documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
Collective Exhibition for a Single Body is proposed by documenta 14 curator Pierre Bal-Blanc in collaboration with the Greek choreographer Kostas Tsioukas, and performers and dancers Myrto Kontoni and…
You handed me a face shield with a steel blue head strap. “Have a glass mask,” you said. We laughed softly, aware of the obvious, not funny, allusion. I asked you if you knew that monosyllabic rhymes…
Modernity has its forms, its laws, its fatal fantasies.1 Extinction is their logical drift. For five hundred years, ecocide and genocide have belonged to the dynamics, the very energetics, of modernity…
Inaugurated in 1991, Megaron was the outcome of the long efforts of an association of eminent social figures, musicians, and music lovers. The hall was built and has since operated on corporate, private…
Many threads of Kassel’s history are woven together in this abandoned warehouse. Built in the 1950s on a location belonging to two of the city’s most prominent industrial dynasties, Henschel company…
Hunger, Thomas Malthus and Adam Smith tell us, independently from each other and with completely different concerns, is a man-made condition, the result of the ecosystems of societies—society drives…
Carmelo Bene’s 1971 film Don Giovanni is not an adaptation of a famous Don Juan story. Instead, the film critically investigates the multifaceted legend of the wealthy male sinner who seduces one woman after another. This is a film about Don Juanism…
Mariana Castillo Deball’s contribution to this magazine is a series of contour drawings made by perforating pages from daily European newspapers. Crude, geometric, and, in their hypnotizing symmetry…
with Dimitris Parsanoglou, Maria Iorio, and Raphaël Cuomo
In contemporary discussions of European borders, the sea stands as a silent and invisible yet violent medium that accentuates the tragic or heroic border crossings of migrants and refugees. Although it…
When, in 1944, Jonas Mekas left the small village in Lithuania where he grew up, he was twenty-two years old and a man of “some reputation,” as he puts it. Editor-in-chief of a weekly paper and a young…
