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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Anne Charlotte Robertson (1949–2012)

Anne Charlotte Robertson, born in 1949, was a Massachusetts-based filmmaker who used her Super-8 camera and acute self-awareness to forge a radically intimate mode of first-person cinema. Although she…

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Notes

Andreas Angelidakis

Andreas Angelidakis tries to make sense of where we are and how we got here. His work emerges from the experience of being in place: in Greece, in climate change, in architecture, in psychoanalysis, in…

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Artists

Nusja Jonë

by Yll Çitaku and Nita Deda

The Goran people of Kosovo live in Lubinje, a remote village at the foot of the Sharr Mountains. They have a tradition of dressing and making up the bride on her wedding day, covering the whole body in…

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South Issue #9 [documenta 14 #4]

SPOTS

with Aysun Bademsoy, Mareike Bernien, Madeleine Bernstorff, and Cana Bilir-Meier

September 1, 2017
8 pm, Fridericianum
Presentation and film screening
Live stream available…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Panathenaic Stadium/Hellenic Olympic Committee

First built in the fourth century BC during Lykourgos’s archonship in the ravine between Ardettos Hill and the Ilissos River, the Panathenaic Stadium was reconstructured during the reign of Roman emperor…

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Venues

CineStar

At documenta 14 in Athens, Douglas Gordon chose the open-air movie theater Stella for the presentation of I had nowhere to go (2016), his cinematic portrait of the avant-garde filmer Jonas Mekas, thus…

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Venues

H+G

by Elizabeth Allen-Cannon, Vidura Jang Bahadur, Andrew Bearnot, Jan Brugger, Evan Carter, Kyle Hossli, Ben Nicholson, Shanna Zentner

Scene 1: Prologue

The stage is dark. Lighting is eerie and is slowly introduced as performers enter the stage. A slowed down version of the opening drum riff to Natti Vogel’s “Cannibal” plays. The…

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South Issue #8 [documenta 14 #3]

Keimena #20: Inventur – Metzstraße 11 and Logbook_Serbistan

by Želimir Žilnik

In the forty years between Inventur - Metzstrasse 11 and Logbook_Serbistan, Želimir Žilnik never ceased to give voice to the disenfranchised. Made in 1975, Inventur belongs to Žilnik's German period, when he fled Yugoslavia following the collapse of the “black wave” generation of Yugoslavian cinema of which the Serbian’ director was a key member…

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Public TV

Outlawed Social Life

by Candice Hopkins

U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…

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South Issue #7 [documenta 14 #2]

#8 This is not the Place. Four Visits to Villa Grimaldi: A Chilean Center for Torture and Detention

by Diana Taylor

Over the past ten years, Taylor has visited Chile's notorious Villa Grimaldi with survivors of torture as well as alone, using an audio tour. What does it mean to be in a place of torture and disappearance?…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education