documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Roee Rosen—painter, novelist, and filmmaker—is an astute critical voice in Israel. While his work deals primarily with the representation of desire and structural violence, Rosen, born in 1963, has…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…
It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
Cemetery of Splendour is Thai director Apichatpong Weerasethakul’s seventh feature film. In a provincial city in Thailand’s northeast, soldiers deployed on a construction project come down with a strange sleeping sickness and receive treatment in a makeshift clinic. A friendship develops between two of their volunteer carers, who discover that the soldiers’ digging has disturbed an ancient royal cemetery said to lie beneath the clinic, and that this has caused their mysterious illness…
I translated this Bengali short story into English as much for the sake of its villain, Senanayak, as for its title character, Draupadi (or Dopdi). Because in Senanayak I find the closest approximation…
In 1769, a few years before the French Revolution, Nicolas Edme Restif de la Bretonne published his epistolary essay Le Pornographe.1 Its subtitle, as rendered in English: A Gentleman’s Ideas on a Project…
