documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Anne Charlotte Robertson, born in 1949, was a Massachusetts-based filmmaker who used her Super-8 camera and acute self-awareness to forge a radically intimate mode of first-person cinema. Although she…
Measuring 2.7 by 10.9 meters, The War of the Relics (2013)—K. G. Subramanyan’s final mural before his death in June 2016—is a rare and ambitious feat of the human spirit. Painted by an eighty-eight-year-old…
Lorenza Böttner (1959–1994) was an artist who held an acute, embodied relationship with transformation. She transformed a painting practice into a performance art that took to the streets and made public…
Halberstam’s recent research has focused on the exponential increase in the last decade of public discussion in the US and Europe around transgenderism. In his upcoming book Trans*. A Quick and Quirky…
Near the Athens War Museum, a green oasis of exclusively Mediterranean flora is situated between two busy avenues. The plants were bequeathed in 1844 by Georgios Rizaris, a former member of the Society…
The Ballhaus—Leo von Klenze’s first authored building—stands next to the Schloss Wilhelmshöhe, the neoclassical palace of Kassel, inside the Bergpark Wilhelmshöhe. It was built in 1808 by Jérôme…
UHF42 is an episodic tele-drama co-produced by artist Mike Crane and Wattan TV, the West Bank’s longest running 24-hour news station. Each of the six episodes depicts one day in a working week…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
This performance is inspired by all those people who at some point, in some place, in some way reacted to what was putting them down by posing thousands of questions. By all those who, if only for a brief…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
