documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Katalin Ladik’s art is founded on movement. Everything is set in motion, in constant flux and transformation; there is no imitation, representation, narrative. Even the direction of movement is not defined…
Few filmmakers in recent years have managed to combine formal innovation with a programmatic stance toward filmmaking quite like Véréna Paravel and Lucien Castaing-Taylor. In the process of reinventing…
Reflecting on the process of becoming a dancing body and on the paradoxes of inventing an autonomous gestural language, Alexandra Bachzetsis performs her first piece Perfect, conceived fifteen years ago…
Above the entrance of the Athens School of Fine Arts on Pireos Street we find the popular Greek slogan Ένας στο Χώμα χιλιάδες στον Αγώνα (One in the soil, thousands on the battlefield)…
The Bengal Famine 1943–44 wrecked over three million lives across undivided India during the Second World War while its colonized subjects supported the Western war effort leading to a diversion of food…
Opened in 1992, a few quiet footsteps from Grimmwelt Kassel, the Museum für Sepulkralkultur is entirely dedicated to the culture of death, from burial customs and memorial symbols to more everyday experiences…
by Nabil Ahmed, with images by Gauri Gill and Rajesh Chaitya Vangad
Peter Sloterdijk famously wrote that modernity began on the northern fronts of World War I, when imperial Germany first deployed poisonous chemicals, which they dug into their trenches, against French…
Abenaki director Alanis Obomsawin’s film Kanehsatake: 270 Years of Resistance focuses on a small Kanien'kéha:ka (Mohawk) community, unheard of by many Canadians until a protest began on March 10, 1990…
with Gigi Argyropoulou, Deborah Carlos-Valencia, Lina Mourgi, and Stavros Stavrides
As austerity politics, crisis management, and economic re-adjustment show, contemporary capitalism operates through a severe reduction of the “social” on all levels. But does the privatization of the…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
