Credits

Image Credits
(Images numbered according to their appearance in the texts)

Landing page and Stilinović: © Sven Stilinović, images: © Kontakt. Art Collection of Erste Group and ERSTE Foundation

Photo essay: 1–8: Universitätsbibliothek Kassel. Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel: 4° Ms. Hass. 355 [120, 57, 46, 44, 54, 55, 63, 52, 66; [54, 55, 63, 66: Photohaus Eberth, Kassel; 9–14: © Marta Minujín Archive; 15–17: Manolis Daloukas’s Archive, images reprinted from South as a State of Mind #1

Vergès: 1: © akg-images; 2: International Institute of Social History, Amsterdam, © Emory Douglas/VG Bild-Kunst, Bonn 2015; 5: International Institute of Social History, Amsterdam; 3: Collection Martin J. Walker, International Institute of Social History, Amsterdam 4: aus Cinéma: Production Cinématographique 1957–1973, Algiers: Ministère de l’information et de la Culture 1974, photo: Hansgeorg Schöner

Preciado: 1: © ullstein bild – Roger-Viollet; 2, 3: from Claude-Nicolas Ledoux, L’Architecture considerée sous le rapport de l’art, des mœurs, et de la legislation, vol. 1 (1804, reprint Noerdlingen: Uhl, 1981); 4: Bibliothèque nationale de France; 5, 6: © Bourgeron Collection/RDA/Hulton Archive/Getty Images; 7: public domain

Antonas: 1: American School of Classical Studies at Athens, Archives, Dorothy Burr Thompson Photographic Collection; 2: Staatliche Graphische Sammlung, Munich; 3: © akg-images

Gurlitt: 1, 2: courtesy Bundesrepublik Deutschland, Kunstverwaltung des Bundes; 1–3: Maria Eichhorn/VG Bild-Kunst, Bonn 2015; 4–7: © Hans Haacke/VG Bild-Kunst, Bonn; 6: photo: Rolf Lillig; 8: Miriam Cahn Archive; 9: ullstein bild – Joachim Schulz; 10, 11: documenta archiv, Kassel

Cahn: © Miriam Cahn

Mekas: © Jonas Mekas

Arendt: Library of Congress, Prints & Photographs Division, LC-DIG-ggbain-35604

Mohaiemen: © Naeem Mohaiemen

Dimitrakaki: 1: © eidon photographers/Demotix/Corbis; 2: © Alessandro Contaldo; 3: Courtesy the artist and Galerie Peter Kilchmann, Zurich; 4: © Stefan Wermuth/Reuters/Corbis; 5: © Louisa Gouliamaki/AFP/Getty Images

Sankara: source: YouTube

Nochlin: 1, 2: © akg-images/Maurice Babey; 3: bpk/RMN – Grand Palais/Tony Querrec, 4: © Culture and Sport Glasgow (Museums)/Bridgeman Images; 5, 6, 8: © akg-images; 7: from Courbet. Ein Traum von der Moderne, exh. cat. Schirn Kunsthalle Frankfurt (Ostfildern: Hatje Cantz, 2010); 9: Victoria & Albert Museum, London; 10: © Petit Palais/Roger-Viollet; 11: Collection of Jean Bonna, Geneva

Friedl: 1: courtesy of EUR S.p.A. – www.eurspa.it; 2: © bpk/RMN – Grand Palais/Michèle Bellot; VG Bild-Kunst, Bonn 2015; 3: © FLC/VG Bild-Kunst, Bonn 2015/Telimage; 4: © Man Ray Trust, Paris/VG Bild-Kunst, Bonn 2015; 5: Biblioteca Nazionale Centrale di Roma; 6: © Archivio Allori, Rome; 7: courtesy of the Soprintendenza Speciale per il Colosseo, il Museo Nazionale Romano e l’Area archeologica di Roma, Capo di Bove, Archivio Cederna, fasc. 296, n. 36; 8, 9: Archivio fotografico © Istituto Agronomico per l’Oltremare, photos: A. Maugini

Text Credits

Hannah Arendt, “We Refugees,” © 1943 by Hannah Arendt, copyright © 2007 by The Literary Trust of Hannah Arendt and Jerome Kohn; from The Jewish Writings by Hannah Arendt. Used by permission of Schocken Books, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Johann Wolfgang von Goethe, excerpt from Campaign in France in the Year 1792, trans. Robert Fairy (London: Chapman and Hall, 1849).

Jonas Mekas, excerpts from I Had Nowhere to Go (New York: Black Thistle Press, 1991). © Jonas Mekas, published with permission of Lost But Found / Douglas Gordon.

Stefan Zweig, ”The Invisible Collection: An Episode from the Time of German Inflation,“ in The Collected Stories of Stefan Zweig (London: Pushkin Press, 2013). Translation by Anthea Bell courtesy of Pushkin Press.