(Bilder nummeriert nach Reihenfolge ihres Erscheinens im Text)

Landingpage und Campos-Pons: courtesy María Magdalena Campos-Pons

Editorial: 1: © Photographic Archive of the Benaki Museum, Athens

Gourgouris: 1: photo: Lutz Braum; 2, 3: courtesy Petros Gourgouris; 4: photo: Thomas Hunter; 5: photo: Mario Del Curto

Fotoessay Hopkins: 1, 4, 9: 80.01.010, 80.01.014, 93.02.008, © U’mista Cultural Centre, Alert Bay, photo: Synth­escape; 2, 3, 5, 7, 8: images H-03994, D-02021, H-03974, H-03980, H-03977, © Royal BC Museum and Archives, Victoria; 6: © U’mista Cultural Centre, Alert Bay; 10: Negative MNH 8300, © National Anthropological Archives, Smithsonian Institution, Washington, DC, 11: courtesy UBC Museum of Anthropology, Vancouver, photo: Vickie Jensen; 12: image J-00559, cour­tesy Royal BC Museum and Archives, Victoria, photo: Ida Halpern; 13: courtesy Audain Art Museum Collection, Whistler, gift of Michael Audain and Yoshiko Karasawa

Dorlin: 1: © 1967 by Grove Press Inc., used by permission of Grove/Atlantic Inc. Any third party use of this material outside of this publication is prohibited

Deliss/Keck: 1-2: courtesy Otobong Nkanga and Weltkulturen Museum, Frankfurt/Main; 3: © Musée du quai Branly, Paris; 4: photo: Catherine De Clippel; 5: courtesy Weltkulturen Museum, Frankfurt/Main, photo: Jens Ziehe; 6: courtesy Galerie Buchholz, Cologne/Berlin, photo: Jens Ziehe; 7: © bpk/Ethnologisches Museum, Staatliche Museen zu Berlin/Claudia Obrocki

Deball: 1–16: courtesy Mariana Castillo Deball

Hopkins: 1, 2, 8, 9: photo: Jolene Rickard; 3, 4, 6, 7: courtesy Maria Thereza Alves and Michel Rein, Paris/Brussels; 5: courtesy Povo Krenak, Maria Thereza Alves and Maumaus, Lisbon

Angelidakis: 1–7, 9: DR1998: 0109:002:001, DR1998:0115: 002-028, DR1998:0113:009, DR1988:0291:015, DR1988: 0291:049, DR1998: 0089:004, DR1998:0098:014, DR1998: 0134:014, John Hejduk fonds, Collection Canadian Centre for Architecture, Montreal; 8: PH1998:0076, Collection Canadian Centre for Architecture, Montreal, © Hélène Binet

Casavecchia: 1, 7, 9, 11, 12: courtesy Frittelli Contemporary Art, Florence, photo: Claudia Cataldi; 2: courtesy Mirella Bentivoglio; 3, 5: courtesy Libreria delle donne, Milan, photo: Maurizio Costa; 4: © Carla Accardi/VG Bild-Kunst, Bonn 2016, courtesy Libreria delle donne, Milan, photo: Maurizio Costa; 6, 8, 15: MART 5997, MART 5923, MART 5899, © Mart, Museo di arte moderna e contemporanea di Trento e Rovereto; 10: © Carla Accardi/VG Bild-Kunst, Bonn 2016, courtesy Archivio Accardi Sanfilippo, Rome; 13: courtesy: Archivio Maria Lai,, photo: Sara Manca; 14: private collection, courtesy Museo MAN, Nuoro

Folkerts: 1: courtesy Kontakt. The Art Collection of Erste Group and ERSTE Foundation; 2: Reprinted with kind permission of C. F. Peters Musikverlag Leipzig, London, New York; 3: courtesy Jani Christou Archives, Athens; 4: The Modern Women’s Fund. Acc. no.: 642.2013, © 2016. Digital image, The Museum of Modern Art (MoMA), New York/Scala, Florence; 5: José Maceda Collection, courtesy UP Center for Ethnomusicology, University of the Philippines Diliman, Quezon City; 6: courtesy Katalin Ladik; 7: MACBA Consortium, © Katalin Ladik 2016, photo: Tony Coll; 8: courtesy Katalin Ladik and acb Gallery, Budapest

Galindo: 1: courtesy prometeogallery di Ida Pisani, Milan/Lucca, photo: Sergio Gianfalla; 2: courtesy Regina José Galindo, photo: Bernard Huet; 3: courtesy prometeogallery di Ida Pisani, Milan/Lucca, photo: David Pérez; 4: cour­tesy Proyectos Ultravioleta, ­Guate­mala City, photo: Rodrigo Maulen; 5: courtesy Regina José Galindo, photo: Julio Pantoja

Marcos: 1: photo:; 2: photo:; 3: photo:; 4: photo:


Mahasweta Devi, „Draupadi“, in: Breast Stories, übers. v. Gayatri Chakravorty Spivak, Kalkutta: Seagull Books 1997. Wiederabdruck mit freundlicher Genehmigung.

Subcomandante Marcos, „Wenn die Toten laut Schweigen (Zurückspulen 1)“. Ursprünglich erschienen in Enlace Zapatista und Revista Rebeldía Zapatista, übers. v. Lisa - Colectivo Malintzín, online:

Alejandra Pizarnik, „Cornerstone“, „Poem“, „Acknowledgement“, „Rings of Ash“, „Clock“, „In a Place for Escaping the Self“, „Forms“; „From the Other Side“, „Shapes and Silences“, „Continuity“, „Signs“, „The World that Heals“, „Fragments for Subduing the Silence“, „Paths of the Mirror“, „A Night Shared in a Memory of Escape“, in: Extracting the Stone of Madness: Poems 1962–1972, New York: New Directions 2016, übers. v. Yvette Siegert. Wiederabdruck mit Genehmigung von New Directions.

Léopold Sédar Senghor, „Gebet an die Masken“, in: Botschaft und Anruf, übers. v. Janheinz Jahn, Göttingen: Lamuv Verlag 1988.

Gayatri Chakravorty Spivak, „Draupadi. Translator’s Foreword”, in: Breast Stories, übers. v. Gayatri Chakravorty Spivak, Kalkutta: Seagull Books 1997. Wiederabdruck mit freundlicher Genehmigung der Autorin.