documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…
In 1711, in an essay for The Spectator, Joseph Addison defined wordplay as a “kind of false wit,” a petulant “jingle of words . . . comprehended under the general name of Punning.” The fraudulence…
The collaboration between documenta 14 and the National Museum of Contemporary Art, Athens (EMST) seemed both inevitable and unlikely. But no more unlikely than documenta 14 dividing like a replicating…
This house, which belonged to the modernist artist Nikos Hadjikyriakos-Ghika, is a typical example of interwar Athenian architecture. The mansion was a meeting point for the Athenian intelligentsia of…
Four years have passed since the death of the Cuban painter and sculptor Antonio Vidal, but the story of his life is still full of riddles to be deciphered. His intellectual maturity is closely linked…
Gloria-Kino first opened its doors in 1954. Today it retains the typical architecture of its time, while the interior was renovated in the 1980s. An important venue in Kassel’s cinema landscape, the…
Art is “not a hobby—it’s why we wake up every morning,” as artist Naeem Mohaiemen recently put it to his graduate advisers, explaining the year he took off from writing his PhD dissertation…
Ben Russell—the director of Trypps #7(Badlands), Atlantis, and He Who Eats Children—is an itinerant filmmaker. From Vanuatu to Rhode Island, he reaffirms and interrogates the affinities between cinema and travel that have existed since the medium’s earliest years. No matter where he shoots, at stake is a reckoning with otherness—with other psychic states, other ways of living, other cultures—and with the cinema itself…
Is it possible to transform the role of a museum and provide it with an educational remit distinct from that of the university? Can we change the consumerist imperative of the museum and re-implement its…
Democracy has become a matter of aesthetics. The stage of the public has become a kind of orchestrated video game or operetta with a few recited parts; this operetta is performed daily for a people overwhelmed…
The mechanism of forgetfulness has ramifications far beyond the importance it has played in psychoanalysis. Sigmund Freud notes that forgetfulness is not “left to psychic arbitrariness, but that it follows…
