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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

Listening to Matanzas

by Neil Leonard and Maria Magdalena Campos-Pons

The former plantation of Álava in the Matanzas province of Cuba evokes sound before one hears it. In January 2017, we went there to record local musicians and were told to meet them near the bell tower…

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Notes

Apostolos Georgiou

“. . . It’s been a while since I left blue behind. Trapped inside ocher, maroon, brown, and mint green. I live in a palette of dark colors and among common objects. I follow my course through the vacant…

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Artists

Blood Is Flowing in Carthage: Simone Weil between Force and Colonialism

by Richard Fletcher

The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…

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South Issue #9 [documenta 14 #4]

The Apartments of Jewish Tenants as Witnesses to the Holocaust: The Paris Case

with Sarah Gensburger, Isabelle Backouche, and Eric Le Bourhis

Auschwitz, Drancy camp near Paris, the Warsaw Ghetto: the history of Jewish persecution during the Second World War is inscribed in acknowledged locations including ghettos and extermination or transit…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Rizari Park

Near the Athens War Museum, a green oasis of exclusively Mediterranean flora is situated between two busy avenues. The plants were bequeathed in 1844 by Georgios Rizaris, a former member of the Society…

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Venues

Louis Gurlitt

The Gurlitt family saga—one thread among many running throughout this venue—begins with Louis Gurlitt, a prolific landscape painter born in Hamburg in 1812, whose mastery of the genre contributed to…

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Historical Positions

documenta Halle

Beyond its obvious postmodern invocations, documenta Halle seems like a body reclining on the slope that brings visitors from Friedrichsplatz to the Orangerie and Karlsaue park—an organism of steel and…

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Venues

Keimena #35: Louomenoi (Bathers)

by Eva Stefani

The title of Eva Stefani’s Bathers points to a painterly tradition that emerged in the nineteenth century alongside the advent of leisure, the nudist movement, and love for nature. Its most famous examples are the Bathers of Edgar Degas or Paul Cézanne…

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Public TV

Editors’ Letter

by Quinn Latimer, Adam Szymczyk

The second issue of South as a State of Mind as the magazine of documenta 14 goes to print almost exactly one year before the inauguration of the exhibition in Athens, and fourteen months before the…

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South Issue #7 [documenta 14 #2]

How does it feel to be a problem?

This performative gathering establishes no hierarchies between radically different knowledge, languages, and practices, between activism and performance, between theory and poetry, between art and politics: collectively, we experiment with the construction of a public space of visibility and enunciation…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education