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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

In Memoriam: Beau Dick (1955–2017)

by Candice Hopkins

Beau Dick was given the name “Walis Gwy Um,” which means “big, great whale” in the Kwak’wala language. His carvings tap into the supernatural, as though everything he made is invested with spirit…

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Notes

Sokol Beqiri

As visual reminiscences and artistic responses to the bestialities of war, the works of Sokol Beqiri from the early 2000s also speak to the omnipresence of crime in the city where he was born in 1964…

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Artists

Blood Is Flowing in Carthage: Simone Weil between Force and Colonialism

by Richard Fletcher

The destruction of ancient Carthage served as the inspiration for a work by Italian artist Lara Favaretto in the inaugural (and so far only) Carthage Contemporary exhibition, titled Chkoun Ahna (meaning…

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South Issue #9 [documenta 14 #4]

#15 Chronotopes / Dystopic Geometries / Terrifying Geographies

by Νeni Panourgia

Mikhail Bakhtin tells us that the chronotope connects temporal and spatial relationships of language to the ideological and political context that has produced them. Time, Bakhtin says, “thickens, takes…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Aristotle’s Lyceum

Between the Athens Conservatoire (Odeion) and the Sarogleio Building (Armed Forces Officers Club) lie the foundations of the ancient Lyceum of Aristotle, established by the philosopher in 335 BC with a…

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Venues

Naturkundemuseum im Ottoneum

After its partial destruction during World War II, the Ottoneum performed a remarkable shift: from a theater—arguably the first theater building in Germany, constructed in the early seventeenth century—to…

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Venues

To Create the Sound of Hunger: Joaquín Orellana in Conversation with Stefan Benchoam, Julio Santos, and Alejandro Torún, with an introduction by Monika Szewczyk

The Guatemalan composer and sound artist Joaquín Orellana is among the most important living members of South America’s musical avant-garde. In a career spanning half a century, his practice has combined…

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South Issue #8 [documenta 14 #3]

Keimena #3: Oncle Bernard—L’anti-leçon d’économie

by Richard Brouillette

Depicted in Richard Brouillette’s Oncle Bernard – A Counter-Lesson in Economics, Bernard Maris, who wrote under the pseudonym of Uncle Bernard in his “Charlie Hebdo” column, had the mission of unmasking the professional fabricators of the economy—those who, every day, wherever we are, fill us with the same rubbish, draped in a phony pseudo-science whose goal is to disguise the mechanisms of that power which enslaves us…

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Public TV

Black Athena Reloaded 2: A Trial of the Code Noir

with Colin Dayan, Pélagie Gbaguidi, Tavia Nyong’o, David Scott, and Françoise Vergès

Books are material surfaces of inscription where political fictions have the opportunity to become collective reality. The Code Noir was an economic and legal decree passed by King Louis XIV in 1685 to…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

Marx and Stilinović

by Sven Stilinović

Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover

 

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South Issue #6 [documenta 14 #1]