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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

In Memoriam: Lala Rukh (1948–2017)

by Natasha Ginwala

During a visit to Lahore in September 2015, we converged in Lala’s home; the door to her backyard garden lay open and a light breeze drifted in. I soon learned that this garden had been transformed into…

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Notes

Nomin Bold

Nomin Bold belongs to the new generation of Mongol Zurag (literally, Mongol Picture) artists, who were trained after the socialist restrictions on tradition were lifted in Mongolia, just as the country…

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Artists

There Aren’t Enough Magazines ...

by Antonin Artaud

There aren’t enough magazines, or if you will, all existing magazines are useless. We are appearing because we believe we are responding to something.  We are real. This excuses us from being necessary…

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South Issue #9 [documenta 14 #4]

Pile o´ Sápmi

with Máret Ánne Sara and Candice Hopkins

documenta 14 curator Candice Hopkins in conversation with artist Máret Ánne Sara about her artistic work Pile o´ Sápmi, the installation of 400 reindeer skulls exhibited at Neue Neue Galerie (Neue…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Kotzia Square

The square situated in front of the City Hall of Athens has changed names many times throughout the turbulent history of the Greek state, settling on its current iteration that pays tribute to the Greek…

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Venues

Amrita Sher-Gil

In Self-Portrait as a Tahitian, Amrita Sher-Gil performs her corporeality as a field of citation. As one of the most striking self-portraits among several composed throughout the brief span of her life…

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Historical Positions

Zwehrenturm

It all depends on the windʼs direction and force. When the wind blows upwards, the Zwehrenturm transforms into a chimney and reminds me of a factory—the art market as industry. But the billows of smoke…

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Venues

So Many Hungers

by Natasha Ginwala

It is believed the spotted hyenas of Harar came to roam the city during the Ethiopian famine of 1888, surviving on organic refuse and human remains.1 Traveling through Ireland preceding the Great Hunger…

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South Issue #8 [documenta 14 #3]

Keimena #29: Beuys

by Andres Veiel

Beuys, a film by Andres Veiel, is a thrilling portrait of one of the most controversial artists of the twentieth century…

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Public TV

Outlawed Social Life

by Candice Hopkins

U’mista and Nuyumbalees. Kwak’wala words. Names bestowed on two new cultural centers in Alert Bay, British Columbia, founded to house masks and dance regalia repatriated after the potlatch ban (1885–1951)…

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South Issue #7 [documenta 14 #2]

#24 They Glow in the Dark

by Panayotis Evangelidis

They Glow in the Dark, Panayotis Evangelidis, Greece, 2013, 69 min.
Film screening and discussion with director Panayotis Evangelidis…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Haunted City

by Peter Friedl

The arcades begin on the left and, through a foreshortened perspective, run almost to the horizon. Ten round arches can be discerned. Above nine of them are rectangular windows; a tenth, located on the…

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South Issue #6 [documenta 14 #1]