Deliss in conversation with Frédéric Keck on access, circulation, and interdisciplinary experimentation, or the urgency of remediating ethnographic collections (before it is really too late).

Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…

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South Issue #7 [documenta 14 #2]

From Postporn to Ecosex: An Art, Love, and Activism Journey

by Annie Sprinkle and Beth Stephens

Ex-porn star and artist Annie Sprinkle and professor, sculptor, and video artist Beth Stephens fell in love at the beginning of the century. Their relationship triggered an artistic collaboration that…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

I Had Nowhere to Go

by Jonas Mekas

When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…

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South Issue #6 [documenta 14 #1]