documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…
The makeshift refugee camp in Calais, in the vicinity of the French port and hulking concrete bunkers, was known as the Jungle. According to different estimates, it gave shelter to nine or ten thousand…
Anna Halprin’s dance deck was built in collaboration with Lawrence, her husband, the landscape architect, urban designer, and ecologist, between 1953 and 1954, in the redwood area of Kentfield, California…
What follows is [an excerpt of] a narrative poem comprised solely and entirely of the titles, catalog entries, or exhibit descriptions of Western art objects in which a black female figure…
Attempt. Come. Undefined. Be the point of no-reference. Constant, and as a state of formation. Play. Continue to play with the beat. Vibrate with me, so chaos can enter. It is an invitation. Come. As water. As the…
In 1922, diplomat and bibliophile Joannes Gennadius offered his 26,000-volume library to the American School of Classical Studies at Athens, on the conditions that the holdings be housed as a separate…
Housing the Museumlandschaft Hessen-Kassel’s collection of nineteenth, twentieth, and twenty-first century art, the Neue Galerie has been an important venue in a number of previous editions of documenta…
It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…
The choice of the title, Matter Form Facture, signals my continued engagement with a materialist aesthetic that counterbalances the disdain with which conceptual, mediatic, and textual forms of contemporaneity…
Landing page and following images: Sven Stilinović, Marx and Stilinović (1980), three black-and-white photographs, sheet of paper with text, corduroy cover
