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DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170502T100000
DTEND:20170502T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1493724600_1493733600@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170502T133000
DTEND:20170502T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170503T100000
DTEND:20170503T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1493811000_1493820000@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170503T133000
DTEND:20170503T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170504T100000
DTEND:20170504T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1493897400_1493906400@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170504T133000
DTEND:20170504T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170505T100000
DTEND:20170505T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1493983800_1493992800@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170505T133000
DTEND:20170505T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494057600_1494068400@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170506T100000
DTEND:20170506T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494070200_1494079200@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170506T133000
DTEND:20170506T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170507T100000
DTEND:20170507T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494156600_1494165600@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170507T133000
DTEND:20170507T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494230400_1494241200@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170508T100000
DTEND:20170508T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494243000_1494252000@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170508T133000
DTEND:20170508T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170509T100000
DTEND:20170509T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494329400_1494338400@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170509T133000
DTEND:20170509T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170510T100000
DTEND:20170510T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494415800_1494424800@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170510T133000
DTEND:20170510T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494489600_1494500400@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170511T100000
DTEND:20170511T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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UID:event_20729__1494502200_1494511200@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170511T133000
DTEND:20170511T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
END:VEVENT
BEGIN:VEVENT
UID:event_20729__1494576000_1494586800@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170512T100000
DTEND:20170512T130000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
END:VEVENT
BEGIN:VEVENT
UID:event_20729__1494588600_1494597600@www.documenta14.de
DTSTAMP:20260722T204332Z
DESCRIPTION:Photo:&nbsp\;Mathias Völzke\n
				
			
\n\nIbrahim Mahama’s works examine
  the relationships and paradoxes between different historical spaces throu
 gh the act of production. It is a re-examination of what it means to produ
 ce with materials and sites in decay while inviting the audience to partic
 ipate and co-author the performance.
DTSTART:20170512T133000
DTEND:20170512T160000
SUMMARY:Check Point Sekondi Loco. 1901–2030. 2016–2017 by Ibrahim Mahama
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