documenta 14

09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.…

News

Studio 14: Greece: a (non-) European Country
by Yannis Almpanis

During a recent Eurogroup meeting, some European finance ministers allegedly told Euclid Tsakalotos that, while he may be right in protesting against the terms imposed by the IMF, he will ultimately have…

Notes

Aristide Antonas

The day the EU agreed to a third Greek bailout, July 12, 2015, was the same day that Aristide Antonas chose to photograph Die Welt’s headquarters methodically lowering scaffolds to wash their high-rise…

Artists

Three Poems

by Kim Hyesoon

South Issue #9 [documenta 14 #4]

#0 Introduction

by Adam Szymczyk, Paul B. Preciado, and Andreas Angelidakis

Calendar

Interview with Cecilia Vicuña

Public Education

New York

Athens

New York

Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

Publications

Athens School of Fine Arts (ASFA)—Pireos Street (“Nikos Kessanlis” Exhibition Hall)

Above the entrance of the Athens School of Fine Arts on Pireos Street we find the popular Greek slogan Ένας στο Χώμα χιλιάδες στον Αγώνα (One in the soil, thousands on the battlefield)…

Venues

Conrad Felixmüller

Conrad Felixmüller was born in Dresden in 1897, where he studied with the Hessian realist painter Carl Bantzer. He was a founding member of the avant-garde artist collective Novembergruppe, and a member…

Historical Positions

Public Radio

Peppermint

Peppermint is a hybrid plant, one that shoots out transversal roots, growing quickly and fragrantly into various contexts. Peppermint is also the namesake of aneducation’s space for documenta 14 in Kassel—a…

Venues

From Logocular Anthropotechnics to Posthuman Dispositives: Toward a Manifesto of the Postdiscursive Era

by Sotirios Bahtsetzis, with images by Christos Karakepelis

What is the future of the human, and what is the role that art has to play in determining this future? After philosophical thinking has determined the “end of man,” or as Jacques Derrida aptly put…

South Issue #8 [documenta 14 #3]

Keimena #11: Loubia Hamra (Bloody Beans)

by Narimane Mari

Bloody Beans, Narimane Mari’s first feature-length film, is a dreamlike take on the violent spiral of Algeria’s recent history. Its force and beauty is that it does not employ a straightforward historical narrative, but instead re-enacts the past through play…

Public TV

Impact Silhouettes

by Mariana Castillo Deball

South Issue #7 [documenta 14 #2]

#15 Chronotopes / Dystopic Geometries / Terrifying Geographies

by Νeni Panourgia

Mikhail Bakhtin tells us that the chronotope connects temporal and spatial relationships of language to the ideological and political context that has produced them. Time, Bakhtin says, “thickens, takes…

Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

Public Education

Édouard Glissant’s Worldmentality: An Introduction to One World in Relation

by Manthia Diawara

Édouard Glissant’s seminal treatise Philosophie de la Relation (Philosophy of Relation) was published in 2008,2 at a time when the so-called nouveaux philosophes were taking sides in the debate about…

South Issue #6 [documenta 14 #1]