documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

Drawing a Line through Landscape: The Tent

by Nikhil Chopra

When seen from a distance, there is a constant glow within the tent as if it has a warm light switched on. In the day, the drawing is backlit and at night, when the oil lamps burn inside, it lights up…

Notes

Annie Sprinkle and Beth Stephens

The work of Annie Sprinkle and Beth Stephens reflects two lines of force within radical feminist art. While Stephens (born in 1960 in Montgomery, West Virginia) was intervening in the gallery space and…

Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something. We are real. This excuses us from being necessary…

South Issue #9 [documenta 14 #4]

#6 Memory under Construction: Towards a Public Memory of Torture in Greece

by Kostis Kornetis

After Argentina’s economic collapse in 2001, a discourse around body politics became strongly engaged in not only tackling but also actively working through the country’s painful dictatorial past…

Calendar

Interview with Pélagie Gbaguidi

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Stoa tou Vivliou

Known as the Stoa Arsakeiou when it was built in 1900, this central yet somewhat hidden arcade took on its current name, which means “arcade of books” in 1996, when the Society for the Promotion of…

Venues

Lionel Wendt

Lionel Wendt (1900–44) carved an influential legacy in Sri Lanka as a photographer, concert pianist, critic, and founding member of the 43 Group, assembling modernist artistic practitioners who steered…

Historical Positions

Public Radio

Grimmwelt Kassel and Weinberg-Terrassen

Having opened its doors to the public in September 2015, Grimmwelt is the latest addition to Kassel’s museum landscape: perched atop the so-called Weinberg, this museum devoted to the life, work, and…

Venues

Enfleshment of Memory

by Neni Panourgiá

Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…

South Issue #8 [documenta 14 #3]

Keimena #19: 48

by Susana de Sousa Dias

A face appears in Susana de Sousa Dias’ 48 — the profile of a young woman, a black-and-white photograph, taken decades ago. Her face is stern, proud, austere. Yet she weeps. She tells a tale of humiliation, frustration, and defeat. She has no name, no age, no flesh…

Public TV

Outlawed Social Life

by Candice Hopkins

U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…

South Issue #7 [documenta 14 #2]

Matter Form Facture

with Geeta Kapur and Natasha Ginwala

The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Mare Nostrum

by Miriam Cahn

COINCIDENCES

i would not be

i would not be had i not not i i too but not even at all if.
i would not be only not i i too i would not be. i am because. i am i too i because if.

i would not be if my…

South Issue #6 [documenta 14 #1]